96 8 1266 https://ausmed.arts.uwa.edu.au/files/original/0ff339baf108c6cb33ba0adcd7fc0570.jpg ad552d05ca156e379173de2d11b676b8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 581 Width 871 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Greenway Building, Sydney Subject The topic of the resource Arched entrance, blind arcade, convict, crenellation, Government House, Francis Greenway, Greenway Building, New South Wales, NSW, Royal Botanic Gardens, stables, Sydney, Sydney Conservatorium of Music, tower, University of Sydney Description An account of the resource The Greenway Building is on the edge of the Royal Botanic Gardens in Sydney and has housed the Sydney Conservatorium of Music, part of the University of Sydney, since 1915. It was built as the stables for Government House by convict architect Francis Greenway and completed by 1821. The building is in the shape of a castle, complete with towers, crenellation, arched entrances, and blind arcading. The central (pitched roof) area was originally an open exercise yard for the horses. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched entrance blind arcade convict crenellation Francis Greenway Government House Greenway Building New South Wales NSW Royal Botanic Gardens stables Sydney Sydney Conservatorium of Music tower University of Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Sir Bedivere cast the Sword Excalibur into the Water Subject The topic of the resource art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent & Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1873 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink art Arthur Arthurian Arthuriana Aubrey Beardsley (1872-1898) Avalon death Excalibur illustration J.M. Dent & Sons king knight lake Le Morte dâ€™Arthur legend legends myth mythology SA Sir Bedivere South Australia sword Thomas Malory wounded king https://ausmed.arts.uwa.edu.au/files/original/612c145f65c2b835db21c6e8fd5809a8.jpg bc0c946b302f327686f741945f709dfc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 684 Width 912 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paulâ€™s Cathedral Entrance Doorway, Melbourne Subject The topic of the resource Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, door, doorway, entrance, flamboyant arch, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, mullion, neo-gothic, processional doors, quatrefoil, sandstone, stained glass, stonework, tiling, tracery, trefoil, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window Description An account of the resource An image of the entrance to St Paul’s Cathedral in Melbourne. Inside the doorway, a set of lightweight stained glass ‘processional doors’ have been installed. Designed by Janusz Kuzbicki, they were intended to keep out city and traffic noise, and to allow the heavy wooden doors of the Cathedral to remain open during the day. For more on the processional doors, see: <a href="http://www.stpaulscathedral.org.au/cathedral/processional_doors" target="_blank"> http://www.stpaulscathedral.org.au/cathedral/processional_doors</a>. Around the doorway, a number of the Cathedral’s other distinctive features are visible, including the patterned stonework, lancet windows, stone buttresses and decorative tracery. About St Paul’s Cathedral: St Paul’s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral’s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield’s more modest original plans. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne door doorway entrance flamboyant arch gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry mullion neo-Gothic processional doors quatrefoil sandstone stained glass stonework tiling tracery trefoil Vic Victoria Victorian Gothic William Butterfield (1814-1900) window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://tasmanian-gothic.com/" target="_blank">http://tasmanian-gothic.com/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tasmanian Gothic: artwork by Elizabeth Barsham Subject The topic of the resource Elizabeth Barsham, Pieter Bruegel, Albrecht DÃ¼rer, E.M. Christensen, Gothic, painting, Renaissance, tapestry, Tas, Tasmania, Tasmanian Gothic, website, art, artwork Description An account of the resource Tasmanian Gothic is the website for Tasmanian artist Elizabeth Barsham (formerly E.M. Christensen). Her work is inspired by such things as medieval tapestries and the Renaissance artists Pieter Bruegel and Albrecht DÃ¼rer (according to the â€˜just a Tasmanianâ€™ tab). Creator An entity primarily responsible for making the resource Barsham, Elizabeth Date A point or period of time associated with an event in the lifecycle of the resource 5 March 2012 Rights Information about rights held in and over the resource Elizabeth Barsham, Tasmanian Gothic Format The file format, physical medium, or dimensions of the resource Hyperlink Albrecht DÃ¼rer art artwork E.M. Christensen Elizabeth Barsham Gothic painting Pieter Bruegel Renaissance tapestry Tas Tasmania Tasmanian Gothic website https://ausmed.arts.uwa.edu.au/files/original/3b9e6ccb4447061fab452b9c618adcf7.jpg e7c2fe50468825a80da28984387df1e4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 875 Width 323 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minaret, The Forum Theatre, Melbourne, Victoria Subject The topic of the resource Alhambra, architecture, Bohringer, Taylor & Johnson, cinema, cupola, dome, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria Description An account of the resource A view of a minaret - or tall, tiered tower - at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor & Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and â€˜Alhambresqueâ€™ Moorish Revival architecture. The minarets, cupolaâ€™s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alhambra architecture Bohringer cinema cupola dome Iberian Peninsula Islamic rule John Eberson machiolation Medieval Spain minaret moor Moorish Revival pressed cement reconquista Spanish Mission style Taylor & Johnson theatre tower tracery Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/4df57a03ffa26fad9625e366a955a371.jpg 294eb966948b0ae099d264cbc2e59066 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 518 Width 778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baron Tennyson Coat of Arms, Government House, Sydney Subject The topic of the resource Baron Tennyson, Edward Blore, castle, crenellation, fleur-de-lis, Gothic, Gothic Revival, Government House, Governor-General, Greenway Building, Latin, Mortimer Lewis, lions, motto, New South Wales, NSW, Respiciens Prospiciens, Royal Botanic Gardens, sculpture, spear, stained glass, Sydney, Hallam Tennyson, tower, tracery, turret Description An account of the resource This photograph is of one of the coat of arms on the verandah of Government House in the Royal Botanic Gardens, Sydney. It features two lions covered in fleurs-de-lis, an emblem that became very popular during the medieval period and is most commonly associated with France. Above the shield between the lions is a hand holding a broken spear, The Latin motto Respiciens Prospiciens translates as â€˜without maliceâ€™. The motto and broken spear suggest that this is the coat of arms of Baron (Hallam) Tennyson, son of the poet Alfred, who became the second Governor-General of Australia. Government House was designed by the English architect Edward Blore and supervised by the Colonial Architect Mortimer Lewis. The House is in Gothic Revival style and resembles a castle, complementing the earlier castle-inspired stables (Greenway Building). The building, completed in 1845, is highly decorative and features extensive crenellation, turrets, towers, stained glass, and tracery. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Baron Tennyson castle crenellation Edward Blore fleur-de-lis Gothic Gothic Revival Government House Governor-General Greenway Building Hallam Tennyson Latin lions Mortimer Lewis motto New South Wales NSW Respiciens Prospiciens Royal Botanic Gardens sculpture spear stained glass Sydney tower tracery turret Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Guenever as a nun Subject The topic of the resource Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent & Sons, Le Morte dâ€™Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1893 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource line-block reproduction on paper, 20.8 x 16.0 cm; Hyperlink Language A language of the resource English Abbess Almesbury art Arthur Arthurian Aubrey Beardsley (1872-1898) convent death Guenever Guinevere illustration J.M. Dent & Sons Le Morte dâ€™Arthur nun nunnery penance queen SA South Australia Thomas Malory https://ausmed.arts.uwa.edu.au/files/original/3d0cbe32ae1e95e9407e5dacdbdebfad.jpg 17816cc7e1f4de296e325855f1037d00 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 581 Width 871 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Greenway Building, Sydney Subject The topic of the resource Arched entrance, blind arcade, convict, crenellation, Government House, Francis Greenway, Greenway Building, New South Wales, NSW, Royal Botanic Gardens, stables, Sydney, Sydney Conservatorium of Music, tower, University of Sydney Description An account of the resource The Greenway Building is on the edge of the Royal Botanic Gardens in Sydney and has housed the Sydney Conservatorium of Music, part of the University of Sydney, since 1915. It was built as the stables for Government House by convict architect Francis Greenway and completed by 1821. The building is in the shape of a castle, complete with towers, crenellation, arched entrances, and blind arcading. The central (pitched roof) area was originally an open exercise yard for the horses. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched entrance blind arcade convict crenellation Francis Greenway Government House Greenway Building New South Wales NSW Royal Botanic Gardens stables Sydney Sydney Conservatorium of Music tower University of Sydney