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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html"&gt;http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html&lt;/a&gt;</text>
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                <text>'Golden era of neo-Gothic', Domain Website</text>
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                <text>ANZ, ANZ Gothic Bank, bank, Jenny Brown, Domain, English, Scottish and Australian Chartered Bank, Gothic, Gothic Revival, Melbourne, neo-Gothic, Old Stock Exchange, William Pitt, pointed arch, Safe Deposit, Vic, Victoria, William Wardell, website</text>
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                <text>This 2010 article by Jenny Brown for the Domain website is about the late nineteenth century Gothic Revival architecture in Melbourne, Victoria. The article focusses on what is now known as the ANZ Gothic Bank on the corner of Collins and Queen Street, comprising the former English, Scottish and Australian Chartered Bank, Old Stock Exchange, and Safe Deposit buildings. The buildings were designed by William Wardell and William Pitt. </text>
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                <text>Brown, Jenny</text>
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                <text>November 13, 2010</text>
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                <text>Domain, Jenny Brown</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Cathedral Room entrance, (Former) Melbourne Stock Exchange, Victoria</text>
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                <text>ANZ, bank, bas-relief, Gothic, Gothic Revival, Melbourne, William Pitt, pointed arch, sculpture, Stock Exchange of Melbourne Co Ltd, Vic, Victoria</text>
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                <text>The Cathedral Room used to be the main trading room of the Melbourne Stock Exchange. The former Stock Exchange building is now part of what is known as the ANZ Gothic Bank on the corner of Collins and Queen Street in Melbourne, Victoria. The building was designed by William Pitt (1855-1918) and built in 1888-1891 for the Stock Exchange of Melbourne Co. Ltd. The entrance to the Gothic Revival Cathedral Room is via steps through deep pointed arch doorways featuring bas-relief sculpture. </text>
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                <text>McLeod, Shane</text>
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                <text>February 2013</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="34442">
                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Photograph; JPEG</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>ANZ, bank, bas-relief sculpture, capital, column, finial, gargoyle, Gothic, Gothic Revival, heraldry, lancet window, Melbourne, William Pitt, pointed arch, sculpture, shield, Stock Exchange of Melbourne Co Ltd, tracery, Vic, Victoria</text>
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                <text>The Melbourne Safe Deposit building is part of what is known as the ANZ Gothic Bank complex and is located on Queen Street in Melbourne, Victoria. The building was designed by William Pitt (1855-1918) in 1890 for the Stock Exchange of Melbourne Co. Ltd. The elaborately decorated seven storey brick building is in the Gothic Revival style and features pointed arch windows and doorways, heraldic shields, lancet windows with tracery, numerous columns with decorated capitals, pointed finials, bas-relief sculpture, a statue of a lion holding a shield in the centre of the third floor, and two winged creatures similar to gargoyles in the centre of the fourth floor.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican, blind arcading, William Butterfield, column, Gothic, Gothic Revival, Gothic Transitional, lancet window, Melbourne, pointed arch, stained glass, tracery, Vic, Victoria, St. Paul, St Paul, Saint Paul</text>
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                <text>St Paulâ€™s Anglican Cathedral is in Melbourneâ€™s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading.</text>
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                <text>ANZ Gothic Bank Interior, Melbourne, Victoria</text>
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                <text>This branch of the ANZ Bank is inside what is known as the ANZ Gothic Bank on the corner of Queen and Collins Streets in Melbourne, Victoria. The building was designed by William Wardell (1823-1899) and built as the English, Scottish &amp; Australian Bank between 1883 and 1887. The building is in the Gothic Revival style and the interior of the branch features lancet windows with stone tracery, iron arches supported by iron columns with decorated columns, and a hand-painted ceiling decorated with gold leaf. </text>
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                <text>Digital Photograph; JPEG</text>
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