The Walled City of Nuremburg â€“ The Cradle of Nazism.
Adam Krafft, Adam Kraft, Adam Kraft (c.1460-1509), Adolf Hitler (1889-1945), Albrecht DÃ¼rer (1471-1528), apprentice, architecture, art, artisan, artists, burgher, carving, cathedral, church, craftsmen, crozier, engraving, filigree stonework, gable, Germany, gothic architecture, guild, Hans Sachs (1494-1576), journeyman, masonry, Master, medieval city, medieval craft, medieval guild, medieval housing, merchant, monstrance, Nuremburg, painting, Percy Bysshe Shelley (1792-1822), Peter Vischer (1455-1529), religion, Rothenburg, seven virtues, St Laurence, stone, stone carving, swastika, â€œTo a Skylarkâ€ (1820), undergarments, vaulting, Veit Stoss (1450-1533), walled city, wood carving
In this article, John T. McMahon describes a visit to the city of Nuremburg in 1936. Arriving only days after one of the Naziâ€™s infamous Nuremburg rallies, he notes the swastikaâ€™s still lining the streets and parade ground. For most of the article, however, McMahon concentrates on explaining Nuremburgâ€™s â€œsplendidâ€ medieval history, and the lasting traces of its past in the physical landscape. He describes tracing the line of the medieval walls, looking in awe at the large merchant houses with their elaborate adornments and recognising, as he looked over the city from the castle, why itâ€™s winding streets and narrow alleys had always held such a fascination for artists and etchers. He identifies Nuremburg as a town famous for its medieval craft guilds, and describes the artistic training and accomplishments of its most famous son, Albrecht DÃ¼rer. He concludes by describing the mastery of the carving work by Adam Kraft in St Laurenceâ€™s Church, which carried the gaze up to the vaulted ceiling â€œlike Shelleyâ€™s skylarkâ€.
McMahon, John T.
National Library of Australia
24 December 1936, p. 40.