90 8 1266 https://ausmed.arts.uwa.edu.au/files/original/e0449116d65a0c6767c5cb60b7b375e2.jpg 7768a8eac522a1b8937d0297cb264b8d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 235 Width 271 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The ‘Advance Australia’ Arms Window in the Queen Victoria Building, Sydney Subject The topic of the resource architecture, cartwheel window, coat-of-arms, endeavour, heraldic, heraldry, identity, neo-Romanesque, New South Wales, NSW, Queen Victoria Building, retail arcade, Romanesque Revival architecture, shopping arcade, Southern Cross, stained glass, Sydney, unification, window, arcade Creator An entity primarily responsible for making the resource Urry, David (Digital Image) Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade architecture cartwheel window coat-of-arms endeavour heraldic heraldry identity neo-Romanesque New South Wales NSW Queen Victoria Building retail arcade Romanesque Revival architecture shopping arcade Southern Cross stained glass Sydney unification window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <span><a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42151" target="_blank"><span style="color: #0000ff;">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42151</span></a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Papal Nuncio, Corpus Christi at Manly Subject The topic of the resource Apostolic Nuncio, Catholic, Catholicism, celebration, Christ, clergy, Corpus Christi, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques Panteléon, Juliana of Liège (1193-1258), Latin Rite, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Papal Nuncio, Philip Bernardini, Pope Urban IV, procession, religious ceremony, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veneration, vestments, vision Description An account of the resource A photograph taken by photographer Ted Hood of Apostolic Nuncio Philip Bernardini participating in the Corpus Christi Mass at Manly, New South Wales, in 1934. Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or ‘Blessed Sacrament’) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of Liège (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of Liège, Hugh of St-Cher and Jacques Panteléon, then the Archdeacon of Liège. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques Panteléon became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. Creator An entity primarily responsible for making the resource Hood, Ted Source A related resource from which the described resource is derived State Library of New South Wales Publisher An entity responsible for making the resource available State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlink Apostolic Nuncio Catholic Catholicism celebration Christ clergy Corpus Christi Eucharist feast day feast of Corpus Christi Hugh of St-Cher Jacques Panteléon Juliana of Liège (1193-1258) Latin Rite Manly Mass medieval ritual mystic mysticism New South Wales NSW nun Papal Bull Papal Nuncio Philip Bernardini Pope Urban IV procession religious ceremony Robert de Thorete (d.1246) sacrament St Juliana Sydney Ted Hood (1911-2000) Transiturus de hoc mundo veneration vestments vision https://ausmed.arts.uwa.edu.au/files/original/7479f388f54903bd881b8f0316a9e91c.jpg 407fb2258b6c7fd7ec81b5202b004abe Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 546 Width 894 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum entrance and Jubilee Building, Perth Subject The topic of the resource Arched window, Byzantine, cloister veranda, mosaic, piazza, Perth, Perth Cultural Centre, Perth Museum, Romanesque, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum Description An account of the resource <p>A photograph of the new entrance to the Western Australian Museum &ndash; Perth, juxtaposed with the Jubilee Building that acts as one of the museum&rsquo;s wings. The Jubilee Building was designed by Government architect George Temple-Poole and opened in 1897. It originally housed the Museum and Library. It was built in the Victorian Byzantine/Romanesque style with an arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.</p> An early photograph of the building can be viewed at <code><strong><a href="http://hdl.handle.net/1885/111" target="_blank">http://hdl.handle.net/1885/111</a></strong></code> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 20 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window Byzantine cloister veranda George Temple-Poole mosaic Perth Perth Cultural Centre Perth Museum piazza Romanesque Victorian Byzantine WA Western Australia Western Australian Museum https://ausmed.arts.uwa.edu.au/files/original/22429297ce53035b468a7d59a62a6e61.jpg dfd40c8193a33d1e662ef08fd5c5cf3d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 919 Width 689 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paul’s Cathedral Spire, Melbourne Subject The topic of the resource Anglican, Arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, gothic architecture, gothic revival, James Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, neo-gothic, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window Description An account of the resource A close-up of one of the ornately decorated neo-gothic spires at St Paul’s Cathedral in Melbourne. Construction of the spires began in 1926. This was thirty years after the initial building had been completed, and consequently they are slightly darker in colour than the sandstone used for the rest of the Cathedral. They were designed by Sydney architect James Barr, and differ from the more modest single spire and two towers proposed by the Cathedral’s original architect, William Butterfield. In the early twentieth century, these spires dominated the Melbourne skyline. About St Paul’s Cathedral: St Paul’s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Other distinctive features of St Paul’s include its multiple lancet windows, decorative blind tracery, chequered tiling on the wall above the entrance and elaborate stained glass processional doors inside the entrance doorway. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne gothic architecture Gothic Revival James Barr Joseph Reed (1823-1890) lancet arch lancet window masonry neo-Gothic sandstone spire tower tracery Vic Victoria Victorian Gothic William Butterfield (1814-1900) window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <strong></strong> <p><a href="http://www.flickr.com/photos/raysalmanac/5605716834/in/photostream" target="_blank"><span style="color: #0000ff;">http://www.flickr.com/photos/raysalmanac/5605716834/in/photostream</span></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘St George’ Stained Glass Window, Tolarno Hotel, St Kilda Subject The topic of the resource armour, armor, border, dragon, Ferguson & Urie, knight, Melbourne, rose, Saint George, St. George, St George, saint, saints, St. Kilda, St Kilda, stained glass, staircase, Tolarno Hotel, Tudor rose, Union Jack, valour, VIC, Victoria Description An account of the resource This elaborate staircase window in a converted St Kilda mansion is probably by Ferguson & Urie and dated c.1884. The window depicts a red-cloaked and fully armoured St George standing on the head of a dragon. Images of St George and the Dragon were popular in the nineteenth century, with this appeal being especially aided by Sir Walter Scott’s reawakening of popular notions of chivalry in his writings. The outer border contains red and white Tudor roses interspersed with green leaves on a blue ground, while the solid looking pillars hold small medallion-shaped imprints of the Union Jack. Overall, the window represents a calm ‘manly’ Victorian assurance in the face of determined opposition. Such a window can be interpreted as “an expansive declaration of the values and … institutions inherited from Britain” (Beverley Sherry, Australia’s Historic Stained Glass, Sydney, Murray Child, 1991, p.44). Although little information is available regarding the mansion’s original owner, it is thought that the house was built for someone engaged in local politics. Thus, St George killing the dragon makes an ideal theme for a grand staircase window in a house where integrity and propriety must be readily observable. Creator An entity primarily responsible for making the resource Brown, Ray (Photographer) Date A point or period of time associated with an event in the lifecycle of the resource 11 February 2001 (image) Rights Information about rights held in and over the resource © Ray Brown Format The file format, physical medium, or dimensions of the resource Hyperlink Armor Armour border dragon Ferguson & Urie knight Melbourne rose saint Saint George saints St George St Kilda St. George St. Kilda stained glass staircase Tolarno Hotel Tudor Rose Union Jack valour Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/13c99f6e304383784939560180d0be20.jpg 5c5ed8c43217353f923366b96b050c29 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 860 Width 645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dragon, Perth, Tasmania Subject The topic of the resource battlements, castle, castles, domestic, residence, house, architecture, crenellation, dragon, Perth, Tas, Tasmania Description An account of the resource One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows a dragon looking over the roof of the castle/house. The house features extensive crenellation and is made of brick. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architecture battlements castle castles crenellation domestic dragon house Perth residence Tas Tasmania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <span><a href="http://museumvictoria.com.au/collections/items/245425/window-stained-glass-ferguson-urie-circa-1872" target="_blank"><span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"><span style="color: #0000ff;">http://museumvictoria.com.au/collections/items/245425/window-stained-glass-ferguson-urie-circa-1872</span></span></a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stairwell window at ‘Glenferrie,’ Malvern, Victoria Subject The topic of the resource Australiana, blazon, coat-of-arms, colonialism, Emu, Ferguson & Urie, Fergusson coat-of-arms, Glenferrie, James Fergusson, Kangaroo, Malvern, medieval design, rose, shamrock, Stained Glass, symbolism, thistle, VIC, Victoria Description An account of the resource This commanding stairwell window by Ferguson & Urie (1872) is calculated to reflect the prosperity and good fortune of the original owner, James Fergusson. Fergusson was a Melbourne manufacturing stationer, and was at times a member of the Legislative assembly and Shire President. The window was probably installed shortly after he moved into ‘Glenferrie’ in 1872 and remained there, long after Fergusson died in 1888, until the house was demolished in 1954. The window comprises three large central lights, the innermost of which contains the Fergusson Coat-of-Arms, and three smaller top lights, each containing specifically Australian motifs (Kangaroo, Colonial Coat-of Arms, and an Emu). The ‘diapered’ octagonal background quarries feature a rose, shamrock, and thistle pattern that is stylistically ‘medieval,’ signifying a link to the British Isles. Hand painted scenes in the (lower) main tier of panels depict relevant features of the burgeoning economy, which are related to trade, productivity, and the exploitation of natural resources. Creator An entity primarily responsible for making the resource Healley, Ben Source A related resource from which the described resource is derived Museum Victoria Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource © Museum Victoria Format The file format, physical medium, or dimensions of the resource Hyperlink Australiana blazon coat-of-arms colonialism Emu Ferguson & Urie Fergusson coat-of-arms Glenferrie James Fergusson kangaroo Malvern medieval design rose shamrock stained glass symbolism thistle Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/84f5e643cda22a886a15d44dfa51ecc4.jpg 3f64eb21246c9c2ca03afdf5e6ca35cc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 922 Width 691 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baptist Tabernacle church, Perth, Tasmania Subject The topic of the resource Baptist, Baptist Tabernacle, Byzantine, Byzantium, church, dome, George Fagg, William Gibson, Perth, Tas, Tasmania Description An account of the resource <p>One of three photographs of the Baptist Tabernacle church in Clarence Street, Perth, Tasmania. The church was designed by English architect George Fagg and built in 1889 by William Gibson. The church is said to have Indian influence, but Byzantine (Byzantium, or the Eastern Roman Empire, was centred on Constantinople/Istanbul and endured until 1453) influence can also be discerned. In particular, the church is octagonal, unlike the cruciform design of most west European churches. This photograph shows the brickwork and two arched windows within a larger arch.</p> For more on William Gibson see <a href="http://webjournals.ac.edu.au/journals/adeb/g_/gibson-william-1820-1892/" target="_blank">http://webjournals.ac.edu.au/journals/adeb/g_/gibson-william-1820-1892/</a> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architecture Baptist Baptist Tabernacle Byzantine Byzantium Church dome George Fagg Perth Tas Tasmania William Gibson