84 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <p><a href="http://www.mainlymedieval.com/store/product_info.php?products_id=883">http://www.mainlymedieval.com/store/product_info.php?products_id=883</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pilgrim Badge: St James of Compostella Subject The topic of the resource Badge, Compostella, material culture, ‘Mainly Medieval’, medieval pilgrimage, NSW, New South Wales, pilgrim, pilgrimage, replica, reproduction, Saint James, scallop shell, shrine, Spain, St James, symbolism, Way of St James Description An account of the resource An advertisement for a scallop shell badge distributed by ‘Mainly Medieval’, an online re-enactor supplies company based in New South Wales. The scallop shell badge signifies that the wearer has completed the lengthy overland pilgrimage known in English as the Way of St James. This pilgrimage, which now starts at Roncesvalles, gradually winds its way to the Cathedral in Compostela, NW Spain. The ninth-century version, however, was considerably shorter due to the Moorish occupation. This early route started at Oviedo, passed through Lugo, and culminated at Santiago de Compostela, covering a distance of 328 km. The church was built at Compostella as a shrine to James, the son of Salome and Zebedee, who died in Jerusalem AD 44 by order of King Agrippa. His body was reputedly rediscovered in 840 by divine revelation to Bishop Theodomirus (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol.2, p.1372). The Vatican ‘officially’ confirmed the location of St James’s relics and tomb via a Papal Bull in 1884, and consequently the Camino de Santiago de Compostela became one of the world’s great long-distance ‘pilgrimages.’ Creator An entity primarily responsible for making the resource Mainly Medieval Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource Copyright © 2011 Mainly Medieval Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English ‘Mainly Medieval’ Badge Compostella material culture medieval pilgrimage New South Wales NSW pilgrim pilgrimage replica reproduction Saint James scallop shell shrine Spain St James symbolism Way of St James https://ausmed.arts.uwa.edu.au/files/original/910c5fd5b9612705ebf4cd6452394074.jpg 720dad48a8d9142c8017461f2f2d7abc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 747 Width 995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baptist Tabernacle church, Perth, Tasmania Subject The topic of the resource Baptist, Baptist Tabernacle, church, dome, octagonal, cruciform, cruciform design, George Fagg, William Gibson, Perth, Tas, Tasmania Description An account of the resource One of three photographs of the Baptist Tabernacle church in Clarence Street, Perth, Tasmania. The church was designed by English architect George Fagg and built in 1889 by William Gibson. The church is said to have Indian influence, but Byzantine influence can also be discerned. In particular, the church is octagonal, unlike the cruciform design of most west European churches. This photograph shows the classically inspired front entrance of the church. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Baptist Baptist Tabernacle Church cruciform cruciform design dome George Fagg octagonal Perth Tas Tasmania William Gibson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <span><a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42162" target="_blank"><span style="color: #0000ff;">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42162</span></a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Corpus Christi at Manly: Children in the Procession Subject The topic of the resource Catholic, Catholicism, celebration, children, Christ, Corpus Christi, crowd, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques Panteléon, Juliana of Liège (1193-1258), laity, Latin Rite, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ceremony, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veneration, vision Description An account of the resource A photograph taken by photographer Ted Hood of children participating in the Corpus Christi procession at Manly, New South Wales, in 1934. Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or ‘Blessed Sacrament’) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of Liège (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of Liège, Hugh of St-Cher and Jacques Panteléon, then the Archdeacon of Liège. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques Panteléon became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. Creator An entity primarily responsible for making the resource Hood, Ted Source A related resource from which the described resource is derived State Library of New South Wales Publisher An entity responsible for making the resource available State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English Catholic Catholicism celebration children Christ Corpus Christi crowd Eucharist feast day feast of Corpus Christi Hugh of St-Cher Jacques Panteléon Juliana of Liège (1193-1258) laity Latin Rite Manly Mass medieval ritual mystic mysticism New South Wales NSW nun Papal Bull Pope Urban IV procession religious ceremony Robert de Thorete (d.1246) sacrament St Juliana Sydney Ted Hood (1911-2000) Transiturus de hoc mundo veneration vision Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"> <a href="http://www.qlhf.org.au/" target="_blank">http://www.qlhf.org.au/</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queensland Living History Federation Subject The topic of the resource Brisbane, Fort Lytton National Park, History Alive, living history, Lytton, QLD, QLHF, Queensland, Queensland Living History Federation, re-enactment Description An account of the resource The Queensland Living History Federation (QLHF) are an umbrella group based in Brisbane for 54 smaller historical re-enactment, or living historian, groups in Queensland. QLHF formed in 1997 and its members re-enact time periods from the Roman Empire to the Vietnam War. Within this broad time frame are a number of groups who focus on the medieval period. The main event of QLHF is the History Alive weekend (see separate entry). Creator An entity primarily responsible for making the resource Queensland Living History Federation Publisher An entity responsible for making the resource available Queensland Living History Federation Date A point or period of time associated with an event in the lifecycle of the resource 6 January 2012 Rights Information about rights held in and over the resource Queensland Living History Federation Format The file format, physical medium, or dimensions of the resource Hyperlink Brisbane Fort Lytton National Park History Alive living history Lytton Qld QLHF Queensland Queensland Living History Federation re-enactment https://ausmed.arts.uwa.edu.au/files/original/eb44e2f71869efdbc8bcb44e93dac54f.jpg 549f1b442a9e9c6c1edecd7a6f32484c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 700 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource PICA Tower, Perth Subject The topic of the resource arched window, William Atkins, Perth, Perth Boys’ and Girls’ School, Perth Central School, school, schools, education, children, child, juvenile, teaching, learning, Perth Cultural Centre, Perth Institute of Contemporary Art, PICA, Romanesque, tower, WA, Western Australia Description An account of the resource This photograph shows the tower of the Perth Institute of Contemporary Art in the Perth Cultural Centre. The building, opened in 1897 and designed by William Atkins, was originally the Perth Boys’ and Girls’ School, and was often referred to as Perth Central School. The central red brick tower with a pitched corrugated roof and arched upper windows is in the Romanesque style. A medieval example of this style of tower, but with fewer arched windows, was found at the front of Cluny Abbey III in France, built in 1088. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 12 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window child children education juvenile learning Perth Perth Boys’ and Girls’ School Perth Central School Perth Cultural Centre Perth Institute of Contemporary Art PICA Romanesque school schools teaching tower WA Western Australia William Atkins Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <p><a href="http://www.esford.com/armourytemplar.htm">http://www.esford.com/armourytemplar.htm</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Esford Armoury ‘Knights Templar’ Range Subject The topic of the resource arms, armoury, Brisbane, chain mail, chainmail, cloak, Crusades, dagger, Esford Armoury, Holy Land, hood, knights, Knights Templar, mail coat, medieval clothing, military order, Order of the Temple, Queensland, QLD, re-enactment society, red cross, shield, soldiers of Christ, surcoat, sword, war, warfare, weapons Description An account of the resource This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of ‘The Knights Templar’, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this ‘war gear’ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, ‘Material Culture’ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templar’s equipment: a mail coat and a red cross emblazoned triangular shield. Creator An entity primarily responsible for making the resource Esford Swords and Armoury, Brisbane Date A point or period of time associated with an event in the lifecycle of the resource November, 2011 Rights Information about rights held in and over the resource Esford Swords and Armoury, 2011 Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English armoury Arms Brisbane chain mail chainmail cloak Crusades dagger Esford Armoury Holy Land hood knights Knights Templar mail coat medieval clothing Military Order Order of the Temple Qld Queensland re-enactment society red cross shield Soldiers of Christ surcoat sword war warfare weapons https://ausmed.arts.uwa.edu.au/files/original/a9e410d8ba462d7e402f4cfb7ac138be.jpg 0bd84f9d6db9ae7b3298e102024c73ca Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 738 Width 983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baptist Tabernacle Church, Perth, Tasmania Subject The topic of the resource Baptist, Baptist Tabernacle, church, dome, octagonal, cruciform, cruciform design, George Fagg, William Gibson, Perth, Tas, Tasmania Description An account of the resource One of three photographs of the Baptist Tabernacle church in Clarence Street, Perth, Tasmania. The church was designed by English architect George Fagg and built in 1889 by William Gibson. The church is said to have Indian influence, but Byzantine influence can also be discerned. In particular, the church is octagonal, unlike the cruciform design of most west European churches. This photograph shows the classically inspired front entrance of the church. Creator An entity primarily responsible for making the resource Dorey, Margaret Source A related resource from which the described resource is derived 30 November 2011 Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Baptist Baptist Tabernacle Church cruciform cruciform design dome George Fagg octagonal Perth Tas Tasmania William Gibson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p><a href="http://www.mickjoffe.com/H.R.H._Prince_Leonard" target="_blank"><span style="color: #0000ff;">http://www.mickjoffe.com/H.R.H._Prince_Leonard</span></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with H.R.H Prince Leonard I, from Mick Joffe’s Endangered Characters of Australia Subject The topic of the resource Astronomy, Australian government, Bill of Rights, constitutional law, H.R.H Prince Leonard I, H.R.H. Princess Shirley, heraldry, Hutt River Province, independent sovereign state, Indiana University, knight, knighthood, law, legal principle, Leonard I, Leonard George Casley (b.1925), Magna Carta, medieval law, Nicolaus Copernicus (1473-1543), parliament, peerage, physics, Principality of Hutt River, regalia, Royal College of heraldry, secession, WA, Western Australia, Wheat Quota Description An account of the resource <p>An interview and caricature of H.R.H. Prince Leonard I of Hutt River wearing his royal regalia, by Australian caricaturist Mick Joffe. The Principality of Hutt River is located 595km north of Perth in Western Australia. It comprises an area of approximately 18, 500 acres of farmland and is ruled as an independent sovereign nation by Prince Leonard I and his wife Princess Shirley. Following a dispute over damaging new Wheat Quotas introduced by the Australian government in 1969, and subsequent laws to enforce them, WA farmer Leonard George Casley seceded from Australia in April 1970. He based his legal argument for secession on a number of legal principles and laws, including medieval laws such as Magna Carta, the Statute of Westminster and the 1496 Treason Act. As he explains to Mick Joffe during this interview, &ldquo;The Government had no right to take anyone&rsquo;s ability to make a living or to take their land without compensation. These rights Australia inherited from the Bill of Rights and the Magna Carta&rdquo;. Prince Leonard also established his own College of Heraldry in the Principality of Hutt River, and estimates that (as of 1995) he had bestowed approximately 200 peerages and knighthoods. For more on the Principality of Hutt River or the Royal College of Heraldry, see: <a href="http://www.hutt-river-province.com/" target="_blank">http://www.hutt-river-province.com/</a></p> <p>Furthermore, Prince Leonard I declares an ongoing interest in the science of gravity, relativity and physics, and established a Royal College of Advanced Research in the Principality of Hutt River. During this interview Joffe cites feedback that Casley received from the Department of Astronamy [sic] at Indiana University in 1963 regarding papers he published on Relativity and the Solar system. The letter suggests that he may have &ldquo;made the first fundamental contribution in this field since Copernicus&rdquo; (For a copy of this letter, see R.C. Hyslop, <em>The Man: His Royal Highness Prince Leonard, &nbsp;Sovereign of the Hutt River Province Principality (An Independent Sovereign State),</em> Publication Printers, West Perth, [1979], p.12). Copernicus was a Renaissance mathematician and astronomer who proposed the heliocentric model of cosmology whereby the sun remains stationary and is orbited by the Earth. Copernicus is often credited with starting the Scientific Revolution.</p> Creator An entity primarily responsible for making the resource Joffe, Mick Publisher An entity responsible for making the resource available <span><span style="color: #000000; font-family: Tahoma; font-size: x-small;"><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;">Mick Joffe Caricatures: <a href="http://www.mickjoffe.com/" target="_blank">http://www.mickjoffe.com/</a></span></span></span> Date A point or period of time associated with an event in the lifecycle of the resource Interview 1995; online publication 2010 Rights Information about rights held in and over the resource © Mick Joffe Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English Astronomy Australian government Bill of Rights constitutional law H.R.H Prince Leonard I H.R.H. Princess Shirley heraldry Hutt River Province independent sovereign state Indiana University knight knighthood law legal principle Leonard George Casley Leonard I Magna Carta medieval law Nicolaus Copernicus (1473-1543) parliament peerage physics Principality of Hutt River regalia Royal College of heraldry secession WA Western Australia Wheat Quota