89 8 1266 https://ausmed.arts.uwa.edu.au/files/original/72797610f56b4f3927308204c04ab6d5.jpg 46b3d191b3093b9e9b5f7a6d7a5a3e0b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 439 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Large Traceried Window, The Redemptorist Church, North Perth, Western Australia Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, church, church building, Cottesloe limestone, crenellations, decorated gothic, Federation Gothic Style, gothic architecture, James Cavanagh, lancet arch, leadlights, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, porch, quatrefoil, Redemptorist monastery, Redemptorist Order, St Paul, St Peter, stained glass, tracery, turrets, W. Fairweather, Western Australia, WA, window, windows Description An account of the resource A view of the Redemptorist Church in North Perth, Western Australia. This image is of the large traceried window containing five stained glass and lead light panels, which dominate the church’s appearance. This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture blind tracery Catholic Church cement dressing Church church building Cottesloe limestone crenellations Decorated Gothic Federation Gothic Style gothic architecture James Cavanagh lancet arch leadlights limestone Michael Cavanagh monastery mullion neo-Gothic North Perth porch quatrefoil Redemptorist monastery Redemptorist Order St Paul St Peter stained glass tracery turrets W. Fairweather WA Western Australia window windows https://ausmed.arts.uwa.edu.au/files/original/8ddda963b2ac13b3f3770be07f602e59.jpg a3953493ebc16de850ae14bd993cdfeb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Redemptorist Church, North Perth, Western Australia Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, church, church building, Cottesloe limestone, crenellations, decorated gothic, Federation Gothic Style, gothic architecture, James Cavanagh, lancet arch, leadlights, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, porch, quatrefoil, Redemptorist monastery, Redemptorist Order, St Paul, St Peter, stained glass, tracery, turrets, W. Fairweather, Western Australia, WA, window, windows Description An account of the resource A view of the Redemptorist Church in North Perth, Western Australia. An entrance porch with decorative crenellations and a large traceried window containing five stained glass and lead light panels dominate the church’s appearance. The door is surrounded by gothic arches decorated with acanthus leaves, and is flanked on either side by stone buttresses and niches. The Greek letters Alpha and Omega are clearly visible on the door, signifying that Christ is the beginning and ending of all things. This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG https://ausmed.arts.uwa.edu.au/files/original/1bd8f7fdc8b70674f251970654d577fa.jpg bda346f2a2fa802d5c98031c3a73971c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 513 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scots Presbyterian Church, Fremantle, Western Australia Subject The topic of the resource Architecture, arch, buttress, church, Fremantle, gable, gothic architecture, lancet arch, lancet windows, lead-light windows, limestone, neo-gothic, oculus window, Petrie & Co., porch, Presbyterian church, red brick quoins, red brick voussoirs, Sir J. J. Talbot Hobbs, spire, tower, Western Australia Description An account of the resource A view of Scots Presbyterian Church in Fremantle, Western Australia. The church was designed by Perth architect Sir J. J. Talbot Hobbs (1864-1938) and built by Petrie & Sons in 1890. It is a gothic style church constructed from limestone with decorative red brick quoins on the buttresses. Voussoirs around the yellow doors and the numerous lancet windows are also in distinctive red brick. The large square tower with an octagonal steeple is another dominant feature of the church’s neo-gothic architecture. Scots Presbyterian Church is one of only six Presbyterian churches remaining in Western Australia after the congregation refused to amalgamate with the Uniting Church in 1977. It was added to WA’s State Register of Heritage Places in 1999. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architecture buttress Church Fremantle gable gothic architecture lancet arch lancet windows lead-light windows limestone neo-Gothic oculus window Petrie & Co. porch Presbyterian Church red brick quoins red brick voussoirs Sir J. J. Talbot Hobbs spire tower Western Australia https://ausmed.arts.uwa.edu.au/files/original/a0b52f1a2d327fc0e5b6370dc0c44f9c.jpg 80940afdd8cb60bee0198d897abde018 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1770 Width 2130 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Making Chain Mail at the Perth Medieval Fayre Subject The topic of the resource Apparel, armament, armour, battle, body armour, byrnie, chain, chain mail, chain-mail, chainmail, chin-guard, coif, crossbow, defensive armament, garment, glove, handcrafted, handmade armour, hood, knight, longbow, mail, mail armour, mail shirt, metal rings, metalwork, medieval armour, medieval craft, mitons, Perth, Perth Medieval Fayre, plate armour, protective clothing, re-creation, recreation, riveting, soldier, WA, WAMA, warfare, weaponry, weapon, weapons, Western Australia, WA, Western Australian Medieval Alliance Description An account of the resource A photograph depicting chain mail being hand-crafted according to the traditional medieval method at the Perth Medieval Fayre. Chain mail is made by interlocking a number of metal rings to form small sections. Each ring is linked through four others and then the end is riveted. Additional links are then inserted to join the sections together and create a meshed material. The mail can be shaped into patterns – for example gloves, shirts, hoods and chin-guards – by increasing or decreasing the number of metal rings in a row when the sections are created. Chain mail was used extensively in the middle ages to fashion protective garments that were worn as body armour by medieval knights and soldiers. It was gradually superseded by plate armour in the fourteenth century, possibly as a result of the increasing use of high-powered weapons such as crossbows and longbows (See Kelly DeVries, Medieval Military Technology, Peterborough, Broadview Press, 1992, p.75). The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Apparel armament Armour battle body armour byrnie chain chain mail chain-mail chainmail chin-guard coif crossbow defensive armament garment glove handcrafted handmade armour hood knight longbow mail mail armour mail shirt medieval armour medieval craft metal rings metalwork mitons Perth Perth Medieval Fayre plate armour protective clothing re-creation recreation riveting soldier WA WAMA warfare weapon weaponry weapons Western Australia Western Australian Medieval Alliance https://ausmed.arts.uwa.edu.au/files/original/cccac1760826fe702b495bc264a25be7.jpg 92807f8a717d4aeb039dd4a75c28919e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 296 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morris Dancers at the Perth Medieval Fayre Subject The topic of the resource baldricks, bell pads, Cotswolds, custom, dance, dance troupe, dancers, dancing, ‘early Morris Project’, festivity, flowers, Folk dance, handkerchief, hat, May, maypole, medieval festivities, medieval recreation, morris dancing, Perth, Perth Medieval Fayre, re-creation, recreation, sticks, traditional dance, Western Australia, WA Description An account of the resource Morris dancers performing a version of the folk dance at the Perth Medieval Fayre in Western Australia. The style of the dance is derived from the English villages of the Cotswolds and is characterised by groups of six men dressed in white clothing with coloured baldricks, bell pads and flower-covered hats dancing in formation. The dancers also frequently make use of handkerchiefs and sticks in this form of morris dance. The origins of morris dancing are subject to debate, with some scholars arguing that it developed from a pagan fertility ritual, and others arguing that it originated in the medieval period. Scholars involved in collating references to morris dancing for the ‘Early Morris Project’ have suggested that the earliest written reference is in two English wills dated 1458 (see John Forrest and Michael Heaney, ‘Charting Early Morris’ in Folk Music Journal, vol.6, no.2, 1991, pp.169-186). Morris dancing has also frequently been linked to the month of May and the dancing and festivities that took place around the maypole. The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ‘early Morris Project’ baldricks bell pads Cotswolds custom dance dance troupe dancers dancing festivity flowers folk dance handkerchief hat May maypole medieval festivities medieval recreation morris dancing Perth Perth Medieval Fayre re-creation recreation sticks traditional dance WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/1c2e256a81b79fb8856046f25197478f.jpg 908f391bd651e9bfe69110c5f4aacc75 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 459 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morris Dancers at the Perth Medieval Fayre, Held at the Supreme Court Gardens, Perth, Western Australia Subject The topic of the resource baldricks, bell pads, Cotswolds, custom, dance, dance troupe, dancers, dancing, ‘early Morris Project’, festivity, flowers, Folk dance, handkerchief, hat, May, maypole, medieval festivities, medieval recreation, morris dancing, Perth, Perth Medieval Fayre, re-creation, recreation, sticks, traditional dance, Western Australia, WA Description An account of the resource Morris dancers performing a version of the folk dance at the Perth Medieval Fayre in Western Australia. The style of the dance is derived from the English villages of the Cotswolds and is characterised by groups of six men dressed in white clothing with coloured baldricks, bell pads and flower-covered hats dancing in formation. The dancers also frequently make use of handkerchiefs and sticks in this form of morris dance. The origins of morris dancing are subject to debate, with some scholars arguing that it developed from a pagan fertility ritual, and others arguing that it originated in the medieval period. Scholars involved in collating references to morris dancing for the ‘Early Morris Project’ have suggested that the earliest written reference is in two English wills dated 1458 (see John Forrest and Michael Heaney, ‘Charting Early Morris’ in Folk Music Journal, vol.6, no.2, 1991, pp.169-186). Morris dancing has also frequently been linked to the month of May and the dancing and festivities that took place around the maypole. The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ‘early Morris Project’ baldricks bell pads Cotswolds custom dance dance troupe dancers dancing festivity flowers folk dance handkerchief hat May maypole medieval festivities medieval recreation morris dancing Perth Perth Medieval Fayre re-creation recreation sticks traditional dance WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/565fee59ea43fdd54f76c620499aa30d.jpg bbdf51facd853e7a98aa89c4c5ee2a8d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 299 Width 448 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church Interior, Claremont, WA Subject The topic of the resource altar, Anglican, Anglican church, apse, arch, architect, architecture, buttress, chancel, chancel arch, church, church building, Church of England, Claremont, Cottesloe limestone, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, lectern, limestone, masonry, nave, neo-gothic, pews, pulpit, sanctuary, stained glass, T. W. L. Powell, trussed ceiling, Western Australia, William Howitt, wood-carving Description An account of the resource An interior view of Christ Church, Claremont in Western Australia. The neo-gothic style of the building is clearly visible in the pointed arches of the stained-glass windows, arcading and large chancel arch separating the rectangular nave from the octagonal chancel. The wooden pulpit and lectern are the work of William Howitt, a well-known Western Australian wood carver. About Christ Church, Claremont: Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Altar Anglican Anglican church Apse arch architect architecture buttress chancel chancel arch Church church building Church of England Claremont Cottesloe limestone gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows lectern limestone masonry nave neo-Gothic pews pulpit sanctuary stained glass T. W. L. Powell trussed ceiling Western Australia William Howitt wood-carving https://ausmed.arts.uwa.edu.au/files/original/897c64deb063bcf9ebf771549f00491d.jpg 8e45b611f4890609885aa9f297f9771e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church, Claremont, Western Australia Subject The topic of the resource arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia, Anglican, Anglican Church Description An account of the resource A view of the western facing entrance and tower at Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church arch architect architecture bell tower blind arch buttress Church church building Church of England Claremont Cottesloe limestone gable gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows limestone masonry neo-Gothic rose window stained glass T. W. L. Powell tower tracery Western Australia