87 8 1266 https://ausmed.arts.uwa.edu.au/files/original/b5eea173dee8b161a124f721e0febda2.jpg 29c50a1201abe0b7208985c6b5c96ace Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 738 Width 983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Masks, Chalmers Presbyterian Church, Launceston, Tasmania Subject The topic of the resource bell tower, Thomas Chalmers, Chalmers Free Church, Church of Scotland, William Henry Clayton, Free Kirkers, Gothic, Gothic Revival, Launceston, masks, Presbyterian, Tas, Tasmania, Presbyterian, arched windows Description An account of the resource One of two photographs of the former Chalmers Presbyterian Church in Launceston. The church was built in Gothic Revival style in 1859 (the first service was in January 1860) and was designed by architect William Henry Clayton (1823-1877). It was named after Thomas Chalmers, the founder of the Free Church movement in Scotland following the 1843 Great Disruption of the Church of Scotland. His followers were known as Free Kirkers. The church became a Presbyterian church in 1896 and was deconsecrated in 1981 and it can now be hired as a hall. This photograph shows face masks around the bell tower. Despite the flamboyantly Gothic style of the tower, the masks may be inspired by similar ones from the Classical period, and are quite different from the gargoyles which one would expect to find on a Gothic church. For more on the Presbyterian Church in Tasmania see <a href="http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm" target="_blank">http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm</a> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows bell tower Chalmers Free Church Church of Scotland Free Kirkers Gothic Gothic Revival Launceston masks Presbyterian Tas Tasmania Thomas Chalmers William Henry Clayton Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/3796" target="_blank">http://www.ngv.vic.gov.au/col/work/3796</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Springtime (Im Fruhling) Subject The topic of the resource Arnold BÃ¶cklin (1827-1901), art, beauty, Felton Bequest, feminine ideal, landscape, medieval dress, medieval theme, music, musical instrument, naturalism, nature, nostalgia, Renaissance art, Renaissance beauty, seasons, spring, springtime, VIC, Victoria Description An account of the resource This work by Swiss-born artist Arnold BÃ¶cklin was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1977. The painting depicts two beautiful â€˜otherworldlyâ€™ female figures in flowing, colourful dresses walking in an idyllic green landscape. Although the dresses are of a romanticised medieval style, the naturalism with which the landscape is rendered is a typically nineteenth-century artistic style. â€œBy bringing a modern sensibility to a late medieval sceneâ€, Ted Gott et al have suggested, â€œthe artist has brilliantly linked to his contemporary world the fifteenth-century ideal of beautyâ€ (19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.63). Creator An entity primarily responsible for making the resource BÃ¶cklin, Arnold Source A related resource from which the described resource is derived National Gallery of Victoria Publisher An entity responsible for making the resource available National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1873 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 104.5 x 78cm; Hyperlink Arnold BÃ¶cklin (1827-1901) art beauty Felton Bequest feminine ideal landscape medieval dress medieval theme music musical instrument naturalism nature nostalgia Renaissance art Renaissance beauty seasons spring springtime Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/662861cf6ee6428dd38c8fe4c4441e5c.jpg aae29e0f4b8e46565cb88e5e7ba295e5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 872 Width 653 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Former Library Building, Perth Subject The topic of the resource arched window, arch, window, Byzantium, Byzantine, Jubilee building, Government Geology building, John Grainger, Perth, Perth Cultural Centre, Perth Library, library, museum, education, Perth Museum, Romanesque, State Library, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum Description An account of the resource A photograph of the Government Geology building/former Library, now a wing of the Western Australian Museum â€“ Perth. The building was completed in 1902 and was designed by Government architect John Grainger. It was built to blend in with the Jubilee Building built by Graingerâ€™s predecessor George Temple-Poole. As can be seen in this photograph, the building originally housed the State Library and the Government Geologist. The former Library building was built in brick and stone, including stone left over from the Jubilee Building. It is in the Victorian Byzantine/Romanesque style with arched windows. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 20 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arched window Byzantine Byzantium education George Temple-Poole Government Geology building John Grainger Jubilee building library museum Perth Perth Cultural Centre Perth Library Perth Museum Romanesque State Library Victorian Byzantine WA Western Australia Western Australian Museum window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4069" target="_blank">http://www.ngv.vic.gov.au/col/work/4069</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fair Rosamund Subject The topic of the resource Arthur Hughes (1832-1915), Eleanor of Aquitaine, fleur-de-lys, flowers, foxgloves, garden, Henry II of England, iris, maze, mistress, poison, Rosamund, secret garden, symbolism, VIC, Victoria, Walter de Clifford, Woodstock Description An account of the resource This work by English artist Arthur Hughes depicts the twelfth-century figure of Rosamund in the garden that King Henry II of England created for her at his royal residence in Oxfordshire. Rosamund was Henryâ€™s mistress. She was reputedly poisoned in 1176 by Eleanor of Aquitaine, Henry's wife. Eleanor can be seen in the background of the painting discovering the entrance to the secret garden, which was only accessible by way of a maze. As Ted Gott et al suggest,the selection of flowers in the painting add important symbolism - blue foxgloves, a source of poison, line the queenâ€™s path, while purple irises are visible in the foreground. Irises were associated with the Greek Goddess Iris who chaperoned the souls of dead women to the Elysian Fields, and also with the fleur-de-lys, a symbol of the French crown. Eleanor of Aquitaine was the Queen of France from 1137-1152. (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.78). Creator An entity primarily responsible for making the resource Hughes, Arthur Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1854 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Wood Panel, 40.3 x 30.5cm; Hyperlink Arthur Hughes (1832-1915) Eleanor of Aquitaine fleur-de-lys flowers foxgloves garden Henry II of England iris maze mistress poison Rosamund secret garden symbolism Vic Victoria Walter de Clifford Woodstock https://ausmed.arts.uwa.edu.au/files/original/1ac1d7d6c8fe3540681809b494416ae1.jpg d1d2cff5e2286ae8aceb92f0245ed683 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Combat Demonstration at the Balingup Medieval Carnivale Subject The topic of the resource Balingup, carnivale, carnival, festival, fayre, fair, Balingup Medieval Carnivale, combat, battle, fight, fighting, medieval, display, demonstration, tournament, sword, swords, armour, weapons, weaponry, knight, knights, knighthood, chivalry, recreation, re-creation, Donnybrook, Shire of Donnybrook-Balingup, Perth, WA, Western Australia Description An account of the resource A photograph of a medieval-style combat demonstration at the Balingup Medieval Carnivale, 2010. Creator An entity primarily responsible for making the resource Jeffery, N. Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Armour Balingup Balingup Medieval Carnivale battle carnival carnivale chivalry combat demonstration display Donnybrook fair fayre festival fight fighting knight knighthood knights medieval Perth re-creation recreation Shire of Donnybrook-Balingup sword swords tournament WA weaponry weapons Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42150" target="_blank">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42150</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crowd of Veiled Women, Corpus Christi at Manly Subject The topic of the resource Catholic, Catholicism, celebration, Christ, Corpus Christi, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques PantelÃ©on, Juliana of LiÃ¨ge (1193-1258), laity, Latin Rite, Legion of Mary, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ritual, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veil, veneration, vision Description An account of the resource A photograph taken by photographer Ted Hood during the Corpus Christi Mass at Manly, New South Wales, in 1934. The picture shows a group of veiled women kneeling in the crowd. They are (less noticeably) also interspersed with men, and this group most likely represents the Legion of Mary, an association of Catholic laity who make a commitment to serve the Church by encouraging spiritual work and promoting mercy, in imitation of Mary. The Legion of Mary was founded in Dublin in 1921. Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. Creator An entity primarily responsible for making the resource Hood, Ted Source A related resource from which the described resource is derived State Library of New South Wales Publisher An entity responsible for making the resource available State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlink Catholic Catholicism celebration Christ Corpus Christi Eucharist feast day feast of Corpus Christi Hugh of St-Cher Jacques PantelÃ©on Juliana of LiÃ¨ge (1193-1258) laity Latin Rite Legion of Mary Manly Mass medieval ritual mystic mysticism New South Wales NSW nun Papal Bull Pope Urban IV procession religious ritual Robert de Thorete (d.1246) sacrament St Juliana Sydney Ted Hood (1911-2000) Transiturus de hoc mundo veil veneration vision https://ausmed.arts.uwa.edu.au/files/original/2b79f4d2daac6a6e50a2c3a5616901a8.jpg aa60b5a8e4343eb76dd9308891f9a69c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 599 Width 799 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jack and the Beanstalk House, East Devonport Subject The topic of the resource arched windows, arch, architecture, domestic, domestic architecture, East Devonport, folktale, folk, Jack and the Beanstalk, Gothic, Gothic Revival, Tas, Tasmania Description An account of the resource One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. Gothic architecture was the dominant style in much of Europe from the twelfth to sixteenth centuries. For Jack climbing a beanstalk see <a href="http://ausmed.arts.uwa.edu.au/items/show/759">http://ausmed.arts.uwa.edu.au/items/show/759</a>. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 December 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/759">http://ausmed.arts.uwa.edu.au/items/show/759</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arched windows architecture domestic domestic architecture East Devonport folk folktale Gothic Gothic Revival Jack and the Beanstalk Tas Tasmania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank">http://www.artgallery.nsw.gov.au/work/349.2001.a-f/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Second Maquette for the Burghers of Calais Subject The topic of the resource Andrieu dâ€™Andres, attack, army, Auguste Rodin (1840-1917), bronze, burghers, Calais, cast, commemoration, conflict, Eustache de Saint-Pierre, Hundred Yearsâ€™ War, Jacques de Weissant, Jean dâ€™Aire, Jean de Fiennes, King Edward III of England (1312-1377), King Philip VI of France (1293-1350), maquette, medieval war, model, New South Wales, NSW, Pierre de Weissant, plaster, sculpture, siege, Siege of Calais (1347), surrender, war, warfare Description An account of the resource This piece from the Art Gallery of New South Wales collection is one of 12 bronze sculptures cast from a plaster sculpture created by Rodin in 1885. The original ‘Second Maquette for the Burghers of Calais’ from which it was cast is currently housed in the Musée Rodin in Paris. The sculpture features six separate figures ranging in size from 60.5cm to 70 cm. Rodin was commissioned in 1884 to produce a monument commemorating the bravery of six Calais burghers who were prepared to sacrifice themselves to save the city’s other citizens when Calais fell to the English King, Edward III, during the Hundred Years’ War in 1347. The figures are Pierre de Weissant, Jean d’Aire, Eustache de Saint-Pierre, Jacques de Weissant, Andrieu d’Andres and Jean de Fiennes. His first maquette features all of the figures on a shared base, whereas the second consists of six separate figures. For more information, see the accompanying notes on the Gallery of New South Wales website: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank"> http://www.artgallery.nsw.gov.au/work/349.2001.a-f/</a> Creator An entity primarily responsible for making the resource Rodin, Auguste Source A related resource from which the described resource is derived Art Gallery of New South Wales: accession number 349.2001.a-f. Date A point or period of time associated with an event in the lifecycle of the resource Modelled 1885; Cast 1972 Rights Information about rights held in and over the resource Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Bronze Sculpture. 6 separate pieces, each measuring between 60.5 and 70 cm.; Hyperlink Andrieu dâ€™Andres army attack Auguste Rodin (1840-1917) bronze burghers Calais cast commemoration conflict Eustache de Saint-Pierre Hundred Yearsâ€™ War Jacques de Weissant Jean dâ€™Aire Jean de Fiennes King Edward III of England (1312-1377) King Philip VI of France (1293-1350) maquette medieval war model New South Wales NSW Pierre de Weissant plaster sculpture siege Siege of Calais (1347) surrender war warfare