98 8 1266 https://ausmed.arts.uwa.edu.au/files/original/aecd863044bc629f4084e73b8f2e8b00.jpg baf5da76f6050adce16e181d52104527 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Lady of Mt Carmel and Saints Peter and Paul, Mullewa Subject The topic of the resource Bas-relief, Bell tower, Byzantine, Byzantium, campanile, Catholic, church, column, dome, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, Romanesque, sculpture, semi-circular arch, WA, Western Australia Description An account of the resource The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000). Creator An entity primarily responsible for making the resource Munro, Tony Date A point or period of time associated with an event in the lifecycle of the resource February 22, 2002 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG bas-relief bell tower Byzantine Byzantium campanile Catholic Church column dome John Cyril Hawes Monsignor Hawes Mullewa Our Lady of Mt Carmel and Sts Peter and Paul Romanesque sculpture semi-circular arch WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/8d7773480743c682ba1fedd502a1321e.jpg c0a3a871ac81c38e3f0fe1c6f8511050 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Lady of Mt Carmel and Sts Peter and Paul, Mullewa Subject The topic of the resource Bas-relief, Bell tower, Byzantine, campanile, Catholic, church, column, dome, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, Romanesque, sculpture, semi-circular arch, WA, Western Australia Description An account of the resource The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000). Creator An entity primarily responsible for making the resource Munro, Tony Date A point or period of time associated with an event in the lifecycle of the resource February 22, 2002 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG bas-relief bell tower Byzantine campanile Catholic Church column dome John Cyril Hawes Monsignor Hawes Mullewa Our Lady of Mt Carmel and Sts Peter and Paul Romanesque sculpture semi-circular arch WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <big><a href="http://gutenberg.net.au/ebooks06/0607901h.html#s5" target="_blank">http://gutenberg.net.au/ebooks06/0607901h.html#s5</a></big> Links to Electronic books on-line - Henry Lawson <a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"><http://www.ironbarkresources.com/henrylawson/index4.html></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Mistress and our Queen, poem by Henry Lawson Subject The topic of the resource Henry Lawson, Australian poetry, Australian poet, poet, poetry, poem, bush poem, bush poetry, bush poet, bush, Australian, nationalism, Australian Nationalism Movement, Monarchy satire, satire, estates satire Description An account of the resource Henry Lawson (1867-1922), one of Australia's most famous poets, and a symbol for the Australian Nationalism Movement, protests against what he sees as the forced allegiance to the monarchy and the bloodshed of war in the name of the monarch. Creator An entity primarily responsible for making the resource Lawson, Henry Source A related resource from which the described resource is derived <big><a href="http://gutenberg.net.au/ebooks06/0607901h.html#s5" target="_blank">http://gutenberg.net.au/ebooks06/0607901h.html#s5</a></big> Links to Electronic books on-line - Henry Lawson <a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"><http://www.ironbarkresources.com/henrylawson/index4.html></a> Date A point or period of time associated with an event in the lifecycle of the resource 1906 Rights Information about rights held in and over the resource Public domain Format The file format, physical medium, or dimensions of the resource Poem; Hyperlink Language A language of the resource English Australian Australian Nationalism Movement Australian poet Australian poetry bush bush poem bush poet bush poetry estates satire Henry Lawson Monarchy satire nationalism poem poet poetry satire https://ausmed.arts.uwa.edu.au/files/original/5425a25d95a2f8ab9e95ed4cb6786055.jpg ac147076c434404a4e51fa4d9dea1f77 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1770 Width 2664 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource P.J. Oâ€™Reillyâ€™s, Canberra Subject The topic of the resource ACT, Australian Capital Territory, Canberra, heraldry, Irish pub, lion, lion rampant, logo, London, Melbourne Building, P.J. Oâ€™Reillyâ€™s, Old Bailey, pub, public house, slogan. Description An account of the resource P.J. Oâ€™Reillyâ€™s is an Irish pub in the Melbourne Building in Canberra, the Australian Capital Territory. The logo of the business is a lion rampant (in profile standing erect with forepaws raised) commonly found in medieval heraldry. Their accompanying slogan, â€˜The Tradition Continuesâ€™, suggests that old-time service and food are available, perhaps in the pubâ€™s â€˜The Olde Bailey Roomâ€™. The Old Bailey is the Central Criminal Court found in London and first mentioned in the late sixteenth century. Creator An entity primarily responsible for making the resource Hirsch, Brett Date A point or period of time associated with an event in the lifecycle of the resource April 3, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital photograph ACT Australian Capital Territory Canberra heraldry Irish pub lion lion rampant logo London Melbourne Building Old Bailey P.J. Oâ€™Reillyâ€™s pub public house slogan. https://ausmed.arts.uwa.edu.au/files/original/a1b0a34d9b18fc4ac511a857b0a12278.jpg a2c389009db4f7a6572b19d8b293edaf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Papal Insignia, St Patrickâ€™s Basilica, Fremantle, Western Australia Subject The topic of the resource architect, architecture, basilica, Benedict XI (1303-1304), Boniface VIII (1294-1303), Catholic, Catholic Church, church, church building, Clement V (1305-1314), ecclesiastical heraldry, emblem, Federation Gothic Style, Fremantle, gothic architecture, gothic revival, heraldry, insignia, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, papal insignia, papal keys, papal tiara, Sydney freestone, Thomas Ryan OMI, three-tiered tiara, triple-crowned tiara, Vatican, Western Australia, WA Description An account of the resource An image of the papal insignia consisting of a three-tiered tiara and keys at the entrance of St Patrickâ€™s Basilica in Fremantle, Western Australia. The Vatican recognised St Patrickâ€™s as a minor basilica in 1994. The tiara and keys are exclusive symbols of the papacy in ecclesiastical heraldry. The tiara represents the extra-liturgical headpiece worn by the Pope. While the origins of a distinct papal head-dress are debated, the evolution of the three tiers can be dated to the medieval period. Mitres adorned with a crown appear in artwork from the thirteenth century, and Pope Boniface VIII (1294-1303) added a second crown to his tiara to represent his temporal and spiritual power. A triple-crowned tiara is mentioned in an inventory of the Papal Treasury from 1315, suggesting that the third crown was added by either Benedict XI (1303-4) or Clement V (1305-1314). The use of keys to symbolise papal authority also dates from the thirteenth century. For more information, see Bruno Bernard Heim, Heraldry in the Catholic Church: Its Origins, Customs and Laws, (Van Duren, Gerardâ€™s Cross, 1978), pp. 49-55. About St Patrickâ€™s Basilica: St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was designed by architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. St Patrickâ€™s was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architect architecture Basilica Benedict XI (1303-1304) Boniface VIII (1294-1303) Catholic Catholic Church Church church building Clement V (1305-1314) ecclesiastical heraldry emblem Federation Gothic Style Fremantle gothic architecture Gothic Revival heraldry insignia masonry Michael Cavanagh minor basilica missionaries neo-Gothic Oblates of Mary Immaculate papal insignia papal keys papal tiara Saint Patrick St. Patrick Sydney freestone Thomas Ryan OMI three-tiered tiara triple-crowned tiara Vatican WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Orig. b&w photograph; PDF URL <a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=509800">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=509800</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parade of the Ancient Order of Foresters through the Streets Subject The topic of the resource parade, parades, banner, banners, processions, procession, float, floats, fraternity, fraternities, Foresters, Ancient Order of Foresters, Friendly Societies, Friendly Society, Ted Hood, NSW, New South Wales Description An account of the resource Photograph of members of the Ancient Order of Foresters in NSW parading with a ceremonial banner. About the Ancient Order of Foresters:   The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849. The Foresters are a non-profit organisation. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars. Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were utilised for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods. In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated members, has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." <a href="http://www.forestersfs.com.au/1history.html">http://www.forestersfs.com.au/1history.html</a>   Creator An entity primarily responsible for making the resource Hood, Ted Source A related resource from which the described resource is derived The State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1929 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlink; Photograph Ancient Order of Foresters banner banners float floats Foresters fraternities fraternity friendly societies friendly society New South Wales NSW parade parades procession processions Ted Hood https://ausmed.arts.uwa.edu.au/files/original/93fd60114bc73abe789ba1b6e191badc.jpg bbbbc2bc93868f0121a732a3dba26235 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 562 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parading with Banners at Carnevale, Fremantle, Western Australia Subject The topic of the resource Carnevale, carnival, carnivale, Catholic Church, Catholicism, Church, costume, custom, disorder, Feast of Epiphany, festival, festivity, Fremantle, Lent, mask, masquerade, medieval custom, medieval festival, parade, popular festival, ridicule, ritual, Shrove Tuesday, tradition, Western Australia, WA, banner, banners Description An account of the resource Costumed revellers parading down Fremantleâ€™s cappuccino strip in Western Australia during the 2011 Fremantle Carnevale parade. Carnevale is a traditional community festival that temporarily promotes disorder and frivolity using masquerade, cross-dressing, music, dance and the popular or ritualised ridicule of authority figures. In the medieval period, it came to be strongly associated with the Catholic period of Lent. Carnevale was thereafter regarded as a time for festivity and light-hearted jest beginning with the Feast of the Epiphany and lasting until Shrove Tuesday, when the church bells would toll to signal the beginning of Lent. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 3 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph banner banners Carnevale carnival carnivale Catholic Church Catholicism Church costume custom disorder Feast of Epiphany festival festivity Fremantle Lent mask masquerade medieval custom medieval festival parade popular festival ridicule ritual Shrove Tuesday tradition WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/8cd246519c7a70c8a8104673b80c9c8f.jpg 3a51c51f412f9acf51827266e1b68937 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 344 Width 600 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passementerie; or, early lace-making at the Perth Medieval Fayre Subject The topic of the resource bobbin, bobbin lace, bone lace, braiding, craft, decoration, lace, lace-making, handcraft, medieval craft, passament, passement, passementerie, Perth, Perth Medieval Fayre, pillow lace, re-creation, recreation, silk, textiles, thread, trimming, Western Australia Description An account of the resource A woman demonstrating the art of passementerie at the Perth Medieval Fayre. This practice evolved from braiding and was used to make narrow trimmings and decorations for finishing clothing, altarpieces, and furnishings. It was also one of two methods used to handcraft lace (called â€˜bobbinâ€™, â€˜boneâ€™ or â€˜pillowâ€™ lace). A pattern is marked out on the parchment with pins, and each separate thread is wound onto a bobbin. The threads are then passed over and interlaced with each other to form the pattern. The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph bobbin bobbin lace bone lace braiding craft decoration handcraft lace lace-making medieval craft passament passement passementerie Perth Perth Medieval Fayre pillow lace re-creation recreation silk textiles thread trimming Western Australia