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About Christ Church:&#13;
&#13;
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
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For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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&#13;
About Christ Church:&#13;
&#13;
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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                <text>The New England Medieval Arts Society (NEMAS) are a historical re-enactment group based in the New South Wales city of Armidale. The group concentrates on the fourth- to eleventh-century early medieval period (sometimes referred to as the â€˜Dark Agesâ€™), featuring such groups as the Byzantines, Anglo-Saxons, Normans, and Vikings. As well as weapons, armour, and battles, the group also re-creates woodworking, blacksmithing, tanning, spinning, and weaving. NEMAS headquarters is at a longhouse built in the Armidale State Forest. The longhouse was a building form common among â€˜Germanicâ€™ peoples, such as the Anglo-Saxons and Vikings, in early medieval Europe.</text>
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                <text>New England Medieval Arts Society</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>New Norcia Abbey Ale</text>
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                <text>Abbey ale, ale, beer, Benedictine monks, Benedictines, brewing, golden ale, Malt Shovel Brewery, monastery, monastic ale, monasticism, monks, New Norcia, New Norcia Abbey Ale, Order of St Benedict, Rule of St Benedict, St Benedict of Nursia</text>
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                <text>&lt;p class="MsoNormal"&gt;Released in 2007, New Norcia Abbey Ale was  developed and produced by Chuck Hahn (of the Malt Shovel Brewery) in  collaboration with the Benedictine monks at New Norcia. Unlike Trappist  beers which are brewed within abbey walls under the control of monks,  Abbey Ales are brewed commercially by companies who licence an abbey&amp;rsquo;s  name. Interested in the historical association of monks and brewing,  which dates from the medieval period, Hahn negotiated with the monks at  New Norcia to produce an Abbey Ale for them. A sample brew of the  Belgian golden style ale was delivered to New Norcia for tasting in 2006  and, according to the story provided by promotional literature and on  New Norcia&amp;rsquo;s website, &amp;ldquo;following the ancient Benedictine protocol, the  monks voted to approve the use of their name on the Ale&amp;rdquo;. This ancient  protocol possibly refers to Chapter III of the Rule of St Benedict,  which mandates that &amp;ldquo;as often as any important business has to be done  in the monastery, let the Abbot call together the whole community and  himself set forth the matter&amp;rdquo;. See &lt;em&gt;The Rule of Saint Benedict in Latin and English, &lt;/em&gt;edited and translated by Abbot Justin McCann, Monk of Ampleforth, 3&lt;sup&gt;rd&lt;/sup&gt; Edition, The Newman Press, Westminster, 1963.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About New Norcia:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;New  Norcia is a monastic town located 132 km north of Perth in Western  Australia. The town is owned and run by a community of Benedictine monks  and houses one of only three Benedictine monasteries (for men) in  Australia. At its height the monastery housed approximately 80 monks,  but currently there are only seven in residence. The Benedictines are  part of a religious order within the Catholic Church known as the Order  of St Benedict (OSB). Benedictines live in small, largely autonomous  communities and base their way of life on the Rule of St Benedict, which  prioritises a balance of prayer and work and calls for promises of  stability, obedience and a conversion of life. The first Benedictine  community was established in the sixth-century in Italy by St Benedict  of Nursia (c.480-547).&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Originally  intended as a mission to evangelise and educate the indigenous peoples  of the Victoria Plains, the site at New Norcia was founded in 1847 by  two Spanish Benedictine missionaries, Dom Jos&amp;eacute; Benito Serra and Dom  Rosendo Salvado. Serra&amp;rsquo;s involvement in the missionary activities at new  Norcia decreased following his appointment as Co-adjutor Bishop of  Perth in 1849, while Salvado (1814-1900) committed himself wholly to  developing the mission and leading the monastic community. He  subsequently became the key figure in the first 50 years of New Norcia&amp;rsquo;s  history. He made numerous fundraising trips to Europe, which provided  him with the means to purchase books, vestments, artwork and equipment  for the community and also to oversee the construction of new buildings.  He died in Rome in 1900 and his body was returned to New Norcia. Under  Salvado&amp;rsquo;s successor, Bishop Fulgentius Torres (1861-1914), New Norcia  became more like a traditional monastic settlement. An increased focus  on education and artistic pursuits led to the establishment of two  schools and improvements to many of the town&amp;rsquo;s buildings. For more  information on New Norcia, see the New Norcia Benedictine Community  website: &lt;a href="http://newnorcia.wa.edu.au/" target="_blank"&gt;http://newnorcia.wa.edu.au/&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>New Procession ushers in Slipper era</text>
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                <text>This article from the online edition of ABC News reports on a change in Australian parliamentary procedure. A longer and more formal procession from the lobby of Parliament House to the Chamber of the House of Representatives has been introduced by Peter Slipper (the Speaker) on Tuesdays, the article explains, so that visitors and members of the public are better able to witness the ceremonial opening of parliamentary proceedings. An image of Slipper, in his ceremonial robes, following the Serjeant-at-Arms and the official mace accompanies the article. The mace plays an important and symbolic role in the House of Representatives, as in the British House of Commons. The association of the mace with parliament most likely originates from the medieval period, when the Kingâ€™s bodyguards, also known as serjeants-at-arms, were each armed with a mace. Gradually, the mace became associated with the customs and rituals of parliamentary ceremony rather than with its former use as a weapon. </text>
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                <text>14 February 2012</text>
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              <text>&lt;p&gt;&lt;a href="http://www.newcastleknights.com.au/"&gt;http://www.newcastleknights.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Newcastle Knights are a team in Australasia&amp;rsquo;s National Rugby League based in the New South Wales city of Newcastle. They joined the competition in 1988. The logo for the club is a side profile of the helmet of a medieval knight. The helmet includes a visor and a red plume (feather). The link to the medieval period is also evoked by the word &amp;lsquo;Knight&amp;rsquo; being written in Blackletter, or Gothic, script.&lt;/p&gt;&#13;
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                <text>This article from the online news site Perth Now reports on Australian Federal Treasurer Wayne Swanâ€™s decision not follow the lead of European nations such as France and introduce a financial transactions tax to deal with economic crisis. Such a measure would slow economic growth, Swan said, because it would affect the transactions that Australian businesses engaged in every day and raise the cost of capital. French President Nicolas Sarkozyâ€™s plan to introduce a 0.1 per cent tax on all financial transactions has been dubbed a â€œRobin Hoodâ€ tax. This name stems from the legendary medieval outlaw who stole from the rich to give to the poor, because it imposes taxation on businesses and investors in order to help the ailing economy. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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