Browse Items (1266 total)

Procession halted in front of the Toowoomba Hall. Labor Day parade celebrates the eight hour working day. Processions with banners were a feature of the later medieval period. The metalworkers' banner has a medieval predecessor in the banners used by…

For St Marys_The West Australian_1 June 1929_p7.pdf
This photograph from the West Australian shows a mason carving a crocket on a stone pinnacle during the building of St. Mary’s Cathedral in East Perth in 1929. The caption accompanying the photograph likens his work to that of a medieval guild…

Jest and Quip_The Brisbane Courier_4 May 1929_p19.pdf
This article taken from The Brisbane Courier in 1929 discusses undergraduate students from the University of Queensland taking to the streets on "Commem Day". The author compares them to medieval mummers.The anonymous author also explains that on…

This photograph in The Sydney Morning Herald in 1930 shows three sculptures of medieval knights. The seated knights are on the new B.M.A. (British Medical Association) Building in Macquarie Street, Sydney. They wear full body armour and helmets with…

A photograph of St Andrew’s Cathedral in Sydney that most likely dates from between 1920 and 1925. St Andrew’s Cathedral is located on George Street in Sydney and is part of the Town Hall group of buildings. It is the oldest cathedral…

Medieval Drama_The Sydney Morning Herald_7 July 1936_p4.pdf
An article from the Sydney Morning Herald notifying readers of a second performance of Malory's Le Morte d'Arthur. The performance by graduates and undergraduates of the University of Sydney was of a section of Malory's work, The Quest for the Holy…

Medieval Anatomy_The Argus_15 Spetember 1931_p21.pdf
Despite recognising that Flemish physician Andreas Vesalius (1514-1564) was one of the most progressive anatomists of his day, this article from The Argus in 1931 incorrectly labels his views as those of ‘medieval anatomy’. The article…

The New Renaissance_Australian Womens Weekly_6 April 1955_p2.pdf
This article from The Australian Women’s Weekly in 1955 posits contemporary Australian society as being at the precipice of a ‘New Renaissance’ in terms of widening access to and public interest in fine art. Pinpointing Ancient…
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