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This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of ‘The Knights Templar’, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful…

The Happy Viking: Leatherwork and craft of the Viking and Medieval Age is an online store which opened in 2012. It is owned by Elizabeth (Hlif), a re-enactor from Maleny, Queensland. The hand-made Australian products include leatherwork, pottery,…

This oil on canvas painting by well-known nineteenth-century artist Edward Burne-Jones was gifted to the Art Gallery of New South Wales by Arthur Moon. It is one of seven paintings from a ‘St George and the Dragon’ narrative cycle that…

Level 2 undergraduate unit ‘Shakespeare’ coordinated by Peter Eckersall at the University of Melbourne. In part the unit investigates film and television adaptations of Shakespeare’s plays, and two plays set in the medieval period…

Report on the Eight Hours Day procession in Melbourne in 1888. The article describes the vivid and essentially working-class flavour of the skilled trades procession and after-picnic in Melbourne. The tinsmiths’ knightly armour invokes…

On Keira (16 June,1910), p. 39.jpg
This intensely nostalgic medieval poem by E. J. Brady “is most distinctive for its unapologetic insertion of the chivalric into the local”, which becomes the source of unintended humour (Louise D’Arcens, Old Songs in the Timeless…

On Tapestry (14 July, 1910), p. 39.jpg
This engaging “McCrae-like medieval narrative ballad” (John B. Webb, “A Critical Biography of Edwin James Brady 1869-1952” PhD Thesis, The University of Sydney, 1972, p.95) concerns the fortunes of a triad of ill-starred…

Knights of Chance (26 May, 1900), p. 3.jpg
To describe everyday life in colonial Australia as entirely rural-based in 1900 would be misleading, for the country’s major urban centres, particularly Sydney and Melbourne, housed much of the population and fuelled its commercial vitality…
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