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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Uniting Church, York, WA</text>
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                <text>Gothic, Gothic Revival, architecture, lancet windows, arch, arches, Wesleyan, Uniting Church, church, Methodist, Methodists, religion, religious, York, Perth, WA, Western Australia</text>
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                <text>The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways.</text>
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                <text>Carter, Bree</text>
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                <text>November 2011</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.awlleather.com.au/al_med_shoes.html"&gt;http://www.awlleather.com.au/al_med_shoes.html&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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                <text>Medieval â€˜Coppergateâ€™ Shoes</text>
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            <description>The topic of the resource</description>
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                <text>Awl Leather, bags, belts, coppergate shoes, medieval clothing, medieval footwear, leather, leather goods, saddlers, Saxon shoes, shoes, Viking shoes, York</text>
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                <text>Awl Leather, established in 1991, is a manufacturer of footwear, bags, belts and other leather accessories. They are also saddlers. This online catalogue features a selection of medieval style shoes, including several â€˜Coppergateâ€™, Viking, and Saxon shoes. The Coppergate-style shoes are based on an original medieval pattern found in York (UK), and have been dated to sometime between the tenth and thirteenth century. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Awl Leather, Bellingen NSW</text>
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                <text>c. 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Â© Awl Leather 2011</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <description>A name given to the resource</description>
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                <text>Balingup Medieval Carnivale Parade</text>
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                <text>Balingup, Balingup Medieval Carnivale, carnival, carnivale, banner, banner carrier, banners, leisure, festivities, parade, parades, procession, processions, re-creation, recreation, Shire of Donnybrook-Balingup, South-West WA, WA, Western Australia</text>
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                <text>An image of a section of the parade at the Balingup Medieval Carnivale, 2010. The costumed participants march behind a banner portraying an eagle, which might be their sigil. The parade made its way through the town of Balingup before ending at the carnivale site. </text>
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                <text>Jeffrey, N. </text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://wabirdsofprey.com/harry-potter-birthday-partys-with-owls/"&gt;http://wabirdsofprey.com/harry-potter-birthday-partys-with-owls/&lt;/a&gt;</text>
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                <text>A hyperlink to a page the Western Australian Birds of Prey Centre website. It reads:&#13;
&#13;
"With the increasing number of themed birthday partys, the Harry Potter theme is a fantastic way to have fun and relive the memorys of Harry Potter. The Western Australian Birds of Prey Centre offers an educational experience with our Nocturnal raptors. The opporunity to get up close and personal with Oska the Barking Owl, Brandon the Barn Owl, Phoenix the Sotty Owl, just to mention a few. We offer prises and â€˜hands onâ€™ great photo opportunity for a memorable event. For More Information contact me via website or mobile."</text>
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                <text>Western Australian Birds of Prey Centre</text>
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            <name>Language</name>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Entrance, St Johnâ€™s Anglican Church, Launceston, Tasmania</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anglican, buttress, Gothic, David Lambe, lancet window, Launceston, niche, Alexander North, pointed arch, rose window, St John, St. John, Saint John, St Johnâ€™s Anglican Church, Tas, Tasmania, tower.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;These two photographs show the entrance of St John&amp;rsquo;s Anglican Church in Launceston. The original church was designed by David Lambe and built by convict labour in 1824-5. From 1902 extensive alterations were made under the direction of architect Alexander North (1858-1945), resulting in the red brick building with large rose window and elaborate arched doorway seen in these photograph. The Gothic-styled entrance features pointed arches and niches on either side of the entrance. Towers with buttresses flank the entrance, and there are lancet windows above the rose window.&lt;/p&gt;&#13;
&lt;p&gt;For their&lt;br /&gt;website see http://www.stjohns.net.au/&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30623">
                <text>Dorey, Margaret, and Shane McLeod</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2 December 2011, 9 September 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30625">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30626">
                <text>2xDigital Photograph; JPEG</text>
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        <name>Alexander North</name>
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      <tag tagId="1075">
        <name>buttress</name>
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        <name>David Lambe</name>
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        <name>Gothic</name>
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        <name>lancet window</name>
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        <name>Launceston</name>
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        <name>niche</name>
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        <name>pointed arch</name>
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        <name>rose window</name>
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        <name>St John</name>
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        <name>St Johnâ€™s Anglican Church</name>
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        <name>St. John</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Mass, Corpus Christi at Manly</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Benediction, celebration, Christ, Corpus Christi, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques PantelÃ©on, Juliana of LiÃ¨ge (1193-1258), Latin Rite, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ritual, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veneration, vision</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A photograph taken by photographer Ted Hood of the Corpus Christi Mass held at Manly, New South Wales, in 1934.&#13;
&#13;
Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. </text>
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                <text>Hood, Ted</text>
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                <text>State Library of New South Wales</text>
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            <name>Date</name>
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                <text>1934</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18698">
                <text>State Library of New South Wales</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Benediction</name>
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        <name>feast of Corpus Christi</name>
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        <name>Jacques PantelÃ©on</name>
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        <name>Juliana of LiÃ¨ge (1193-1258)</name>
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        <name>Sydney</name>
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        <name>Ted Hood (1911-2000)</name>
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                    <text>3</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pilgrim Uniting Church Gargoyle, Launceston</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>arched windows, Crouch and Wilson, gargoyle, Gothic, Launceston, Methodist, Pilgrim Uniting Church, spire, stucco, Tas, Tasmania, tower, traceried window, Uniting Church</text>
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            <description>An account of the resource</description>
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                <text>One of two photographs of the Pilgrim Uniting Church in Launceston. The church was designed by Melbourne firm Crouch and Wilson and was built in 1866-1868 as a Methodist church. The brick church is in the Gothic style with arched windows, a prominent tower topped by a spire, and a large traceried window. The church also has white stucco decorations, including four animal heads (probably gargoyles) around the tower, one of which can be seen in this photograph.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="18710">
                <text>Dorey, Margaret</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18711">
                <text>2 December 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18712">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18713">
                <text>Digital Photograph; JPEG</text>
              </elementText>
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        <name>arched windows</name>
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        <name>Crouch and Wilson</name>
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        <name>gargoyle</name>
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        <name>Gothic</name>
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        <name>Launceston</name>
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        <name>Methodist</name>
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        <name>Pilgrim Uniting Church</name>
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        <name>spire</name>
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        <name>stucco</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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        <name>tower</name>
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        <name>traceried window</name>
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        <name>Uniting Church</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
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              <text>&lt;p&gt;&lt;em&gt;The City of Sydney Archives digital photograph bank: &lt;/em&gt;&lt;a href="http://photosau.com.au/Cos/scripts/home.asp" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Times New Roman;"&gt;http://photosau.com.au/Cos/scripts/home.asp&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Type: &amp;lsquo;stained glass&amp;rsquo; into the Search box, then &amp;lsquo;click&amp;rsquo; Search&lt;/p&gt;&#13;
View: Image 5 &amp;ndash; 006121 (click to enlarge).</text>
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                <text>The â€˜Australiaâ€™ window; or â€˜Oceaniaâ€™ in the Sydney Town Hall</text>
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            <description>The topic of the resource</description>
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                <text>Allegory, centenary, colony, Goodlet &amp; Smith, lantern, Lucien Henry, nationalism, neo-romanesque, New South Wales, Norman Revival, NSW, patriotism, Romanesque, Southern Cross, stained glass, Sydney, Sydney Town Hall, symbolism, trident, Union Jack, window</text>
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                <text>One of two neo-romanesque with rounded heads and stylised borders designed by Frenchman Lucian Henry and manufactured by Goodlet &amp; Smith for the Sydney Town Hall auditorium, at a time when national fervour was running high in the late nineteenth century. These windows are reminiscent of Romanesque or Norman figural windows dating from the eleventh century. A tall allegorical figure, which doubtless personifies the colony of NSW, wears a helmet of ramâ€™s horns encircled by the sunâ€™s rays. She carries a minerâ€™s lantern and a trident. The figure is draped in the Union Jack, and framed by four white stars on blue grounds in the shape of the Southern Cross. The fifth star is placed upon the womanâ€™s forehead. Symbolism of this type has decidedly classical and also medieval precedents (See James Hall, Dictionary of Subjects and Symbols in Art, 2nd Edition, Boulder, Westview Press, 2008, p.316). The woman stands astride the globe, which is inscribed with her name. The central window is flanked by decorative (and recognisably) Australian floral sidelights adorned with the words â€˜Advance Australiaâ€™ and the dates of the centenary (1788-1888). This â€˜Australiaâ€™ window is one of two inspirational Lucien Henry stair windows installed to celebrate Sydneyâ€™s centenary and to promote the developing national identity narrative.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lucien Henry (designer)&#13;
Goodlet &amp; Smith (manufacturers)</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="18719">
                <text>Sydney, 1887-88 (windows)&#13;
Sydney, c. 1989 (photograph)</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18720">
                <text>Â© City of Sydney Archives</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18721">
                <text>Hyperlink</text>
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        <name>allegory</name>
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        <name>centenary</name>
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        <name>colony</name>
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        <name>Goodlet &amp; Smith</name>
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        <name>lantern</name>
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      <tag tagId="4314">
        <name>Lucien Henry</name>
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        <name>nationalism</name>
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        <name>Norman Revival</name>
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        <name>NSW</name>
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        <name>patriotism</name>
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        <name>Romanesque</name>
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        <name>Southern Cross</name>
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        <name>stained glass</name>
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        <name>Sydney</name>
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        <name>Sydney Town Hall</name>
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        <name>symbolism</name>
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      <tag tagId="4317">
        <name>trident</name>
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      <tag tagId="4318">
        <name>Union Jack</name>
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      <tag tagId="128">
        <name>window</name>
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