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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article59602764" target="_self"&gt;http://nla.gov.au/nla.news-article59602764&lt;/a&gt;</text>
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                <text>Mothers Day, &lt;em&gt;The Register,&lt;/em&gt; 7 May 1915</text>
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                <text>Adelaide, celebration, Church services, custom, duty, gifts, gratitude, family, festival, homage, Lent, May, medieval custom, mother, mothering, motherâ€™s day, observance, tradition, SA, South Australia, Sunday, white flowers, Young Womenâ€™s Christian Association.</text>
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                <text>This article from &lt;em&gt;The Register&lt;/em&gt; in 1915 traces the origins of Mothers&amp;rsquo; Day celebrations to the medieval period, when adolescent children would be afforded a holiday from work on the fourth Sunday in Lent to &amp;lsquo;go a-mothering&amp;rsquo;. On such occasions, the article explains, family members would assemble and pay homage to mothers by presenting gifts, and a general air of festivity ensued with special Church services and prayers containing more than usual reference to family life. While some elements of the festivities were not adopted in Australia, the article continues, the observance of mothers day is regularly marked by the wearing of white flowers, and by annual festivals such as the one conducted at the Young Women&amp;rsquo;s Christian Association headquarters in Adelaide.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article59602764" target="_self"&gt;http://nla.gov.au/nla.news-article59602764&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Register&lt;/em&gt;</text>
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                <text>7 May 1915, p.6</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11751878&amp;amp;SE=1"&gt;http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11751878&amp;amp;SE=1&lt;/a&gt;</text>
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                <text>Murder Scene, 'Murder in the Cathedral', Bonython Hall, Adelaide.</text>
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                <text>actor, actors, Adelaide, archbishop, Archbishop of Canterbury, Australian Elizabethan Trust, Bonython Hall, Canterbury Cathedral, cathedral, Hugh de Morville, knight, murder, â€˜Murder in the Cathedralâ€™, medieval crime, play, Reginald Fitzurse, Richard le Bret, Robert Speaight, South Australia, T. S. Eliot, Thomas aâ€™Becket, Thomas Becket, verse drama, William de Tracy</text>
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                <text>British actor, Robert Speaight (as Thomas a'Becket) in the murder scene from 'Murder in the Cathedral', performed in Bonython Hall, Adelaide, with 4 knights (L to R: Ron Haddrick, Ken Broadbent, Eric Reiman and Ron Graham, members of the Australian Elizabethan Theatre).&#13;
&#13;
â€˜Murder in the Cathedralâ€™ is a verse drama written by T. S. Eliot and first performed in 1935. The plot recreates the murder of Archbishop Thomas Becket by four knights at Canterbury Cathedral on 29 December 1170. The knights - Reginald Fitzurse, Hugh de Morville, William de Tracy and Richard le Bret - had overhead Henry II complaining about Becket and interpreted it as an order to kill him.</text>
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                <text>National Archives of Australia, Image number L34653</text>
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                <text>1960</text>
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                <text>Australian News and Information Bureau </text>
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        <name>â€˜Murder in the Cathedralâ€™</name>
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        <name>medieval crime</name>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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                <text>Museum entrance and Jubilee Building, Perth</text>
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            <description>The topic of the resource</description>
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                <text>Arched window, Byzantine, cloister veranda, mosaic, piazza, Perth, Perth Cultural Centre, Perth Museum, Romanesque, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum</text>
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                <text>&lt;p&gt;A photograph of the new entrance to the Western Australian Museum &amp;ndash; Perth, juxtaposed with the Jubilee Building that acts as one of the museum&amp;rsquo;s wings. The Jubilee Building was designed by Government architect George Temple-Poole and opened in 1897. It originally housed the Museum and Library. It was built in the Victorian Byzantine/Romanesque style with an arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.&lt;/p&gt;&#13;
An early photograph of the building can be viewed at &lt;code&gt;&lt;strong&gt;&lt;a href="http://hdl.handle.net/1885/111" target="_blank"&gt;http://hdl.handle.net/1885/111&lt;/a&gt;&lt;/strong&gt;&lt;/code&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>20 January 2012</text>
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                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>arch, architecture, Brunswick, Charles Webb (1821-1898), church, church building, Evander McIver, gothic architecture, gothic revival, lancet arch, lancet window, neo-gothic, Presbyterian church, spire, tower, tracery, VIC, Victoria, Victorian Gothic</text>
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                <text>A close-up of the contrasting light and dark brickwork used in the construction of the spire for one of the buildings comprising the Brunswick Uniting Church, which is located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the same site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church, featured here, was constructed in 1865 to the neo-gothic design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the corners and buttresses. Both structures were originally built as Presbyterian churches. </text>
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                <text>An image showing examples of neo-gothic windows at of the Mitchell Building, The University of Adelaide. The lower row of windows shows sets of twin lancet windows separated by a stone column, while the upper level windows comprise pairs of trefoil pointed lancets, separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch. &#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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        <name>William Mitchell (1861-1962)</name>
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        <name>window</name>
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