93 8 1266 https://ausmed.arts.uwa.edu.au/files/original/71a1ff66fdaef453bae8e3fe7b6ad4e0.jpg b95e0dcfa94e0c8e4a5b28d2e6801654 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 614 Width 819 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Labyrinth, Kryal Castle, Ballarat Subject The topic of the resource Kryal Castle, castle, labyrinth, maze, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria Description An account of the resource An image of the great stone labyrinth at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and other functions. It was built in 1972 and opened in 1974 by Keith Ryall. Some of its most apparent medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2007 Rights Information about rights held in and over the resource Image used with permission of N. Jeffrey Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Ballarat battlements castle crenelation drawbridge entertainment functions gate Keith Ryall Kryal Castle labyrinth leisure maze Melbourne moat porticullis re-creation recreation tourism tower Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL This image and several others related to Longerenong homestead can be viewed on pages 71-76 of Miles Lewis’s 702675 Australian Building Analysis: Stained glass and specialist finishes, available as a pdf download: Go to: <a href="http://mileslewis.net/illustrated-contents/10-australian-building.html" target="_blank">http://mileslewis.net/illustrated-contents/10-australian-building.html</a> Select: Stained Glass (pdf.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Heraldicâ€™ domestic pattern window, Front entrance, Longerenong homestead, Longerenong, Victoria Subject The topic of the resource Celtic, Ferguson & Urie, floral grid pattern, flowers, harp, heraldry, John Lyon, Longerenong homestead, medieval design, Samuel Wilson, Stained glass, Victoria, VIC, window Description An account of the resource This â€˜heraldicâ€™ pattern transom hangs over the doorway at Longerenong homestead in Victoria. Central to the design is a golden Celtic harp on blue shield (c. 13th century) representing owner Samuel Wilsonâ€™s Irish roots. This is flanked by his initials (S W), and the year (AD 1862). A â€˜diaperedâ€™ medieval floral grid pattern dominates the background, and alternate blue and white flowers attached to golden stems and leaves, occupy the red outer borders. Beverley Sherry points out that, â€œThe nineteenth-century pioneers of Victoriaâ€™s pastoral districts had a strong sense of family pride and this was [often] expressed in stained glassâ€ (Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.37). The colourful â€˜Longerenongâ€™ window provides an excellent example of such expression. Creator An entity primarily responsible for making the resource Lewis, Miles (digital image) Date A point or period of time associated with an event in the lifecycle of the resource 2009 - 2011 Rights Information about rights held in and over the resource Â© Miles Lewis and University of Melbourne Format The file format, physical medium, or dimensions of the resource Hyperlink Celtic Ferguson & Urie floral grid pattern flowers harp heraldry John Lyon Longerenong homestead medieval design Samuel Wilson stained glass Vic Victoria window https://ausmed.arts.uwa.edu.au/files/original/8d7ef811ce05b5889e626f5a3d232da5.jpg efa384ea8b77769a641f66b4544792c5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1021 Width 766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paulâ€™s Cathedral, Melbourne Subject The topic of the resource Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, neo-gothic, sandstone, spire, tiling, tower, tracery, tympanum, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window Description An account of the resource An image of St Paulâ€™s Cathedral, located at the intersection of Flinders Street and Swanston Street in central Melbourne. St Paulâ€™s is the official Cathedral of the Anglican Diocese of Melbourne. It was built in a Victorian Gothic style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated just over a decade later when the initial stage of the building was completed in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedralâ€™s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect John Barr, and are not in keeping with Butterfieldâ€™s more modest original plans. Other distinctive architectural features of St Paulâ€™s include its multiple lancet windows, decorative blind tracery, chequered tiling on the wall above the entrance and elaborate stained glass processional doors inside the entrance doorway. The cathedral interior is notable for its horizontally striped pattern, which is based on a design from thirteenth century Siena Cathedral. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry neo-Gothic sandstone spire tiling tower tracery tympanum Vic Victoria Victorian Gothic William Butterfield (1814-1900) window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4423" target="_blank">http://www.ngv.vic.gov.au/col/work/4423</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dunstanborough Castle, north-east coast of Northumberland, sunrise after a squally night Subject The topic of the resource Art, bailey, castle, Dunstanborough Castle, Dunstanburgh Castle, Earl Thomas of Lancaster (c.1278-1322), Edward II (1284-1327), fortress, J M W Turner (1775-1851), John of Gaunt (1340-1399), keep, Lancastrians, military stronghold, Northumbria, ruins, sublime, towers, VIC, Victoria, Wars of the Roses, Yorkists Description An account of the resource This painting by prominent English artist J M W Turner was gifted to the National Gallery of Victoria in 1888 by the Duke of Westminster. Depicting castle ruins on a rugged cliff top above a stormy ocean, this painting is, as Ted Gott et al suggest, an early work in what would become Turner’s grand theme: “man’s heroic fragility in the face of the powers of nature”. (Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.12).It is also characteristic of the aesthetic of ‘The Sublime’, which became popular in the late eighteenth century. The ruins featured in the painting are those of fourteenth-century Dunstanburgh Castle, on the Northumbrian English coast. The castle was built by Earl Thomas of Lancaster in 1313as a military stronghold and possibly, from the grandness of its scale, as a symbol of his opposition to the reigning English monarch Edward II (against whom he would lead a failed rebellion that ended with his execution in 1322). The castle passed to John of Gaunt at the end of the fourteenth century, at which time the twin towers were converted to a keep and an inner and outer bailey were constructed to strengthen the castle’s position as a fortress. It was also twice besieged and captured by Yorkists during the fifteenth-century Wars of the Roses. For more on Dunstanburgh Castle, see the English Heritage website: <a href="http://www.english-heritage.org.uk/daysout/properties/dunstanburgh-castle/" target="_blank"> http://www.english-heritage.org.uk/daysout/properties/dunstanburgh-castle/</a>. Creator An entity primarily responsible for making the resource Turner, Joseph Mallord William Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1798 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on canvas, 92.2 x 123.2cm; Hyperlink art bailey castle Dunstanborough Castle Dunstanburgh Castle Earl Thomas of Lancaster (c.1278-1322) Edward II (1284-1327) fortress J M W Turner (1775-1851) John of Gaunt (1340-1399) keep Lancastrians military stronghold Northumbria ruins sublime towers Vic Victoria Wars of the Roses Yorkists https://ausmed.arts.uwa.edu.au/files/original/b2eb1ed66764159a4210c5e182b1dca7.jpg 0d829a37396b9adca605621e22cd48be Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 559 Width 635 https://ausmed.arts.uwa.edu.au/files/original/a59104d8d34167432a9c3c832d4c62b2.jpg ff6c78c9c077483ba7b72812a1ad8e67 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 430 Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs; JPEGs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Extraordinary Stories from the British Museum Activity Sheet Subject The topic of the resource Asante ewer, British Museum, Byzantine, chess, children, Commonwealth, Cyprus treasure, education, Extraordinary Stories from the British Museum, Lewis Island chess set, Perth, Perth Cultural Centre, Perth Museum, Richard II, WA, Western Australia, Western Australian Museum, activity sheet Description An account of the resource These two photographs show one of three activity packs aimed at children which were available at the Extraordinary Stories from the British Museum exhibition held at the Western Australian Museum â€“ Perth. The exhibition included various items from the British Museum, including three medieval pieces, all of which featured in the activity pack. The items in question were the Queen chess piece from the twelfth-century Lewis Island chess set, the Asante ewer associated with Richard II, the King of England in the late fourteenth century, and the mid-seventh-century silver bowl from the first Cyprus treasure. The activity pack encouraged children to cut out pictures of the items and place them correctly along a timeline. Creator An entity primarily responsible for making the resource Western Australian Museum Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2012 Rights Information about rights held in and over the resource Western Australian Museum (activity sheet content); No copyright for digital image Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG activity sheet Asante ewer British Museum Byzantine chess children Commonwealth Cyprus treasure education Extraordinary Stories from the British Museum Lewis Island chess set Perth Perth Cultural Centre Perth Museum Richard II WA Western Australia Western Australian Museum https://ausmed.arts.uwa.edu.au/files/original/da055961b2640d177aca25d2e6f658cc.jpg e58fb902cf09e04517e1fc18cc876be7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 873 Width 867 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Domestic Crenellation & Machiolation in Unley Park, Adelaide, South Australia Subject The topic of the resource Adelaide, architecture, battlement, castle, crenel, crenellation, decoration, defence, domestic architecture, domestic, home, house, residence, embrasure, fortification, machiolation, medieval warfare, merlon, military structure, rampart, SA, South Australia, Unley Park Description An account of the resource A photograph of domestic architecture in Unley Park, South Australia, featuring crenellation and false machiolation. Crenellation is an architectural feature that was commonly employed in the design of medieval castles and military structures. Cut into the parapets, crenels created alternating openings through which weapons could be fired (embrasures) and raised sections of stone (merlons) to protect shooters from oncoming fire and obscure their visibility. Machiolations were created when the parapet protruded out from the castle wall and holes were cut into the floor. Also a defensive measure, machiolation allowed occupants to fire down on the enemy, and also track their movements. Here, however, these features have been incorporated simply for their decorative effect. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 7 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide architecture battlement castle crenel crenellation decoration defence domestic domestic architecture embrasure fortification home house machiolation medieval warfare merlon military structure rampart residence SA South Australia Unley Park Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG" target="_blank">http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MacLaurin Window, Nicholson Vestibule, University of Sydney Subject The topic of the resource Alfred the Great, Anglo-Saxon, James I/VI, Sir Henry Normand MacLaurin, MacLaurin Window, navy, New South Wales, Nicholson Vestibule, NSW, ship, stained glass, Sydney, University of Sydney, Viking, Wessex Description An account of the resource The MacLaurin Window was created in 1920 and can be found in the Nicholson Vestibule lighting the staircase. The window has a portrait of Sir Henry Normand MacLaurin, Chancellor of the University of Sydney from 1896 to 1914, flanked by James I (England) and VI (Scotland) (1566-1625), and Alfred the Great (849-899). Alfred was king of the Anglo-Saxon kingdom of Wessex (roughly England south of the Thames) and his dynasty later unified England. Alfred is shown holding a warship, perhaps due to the notion that he was the father of the English navy due to the ships that he had constructed to help counter Viking attacks. Creator An entity primarily responsible for making the resource White, David Source A related resource from which the described resource is derived University of Sydney Date A point or period of time associated with an event in the lifecycle of the resource 11 February 2012 Rights Information about rights held in and over the resource University of Sydney, David White (photograph in link) Format The file format, physical medium, or dimensions of the resource Hyperlink Alfred the Great Anglo-Saxon James I/VI MacLaurin Window navy New South Wales Nicholson Vestibule NSW ship Sir Henry Normand MacLaurin stained glass Sydney University of Sydney viking Wessex https://ausmed.arts.uwa.edu.au/files/original/e754f5a0a433ebb37dbdf8f3d84d0940.jpg 8c446639861feb91f7d5a0c559829d82 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 482 Width 639 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crystal Palace, Luna Park, Sydney Subject The topic of the resource arched window, castle, crenellation, Crystal Palace, Luna Park, New South Wales, NSW, re-creation, spires, Sydney, venue, recreation, leisure Description An account of the resource The Crystal Palace at Luna Palace overlooking the harbour in Sydney is a functions venue. It has been built to look like a medieval castle, featuring crenellation, arched windows, and spires. At night the castle is illuminated, creating a Crystal Palace. Luna Park opened in 1935. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window castle crenellation Crystal Palace leisure Luna Park New South Wales NSW re-creation recreation spires Sydney venue