Browse Items (20 total)

Scots-Pres-VI.jpg
A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone…

Scots-Pres-II.jpg
A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are…

Scots-Pres-III-1.jpg
A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are…

Scots-Pres-III.jpg
A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are…

This plaster model for a gargoyle depicts the face of an opossum. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template…

Christ-Church(5)---Anglo-No.jpg
A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture.…

Christ-Church(3)---Anglo-No.jpg
A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture.…

This plaster model for a gargoyle depicts the head of a koala. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template…
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