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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=526" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Bouguereauâ€™s Virgin and Child</text>
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                <text>art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905)</text>
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                <text>This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The childâ€™s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Maryâ€™s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child. </text>
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                <text>Bourguereau, William Adolphe</text>
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                <text>Art Gallery of South Australia</text>
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                <text>1888</text>
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                <text>Hyperlink; &#13;
Oil on Canvas, 176 x 102.8 cm</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Uniting Church, York, Western Australia</text>
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                <text>Gothic, architecture, lancet windows, arch, arches, Wesleyan, Uniting Church, church, Methodist, Methodists, religion, religious, York, Perth, WA, Western Australia</text>
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                <text>The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways.&#13;
&#13;
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            <name>Creator</name>
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                <text>Carter, Bree</text>
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                <text>November 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval"&gt;http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval&lt;/a&gt;</text>
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                <text>â€˜The Warriorâ€™</text>
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                <text>Adelaide Hills, Anglo-Saxons, arms, armor, armour, axe, Battle of Hastings, Bayeux Tapestry, chain mail, chainmail, francisca, Franks, gloves, Gumeracha Medieval Fair, knife, long knife, medieval fair, mitons, Normans, re-enactment, reenactment, SA, seax, South Australia, throwing axe, Wendi Donaldson</text>
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                <text>This photo, taken by photographer Wendi Donaldson at the Gumeracha Medieval Fair in South Australia in May 2011, provides a unique glimpse of a â€˜livingâ€™ early medieval warrior (who could be from almost anywhere in Europe). It depicts a participant at the Fair wearing chain-mail gloves, known as mitons, and a â€˜Normanâ€™ style helmet complete with the distinctive nasal bar which was designed to protect the face from injury. He carries a francisca throwing axe, which is a weapon that was developed by the Franks but also used by early Anglo-Saxons, in one hand and a second weapon that is not clear but that is probably a long knife known as a seax (given the sheath tied to his belt) in the other. Great care is taken by festival organisers and participants alike to ensure that costumes and weapons are within the recognised parameters of the era; however, this warrior does mix early medieval chronologies. For example, both Anglo-Saxons and Normans are depicted wearing this style of helmet in the Bayeaux Tapestry at the Battle of Hastings in 1066, but no-one in the Tapestry has chain-mail gloves. &#13;
The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers. This is just one of several interesting medieval events held throughout the country at different times of the year. &#13;
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                <text>Donaldson, Wendi</text>
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                <text>May 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="18173">
                <text>Â© All images copyright Wendi Donaldson 2011</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This is one of a series of pre-action photographs taken by photographer Richard Taylor at Nurragingy Reserve in 2011. It shows an â€˜old warriorâ€™ displaying steely determination to survive a potentially dangerous encounter. The subject of the photograph is a participant at the Blacktown Medieval Fayre. He wears a chainmail hood (a coif) and shirt (hauberk or haubergeon), and a Norman style helmet. Chain mail was used extensively in the middle ages to fashion protective garments by interlocking thousands of metal rings to form a meshed material. Chainmail garments were worn by medieval knights and soldiers as body armour until chainmail was gradually superseded by plate armour in the fourteenth century.   &#13;
The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of the entrance doorway to the former Magistrateâ€™s Court Building in Melbourneâ€™s CBD, on the corner of La Trobe Street and Russell Street. The Former Magistrateâ€™s Court Building is a three-storey building of French Romanesque design. As is common of neo-romanesque or Norman Revival architecture, the entrance is strongly modelled; the already large doorway is amplified by archivolts, in this case a band of five semi-circular arches, column jambs and decorative hood moulding.  &#13;
&#13;
The Former Magistrateâ€™s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrateâ€™s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>McEwan, Joanne</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.historyalive.com.au/home.html" target="_blank"&gt;http://www.historyalive.com.au/home.html&lt;/a&gt;&lt;/span&gt;</text>
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                <text>History Alive: A Journey Through Time is a re-enactment weekend event held by The Queensland Living History Federation (QLHF). The event is held at Fort Lytton National Park and features re-enactment groups covering the period from the Roman Empire to the Vietnam War. Within this broad time frame are a number of groups who focus on the medieval period, and the main arena at the event hosts a 14th century tournament. As well as martial displays in the arena, there are also market stalls, displays by local historical groups, and dance. </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="30110">
              <text>Digital Photograph; JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30103">
                <text>Chalmers Presbyterian Church, Launceston, Tasmania</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30104">
                <text>arched windows, bell tower, Thomas Chalmers, Chalmers Free Church, Church of Scotland, William Henry Clayton, Florid Gothic, Free Kirkers, Gothic, Gothic Revival, Launceston, Presbyterian, Tas, Tasmania</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30105">
                <text>&lt;p&gt;One of two photographs of the former Chalmers Presbyterian Church in Launceston. The church was built in Gothic Revival style in 1859 (the first service was in January 1860) and was designed by architect William Henry Clayton (1823-1877). It was named after Thomas Chalmers, the founder of the Free Church movement in Scotland following the 1843 Great Disruption of the Church of Scotland. His followers were known as Free Kirkers. The church became a Presbyterian church in 1896 and was deconsecrated in 1981 and it can now be hired as a hall. This photograph shows the flamboyant Gothic Revival style, sometimes referred to as Florid Gothic,&amp;nbsp;of the front of Chalmers church, with a ornate bell tower and numerous arched windows.&lt;/p&gt;&#13;
&lt;p&gt;For more on the Presbyterian Church in Tasmania see &lt;a href="http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm" target="_blank"&gt;http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm&lt;/a&gt;&amp;nbsp;&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30106">
                <text>Dorey, Margaret</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30107">
                <text>2 December 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30108">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30109">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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        <name>arched windows</name>
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      <tag tagId="942">
        <name>bell tower</name>
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        <name>Chalmers Free Church</name>
      </tag>
      <tag tagId="4129">
        <name>Church of Scotland</name>
      </tag>
      <tag tagId="5783">
        <name>Florid Gothic</name>
      </tag>
      <tag tagId="4131">
        <name>Free Kirkers</name>
      </tag>
      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="2972">
        <name>Launceston</name>
      </tag>
      <tag tagId="2531">
        <name>Presbyterian</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="4127">
        <name>Thomas Chalmers</name>
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      <tag tagId="4130">
        <name>William Henry Clayton</name>
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  </item>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
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              <text>&lt;span&gt;&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42147" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42147&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18289">
                <text>Corpus Christi at Manly: The Procession</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18290">
                <text>Catholic, Catholicism, celebration, Christ, Corpus Christi, crowd, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques PantelÃ©on, Juliana of LiÃ¨ge (1193-1258), laity, Latin Rite, Legion of Mary, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ceremony, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veil, veneration, vestments, vision</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18291">
                <text>A photograph taken by photographer Ted Hood of the procession following the Corpus Christi Mass at Manly, New South Wales, in 1934.&#13;
&#13;
Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. </text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18292">
                <text>Hood, Ted</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="18293">
                <text>State Library of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="18294">
                <text>State Library of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18295">
                <text>1934</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18296">
                <text>State Library of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18297">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
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        <name>Catholic</name>
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      <tag tagId="67">
        <name>Catholicism</name>
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      <tag tagId="772">
        <name>celebration</name>
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      <tag tagId="3800">
        <name>Christ</name>
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      <tag tagId="3545">
        <name>Corpus Christi</name>
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      <tag tagId="552">
        <name>crowd</name>
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      <tag tagId="2440">
        <name>Eucharist</name>
      </tag>
      <tag tagId="3230">
        <name>feast day</name>
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      <tag tagId="3544">
        <name>feast of Corpus Christi</name>
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      <tag tagId="4038">
        <name>Hugh of St-Cher</name>
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      <tag tagId="4039">
        <name>Jacques PantelÃ©on</name>
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      <tag tagId="4040">
        <name>Juliana of LiÃ¨ge (1193-1258)</name>
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      <tag tagId="4041">
        <name>laity</name>
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      <tag tagId="4042">
        <name>Latin Rite</name>
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      <tag tagId="4132">
        <name>Legion of Mary</name>
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        <name>Manly</name>
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      <tag tagId="4044">
        <name>Mass</name>
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        <name>medieval ritual</name>
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        <name>mystic</name>
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      <tag tagId="4047">
        <name>mysticism</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="2407">
        <name>nun</name>
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      <tag tagId="4048">
        <name>Papal Bull</name>
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      <tag tagId="4049">
        <name>Pope Urban IV</name>
      </tag>
      <tag tagId="157">
        <name>procession</name>
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      <tag tagId="4050">
        <name>religious ceremony</name>
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      <tag tagId="4051">
        <name>Robert de Thorete (d.1246)</name>
      </tag>
      <tag tagId="4052">
        <name>sacrament</name>
      </tag>
      <tag tagId="4053">
        <name>St Juliana</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="4054">
        <name>Ted Hood (1911-2000)</name>
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      <tag tagId="4055">
        <name>Transiturus de hoc mundo</name>
      </tag>
      <tag tagId="2848">
        <name>veil</name>
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      <tag tagId="4056">
        <name>veneration</name>
      </tag>
      <tag tagId="1896">
        <name>vestments</name>
      </tag>
      <tag tagId="4057">
        <name>vision</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
