86 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://abbeytournament.com/" target="_blank">http://abbeytournament.com/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abbey Medieval Festival, Queensland Subject The topic of the resource Abbey, Abbey Medieval Festival, Abbey Museum, Abbey Museum of Art and Archaeology, banquet, battle, Caboolture, costume, dancing, festival, jousting, market, music, QLD, Queensland, re-enactment, tournament Description An account of the resource The Abbey Medieval Festival is held in the Queensland town of Caboolture, north of Brisbane, and is a major fundraising event held by the Abbey Museum of Art and Archaeology. The Festival is a week-long event that commences with a medieval banquet, features a mid-week Kids Medieval Fun Day, and concludes with a weekend tournament. During the festival visitors can see re-enactors in medieval clothing from various times and places in medieval Europe, jousting and mock battles, medieval music and dance, and purchase items at market stalls. For more on the Abbey Museum go to the â€˜Archival Holdingsâ€™ section on this website. Creator An entity primarily responsible for making the resource Abbey Medieval Festival Publisher An entity responsible for making the resource available Abbey Medieval Festival Date A point or period of time associated with an event in the lifecycle of the resource 3 January 2012 Rights Information about rights held in and over the resource Abbey Medieval Festival Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English Abbey Abbey Medieval Festival Abbey Museum Abbey Museum of Art and Archaeology Banquet battle Caboolture costume dancing festival jousting market music Qld Queensland re-enactment tournament https://ausmed.arts.uwa.edu.au/files/original/d4473fc222c92cf02a9b115bb3c523b7.jpg a9529b8eeca2e622be8709ea381ccdb7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 691 Width 922 https://ausmed.arts.uwa.edu.au/files/original/4c8e97878131b0f19284c577bdacb388.JPG c88ce41ddde9900fcc2a0aec3ccced14 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1735 Width 1809 https://ausmed.arts.uwa.edu.au/files/original/9509448fb8301e5d093272480c308751.JPG c349b89d342e4ac657049eca602fa622 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Johnâ€™s Anglican Church, Launceston, Tasmania Subject The topic of the resource arched windows, bell tower, blind arcading, buttress, convict labour, Georgian Gothic, Gothic, David Lambe, lancet window, Launceston, Alexander North, rose window, St Johnâ€™s Anglican Church, Tas, Tasmania, tower, turret Description An account of the resource Two photographs of St John’s Anglican Church on St John's Street in Launceston, Tasmania. The original church was designed by David Lambe and built by convict labour in 1824-5. The clock and bell tower with an octagonal turret were added in 1830. This part of the church, in the Georgian Gothic style, is all that remains of the original exterior. From 1902 extensive alterations were made under the direction of architect Alexander North (1858-1945), resulting in the red brick building with large rose window and elaborate arched doorway. Despite the obvious contrast in the two sections of the building, both are in Gothic style and feature pointed-arched windows, buttresses, and blind arcading. For their website see http://www.stjohns.net.au/ Creator An entity primarily responsible for making the resource Dorey, Margaret, and Shane McLeod Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011, 9 September 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph; JPEG Alexander North arched windows bell tower buttress convict labour David Lambe Georgian Gothic Gothic lancet window Launceston rose window St Johnâ€™s Anglican Church Tas Tasmania tower turret turrets Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.flickr.com/photos/34094515@N00/5762793457/in/set-72157626676456279">http://www.flickr.com/photos/34094515@N00/5762793457/in/set-72157626676456279</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Black Knightâ€™ Subject The topic of the resource armor, armour, Blacktown, Blacktown Medieval Fayre, chivalric, chivalry, gallantry, horse, jousting, knight, lance, medieval fair, New South Wales, NSW, Nurragingy Reserve, plate armour, re-enactment, reenactment, Richard Taylor, Sir Walter Scott, Sydney, tournaments, Western Sydney Description An account of the resource This detailed action photograph of two knights jousting was taken at the Blacktown Medieval Fayre by Richard Taylor in 2011. Considerable attention to detail is evidenced by quality gear and trappings. Note the blunt headed lance and knightly accoutrements. The combatants shown here are members of Full Tilt, â€œa world renowned quality jousting outfit,â€ that could have been extracted from the pages of a novel by Sir Walter Scott. The knights in this photograph wear plate armour, which fits with the rising popularity of jousting tournaments in the fifteenth century. By this time plate armour had largely replaced chain mail as the protective garment of choice for knights. The black colouring of the armour adds to the theatricality of the event. The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year. Creator An entity primarily responsible for making the resource Taylor, Richard Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2011 Rights Information about rights held in and over the resource Â© Richard Taylor. Some rights reserved dicktay2000 Format The file format, physical medium, or dimensions of the resource Hyperlink Armor Armour Blacktown Blacktown Medieval Fayre chivalric chivalry gallantry horse jousting knight lance medieval fair New South Wales NSW Nurragingy Reserve plate armour re-enactment reenactment Richard Taylor Sir Walter Scott Sydney tournaments Western Sydney https://ausmed.arts.uwa.edu.au/files/original/5f6439d8a0243d9ce5db1b55b4d2e23f.jpg c957f006162c2f62068e603fcd249aed Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 983 Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knight Letterbox, Perth, Tasmania Subject The topic of the resource castle, helmet, knight, knights, letterbox, Perth, quiver, Tas, Tasmania, armour, metalwork, domestic Description An account of the resource One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows the letterbox in the guise of an armoured knight. The knight has a helmet, full body armour, and wears a quiver (arrow holder) to hold newspapers. Letters are placed in a slot in the knightâ€™s chest. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Armour castle domestic helmet knight knights letterbox metalwork Perth quiver Tas Tasmania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279">http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Soldier at a Medieval Faireâ€™ Subject The topic of the resource Arms, armor, armour, aventail, Blacktown, Blacktown Medieval Fayre, camail, chain mail, chainmail, combat, entertainment, helmet, honour, medieval costume, medieval fair, New South Wales, Norman style helmet, NSW, Nurragingy Reserve, re-enactment, reenactment, Richard Taylor, Sydney, war, warfare, Western Sydney Description An account of the resource This is a â€˜frozenâ€™ combat image taken at the Blacktown Medieval Fayre by photographer Richard Taylor in 2011. It depicts a participant dressed in a Norman style helmet complete with a chainmail collar known as an avential or camal, and engaged in combat. The participants and combatants in medieval re-enactment groups generally pay considerable attention to detail. Their clothing and war gear is researched and often handcrafted, and when it comes to re-enacting â€˜combatâ€™ all bouts are marshalled. However, the combat is also based on an honour system, in which â€œevery fighter must decide which blows hit hard enough for him to yield or fall deadâ€ (For more on this, see Patrick Oâ€™Donnell, The Knights Next Door: Everyday People Living Middle Ages Dreams, Lincoln, iUniverse Inc., 2004). Re-enacted combat combines medieval fighting techniques and entertainment. In Medieval Fantasy as Performance: The Society for Creative Anachronism and the Current Middle Ages (Lanham, The Scarecrow Press, 2010), Michael Cramer observes that participation in creative anachronistic events is largely performance-driven (p.xii). That is to say, historical re-enactment is essentially theatre, and this is a significant part of the appeal. The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year. Creator An entity primarily responsible for making the resource Taylor, Richard Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2011 Rights Information about rights held in and over the resource Â© Richard Taylor. Some rights reserved dicktay2000 Format The file format, physical medium, or dimensions of the resource Hyperlink Armor Armour Arms aventail Blacktown Blacktown Medieval Fayre camail chain mail chainmail combat entertainment helmet honour medieval costume medieval fair New South Wales Norman style helmet NSW Nurragingy Reserve re-enactment reenactment Richard Taylor Sydney war warfare Western Sydney Hyperlink Title, URL, Description or annotation. URL <a href="http://www.birkatraders.com/main/index.php" target="_blank">http://www.birkatraders.com/main/index.php</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Birka Traders Subject The topic of the resource armaments, Peter Beatson, Birka, jewellery, market, merchant, metalwork, New South Wales, NSW, re-enactment, retail, Sweden, Sydney, trading centre, Viking, Viking Age, archaeology Description An account of the resource Birka Traders was the online store created by Peter Beatson to sell his medieval metalwork. The collection included mainly jewellery and personal items such as belt buckles and strap ends, and focussed on the early medieval period, particularly the Viking Age. The items were based on actual archaeological finds. The store closed in January 2011. Birka was the main trading centre/market place in Sweden visited by international merchants between c. 760 and 960. Creator An entity primarily responsible for making the resource Beatson, Peter Date A point or period of time associated with an event in the lifecycle of the resource 8 January 2012 Rights Information about rights held in and over the resource Peter Beatson Format The file format, physical medium, or dimensions of the resource Hyperlink archaeology armaments Birka jewellery market merchant metalwork New South Wales NSW Peter Beatson re-enactment retail Sweden Sydney trading centre viking Viking Age https://ausmed.arts.uwa.edu.au/files/original/cc8abcec583d9341d3795018a8b0241d.jpg c0f552e95b232131aeb502d83c45577d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 235 Width 279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Galen, Hippocrates, and Aretaeus of Cappadociaâ€™ Window, The University of Sydney Subject The topic of the resource anatomy, Anderson Stuart Building, Aretaeus of Cappadocia, Asklepios, classical, Gothic Revival, Hippocrates, John Harris, medicine, neo-gothic, physicians, stained glass, stair window, surgeons, The University of Sydney, university, university building, window Description An account of the resource This is the lower section of a two-tiered Gothic Revival stair window located in the Anderson Stuart Building at the University of Sydney. The window was donated by John Harris Esq., at a cost of Â£120 in c.1889 (Calendar of the University of Sydney for the year 1893, Sydney, W. E. Smith, 1893, p.375) It features a triad of classical physicians - Galen, Hippocrates, and Aretaeus of Cappadocia - each of whom had a profound influence on medical thought in the medieval and Renaissance periods and the development of medicine in general. The figures are separately surmounted and framed by late fourteenth to early fifteenth century canopies within individuated lights. Such figuration is very much in keeping with the customary practice of presenting a series of exemplary figures from history for edification and emulation. The Anderson Stuart Building, formerly known as â€˜The old medical schoolâ€™ is used for the teaching of anatomy. It also boasts a statue of Asklepios, the God of medicine and healing, and busts of several eminent physicians and surgeons. The Faculty of Medicine at Sydney University is the oldest in the country. Creator An entity primarily responsible for making the resource Urry, David (photographer) Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG anatomy Anderson Stuart Building Aretaeus of Cappadocia Asklepios Classical Gothic Revival Hippocrates John Harris medicine neo-Gothic physicians stained glass stair window surgeons The University of Sydney university university building window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feigned Death of Juliet Subject The topic of the resource bedchamber, Capulet, characters, Count Paris, domestic interior, Frederic Leighton (1830-1896), Friar Laurence, Juliet, Lady Capulet, medieval dress, music, musical instruments, musicians, nurse, play, Romeo and Juliet, SA, Shakespearean characters, South Australia, tragedy, William Shakespeare (1564-1616) Description An account of the resource This oil on canvas painting by nineteenth-century artist Frederic Leighton was acquired by the Art Gallery of South Australia with funds from the Elder Bequest in 1899. Titled â€˜The Feigned Death of Julietâ€™ it depicts a scene from William Shakespeareâ€™s tragedy 'Romeo and Juliet'. In Act IV Scene V of the play, Count Paris arrives at the Capulet house with Friar Laurence to claim Juliet as his bride. However, instead of finding her ready to proceed to the church to be wed, he discovers Juliet seemingly lifeless in her chamber. In Leightonâ€™s painting, Juliet is shown lying on a bed surrounded by her mother, her nurse, her father and Count Paris. Friar Laurence hovers in the corner and a band of musicians congregate by the open door with their instruments. Although the play was written in the 1590s, it is set in Verona in an earlier (but unspecified) period. The characters in the painting are all depicted wearing styles of dress typical of the High Middle Ages. Creator An entity primarily responsible for making the resource Leighton, Frederic Source A related resource from which the described resource is derived Art Gallery of South Australia Publisher An entity responsible for making the resource available Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1856 - 1858 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 113.6 x 175.2cm; Hyperlink bedchamber Capulet characters Count Paris domestic interior Frederic Leighton (1830-1896) Friar Laurence Juliet Lady Capulet medieval dress music musical instruments musicians nurse play Romeo and Juliet SA Shakespearean characters South Australia tragedy William Shakespeare (1564-1616)