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                <text>An image of the flÃ¨che (or narrow spire) that emerges from the roof of the Mitchell Building at The University of Adelaide. The ornate and decorative stonework - including the protrusions and patterning, the lancet openings, the mini-turrets and the blind quatrefoil designs - is typical of Victorian Gothic Revival architecture.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s other neo-gothic features include its steeply gabled roof, rows of twin lancet windows, decorative stone tracery and the entrance porch. </text>
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                <text>An image of the facade of Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. It was built in 1972 and opened in 1974 by Keith Ryall.&#13;
&#13;
Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. &#13;
&#13;
Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                <text>Edward Blore, castle, crenellation, Gothic, Gothic Revival, Government House, Greenway Building, Mortimer Lewis, New South Wales, NSW, Royal Botanic Gardens, stained glass, Sydney, tower, tracery, turret</text>
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                <text>One of three images which show the exterior of Government House in the Royal Botanic Gardens, Sydney. The building was designed by the English architect Edward Blore and supervised by the Colonial Architect Mortimer Lewis. The House is in Gothic Revival style and resembles a castle, complementing the earlier castle-inspired stables (Greenway Building). The building, completed in 1845, is highly decorative and features extensive crenellation, turrets, towers, stained glass, and tracery. </text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The current Hotel Rottnest is in the Thomson Bay settlement on Rottnest Island 19 km off the coast of Perth. It was built between 1858 and 1864 as a summer residence for the Governor General of Western Australia. Designed by the Superintendant of Public Works and Towns, Richard Roach Jewell, the original two-storey building includes turrets and crenellation, giving the upper storey the impression of a castle. The building was used as the Governor&amp;rsquo;s summer residence until 1912. Since being converted for holiday accommodation in 1917, and a hotel from 1953, a number of extensions have been added, including a single storey accommodation wing that also includes turrets and crenellation. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For Hotel Rottnest see &lt;a href="http://www.hotelrottnest.com.au/" target="_blank"&gt;http://www.hotelrottnest.com.au&lt;/a&gt;&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;An image of the large statue of St. George located inside Kryal Castle, a tourist attraction near Ballarat in Victoria. The figure is atop a horse in full metal armour. At the foot of the statue are plaques describing the legend of 'St. George and the Dragon.'&lt;/p&gt;&#13;
&lt;p&gt;For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About Kryal Castle:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Built in 1972 by Keith Ryall, Kryal Castle is described as &amp;lsquo;Australia&amp;rsquo;s unique medieval castle.&amp;rsquo; As well as functioning as a tourist attraction, the castle can be hired for weddings, conferences, functions, and special events. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis.&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Original Format</name>
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              <text>3 x Digital Photographs; JPEGs</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Extraordinary Stories Exhibition, Perth</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>advertising, advertisement, advertisements, British Museum, chess, Elizabeth I, England, Erin Jackson Vis, exhibition, Extraordinary Stories, Isle of Lewis, Lewis chess set, museum, Norway, Perth, Phoenix Jewel, queen, review, Scotland, sign, WA, Western Australia, Western Australian Museum</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>These photographs are of advertising for the Extraordinary Stories exhibition at the Perth branch of the Western Australian Museum. The signs feature a photograph of a queen piece from the twelfth century Isle of Lewis chess set found in modern-day Scotland but probably made in Norway. The text on the A-frame sign the playing of chess as part of its advertisement, making the medieval image â€˜speakâ€™ to a modern audience. The exhibition included many items on loan from the British Museum, including the sixteenth-century Phoenix Jewel of Elizabeth I of England, which is also included in one of the photographs. &#13;
&#13;
For an extended review of the exhibition see Erin Jackson Vis, 'A commonwealth of stories',  Review of The Extraordinary Stories Exhibition, The Western Australia Museum, in History Australia, Vol. 9, No. 2, Aug. 2012, pp. 178-180.  &#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21126">
                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21127">
                <text>3 x Digital Photographs; JPEGs</text>
              </elementText>
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      <tag tagId="3064">
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        <name>advertising</name>
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        <name>British Museum</name>
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        <name>chess</name>
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        <name>Elizabeth I</name>
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        <name>England</name>
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        <name>exhibition</name>
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        <name>Extraordinary Stories</name>
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        <name>Isle of Lewis</name>
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        <name>Lewis chess set</name>
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        <name>museum</name>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>A name given to the resource</description>
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                <text>The Forum Theatre, Melbourne, Victoria</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Alhambra, architecture, Bohringer, Taylor &amp; Johnson, cinema, clock tower, columns, corbel, cupola, dome, grotesque figures, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, oriel windows, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria, winged creatures</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>A view of the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor &amp; Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and â€˜Alhambresqueâ€™ Moorish Revival architecture. The minarets, cupolaâ€™s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19999">
                <text>McEwan, Joanne</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20002">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
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      <tag tagId="943">
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      <tag tagId="2674">
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        <name>Medieval Spain</name>
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        <name>moor</name>
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        <name>tower</name>
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        <name>tracery</name>
      </tag>
      <tag tagId="2984">
        <name>Vic</name>
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      <tag tagId="890">
        <name>Victoria</name>
      </tag>
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        <name>winged creatures</name>
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