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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Forum Theatre Clocktower, Melbourne, Victoria</text>
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                <text>Alhambra, architecture, Bohringer, Taylor &amp; Johnson, cinema, clock tower, corbel, cupola, dome, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria</text>
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                <text>A view of the clocktower at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor &amp; Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and â€˜Alhambresqueâ€™ Moorish Revival architecture. The minarets, cupolaâ€™s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492.  </text>
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                <text>McEwan, Joanne</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This poster advertises â€˜Renaissance Polonaiseâ€™, an evening performance of Renaissance and Baroque music by the Polish early music ensemble Floripari. Floripari play period instruments and often also wear period costume. The performance is part of PolArt 2012, the Festival of Polish Visual and Performing Arts.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;a href="http://www.progsoc.uts.edu.au/%7Eelden/ravens/" target="_blank"&gt;http://www.progsoc.uts.edu.au/~elden/ravens/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Black Ravens are a steel weapons Medieval Re-enactment Group based in the Australian Capital Territory. They focus on the fourteenth century and make their own combat and feasting gear. Their website includes a useful section on tunics and fabrics.</text>
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                    <text>635</text>
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                <name>Height</name>
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                <elementTextContainer>
                  <elementText elementTextId="19741">
                    <text>1089</text>
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              <element elementId="72">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>3 x Digital Photographs; JPEGs</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval artifacts and replicas, St Andrewâ€™s Cathedral, Sydney</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Anglo-Saxon, artefact, artefacts, artifact, artifacts, Edmund Blacket, Canterbury Cathedral, Canterbury cross, Gothic, Gothic Revival, New South Wales, Norman, NSW, replica, Sydney, Winchester Cathedral, Saint Andrew, St. Andrew, St Andrew, cathedral</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19751">
                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral is in the Gothic Revival style and was designed by the English architect Edmund Blacket. These photographs show two medieval artifacts, and a replica of a medieval original, that were donated to the Cathedral in the early twentieth century. The Anglo-Saxon cross found in Canterbury, also known as the Canterbury cross, is a replica mounted on a stone taken from Canterbury Cathedral. Another mounted replica of the cross can be found at St Georges Cathedral in Perth (see item 333). The decorated stone originally formed part of a Norman arch in Canterbury Cathedral. The piece of oak came from the 1079 Norman foundations of Winchester Cathedral.   </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19753">
                <text>6 February 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19754">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19755">
                <text>3 x Digital Photographs; JPEGs</text>
              </elementText>
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        <name>Anglo-Saxon</name>
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      <tag tagId="4018">
        <name>artefact</name>
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      <tag tagId="3939">
        <name>artefacts</name>
      </tag>
      <tag tagId="3195">
        <name>artifact</name>
      </tag>
      <tag tagId="3196">
        <name>artifacts</name>
      </tag>
      <tag tagId="1396">
        <name>Canterbury Cathedral</name>
      </tag>
      <tag tagId="4605">
        <name>Canterbury Cross</name>
      </tag>
      <tag tagId="353">
        <name>Cathedral</name>
      </tag>
      <tag tagId="4604">
        <name>Edmund Blacket</name>
      </tag>
      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="1354">
        <name>Norman</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="114">
        <name>replica</name>
      </tag>
      <tag tagId="115">
        <name>Saint Andrew</name>
      </tag>
      <tag tagId="609">
        <name>St Andrew</name>
      </tag>
      <tag tagId="354">
        <name>St. Andrew</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="4606">
        <name>Winchester Cathedral</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19806">
                <text>Government House, Sydney</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19807">
                <text>Edward Blore, castle, crenellation, Gothic, Gothic Revival, Government House, Greenway Building, Mortimer Lewis, New South Wales, NSW, Royal Botanic Gardens, stained glass, Sydney, tower, tracery, turret</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19808">
                <text>One of three images which show the exterior of Government House in the Royal Botanic Gardens, Sydney. The building was designed by the English architect Edward Blore and supervised by the Colonial Architect Mortimer Lewis. The House is in Gothic Revival style and resembles a castle, complementing the earlier castle-inspired stables (Greenway Building). The building, completed in 1845, is highly decorative and features extensive crenellation, turrets, towers, stained glass, and tracery. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19809">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19810">
                <text>4 February 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19811">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19812">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="662">
        <name>castle</name>
      </tag>
      <tag tagId="972">
        <name>crenellation</name>
      </tag>
      <tag tagId="4583">
        <name>Edward Blore</name>
      </tag>
      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
      </tag>
      <tag tagId="2286">
        <name>Government House</name>
      </tag>
      <tag tagId="4553">
        <name>Greenway Building</name>
      </tag>
      <tag tagId="4585">
        <name>Mortimer Lewis</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="4554">
        <name>Royal Botanic Gardens</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="270">
        <name>tower</name>
      </tag>
      <tag tagId="1094">
        <name>tracery</name>
      </tag>
      <tag tagId="2069">
        <name>turret</name>
      </tag>
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  </item>
  <item itemId="810" public="1" featured="1">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/6df31dc4cfe4721f63717673ef555e8e.jpg</src>
        <authentication>b4d3d381133473987f3e1ba0d0fdaae1</authentication>
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              <element elementId="74">
                <name>Bit Depth</name>
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                    <text>8</text>
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                  <elementText elementTextId="19772">
                    <text>3</text>
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                <description/>
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                  <elementText elementTextId="19775">
                    <text>830</text>
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                <description/>
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                    <text>1244</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism in the Classroom</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="19791">
              <text>Digital Photograph; JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19784">
                <text>Flying Car, Harry Potter Exhibition, Powerhouse Museum, Sydney.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19785">
                <text>alchemy, basilisk, car, castle, chess, exhibition, dragon, Ford Anglia, giant, goblin, Harry Potter, hippogriff, knight, Lewis Island chess set, New South Wales, NSW, pixie, poster, Powerhouse Museum, Sydney, troll, unicorn, witch, wizard</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19786">
                <text>&lt;p&gt;One of two photographs associated with Harry Potter: The Exhibition at the Powerhouse Museum in Sydney from November 19, 2011 &amp;ndash; March 18, 2012. This photograph shows the Ford Anglia that was enchanted so that it could fly. The car appeared in Harry Potter and the Chamber of Secrets. Although set in a magical version of the contemporary world, the Harry Potter books and films feature strong medieval influences. For example Hogwarts School of Witchcraft and Wizardry is situated in a castle complete with a Great Hall, and in Harry Potter and the Philosopher&amp;rsquo;s Stone the characters play with a replica of the twelfth-century Lewis Island chess set and later play a life-sized version of chess with pieces based on medieval knights. The philosopher&amp;rsquo;s stone itself was sought by alchemists during the middle ages. Medieval-style characters include witches, wizards, giants, goblins, dragons, a basilisk, a hippogriff, trolls, pixies, and unicorns.&lt;/p&gt;&#13;
&lt;p&gt;Due to the immense popularity of the Harry Potter series it is likely to be the first place that many people encounter medievalism and the medieval.&lt;/p&gt;&#13;
For more on the exhibition see &lt;a href="http://www.powerhousemuseum.com/harrypotter/overview.php" target="_blank"&gt;http://www.powerhousemuseum.com/harrypotter/overview.php&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19787">
                <text>McLeod, Shane</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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The Powerhouse Museum</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>One of three images which show the exterior of Government House in the Royal Botanic Gardens, Sydney. The building was designed by the English architect Edward Blore and supervised by the Colonial Architect Mortimer Lewis. The House is in Gothic Revival style and resembles a castle, complementing the earlier castle-inspired stables (Greenway Building). The building, completed in 1845, is highly decorative and features extensive crenellation, turrets, towers, stained glass, and tracery.  </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19803">
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            <description>The topic of the resource</description>
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                <text>&lt;p&gt;This photograph is of a life-size bronze sculpture of a Saracen warrior at the entrance to the cellar of Saracen Estates Winery on Caves Road in the Margaret River region of Western Australia. The warrior is mounted and carries a curved sword, known as a scimitar, and a round shield. Saracens were first mentioned by Roman authors and in the medieval period the term was often used to describe all Arabs, or even all Muslims. They were particularly associated with those fighting the European Crusaders during the medieval Crusades to the Holy Land.&lt;/p&gt;&#13;
The website of the winery can be found at &lt;a href="http://www.saracenestates.com.au/Home.aspx" target="_blank"&gt;http://www.saracenestates.com.au/Home.aspx&lt;/a&gt;.</text>
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