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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Louise Dâ€™Arcens, â€˜Comic Medievalismâ€™ presentation</text>
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                <text>â€˜Comic Medievalismâ€™, â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™, conference, Louise Dâ€™Arcens, humour, Perth, plenary, presentation, â€˜Receptionsâ€™, University of Western Australia, University of Wollongong, WA, Western Australia.</text>
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                <text>This photograph was taken during the early part of a plenary paper by Louise Dâ€™Arcens of the University of Wollongong titled â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™. The paper was presented at the PMRG/CMEMS conference â€˜Receptions: Medieval and Early Modern Cultural Appropriationsâ€™ held at the University of Western Australia in August. Louise's paper, which is part of ongoing research, investigated a number of twentieth century examples of medievalism used for comic purposes. It was one of a number of papers on the theme of medievalism presented during the conference.</text>
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                <text>McLeod, Shane</text>
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                <text>August 18, 2012</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Love and Devotions: from Persia and beyond, Melbourne</text>
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                <text>Advertisement, banner, Bodleian Libraries, exhibition, illustration, Love and Devotions: from Persia and beyond, manuscript, Melbourne, Mughal India, Ottoman Turkey, Oxford University, Persia, sign, State Library of Victoria, Vic, Victoria</text>
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                <text>&lt;p&gt;This photograph shows banners advertising the &amp;lsquo;Love and Devotions: from Persia and beyond&amp;rsquo; exhibition at the State Library of Victoria. The banners form an image taken from a Persian manuscript. The exhibition features Persian manuscripts from the thirteenth to eighteenth centuries, along with manuscripts from Europe, Ottoman Turkey, and Mughal India. The majority of manuscripts on display are from the Bodleian Libraries of the University of Oxford.&lt;/p&gt;&#13;
&lt;p&gt;Such exhibitions are a rare opportunity for Australians to interact with real artefacts from the medieval period. Along with modern appropriations they often help to form people&amp;rsquo;s perceptions of the medieval era.&lt;/p&gt;&#13;
For more on the exhibition see &lt;a href="http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond" target="_blank"&gt;http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond&lt;/a&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>May 19, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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        <name>Bodleian Libraries</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG" target="_blank"&gt;http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG&lt;/a&gt;</text>
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                <text>MacLaurin Window, Nicholson Vestibule, University of Sydney</text>
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                <text>Alfred the Great, Anglo-Saxon, James I/VI, Sir Henry Normand MacLaurin, MacLaurin Window, navy, New South Wales, Nicholson Vestibule, NSW, ship, stained glass, Sydney, University of Sydney, Viking, Wessex</text>
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                <text>The MacLaurin Window was created in 1920 and can be found in the Nicholson Vestibule lighting the staircase. The window has a portrait of Sir Henry Normand MacLaurin, Chancellor of the University of Sydney from 1896 to 1914, flanked by James I (England) and VI (Scotland) (1566-1625), and Alfred the Great (849-899). Alfred was king of the Anglo-Saxon kingdom of Wessex (roughly England south of the Thames) and his dynasty later unified England. Alfred is shown holding a warship, perhaps due to the notion that he was the father of the English navy due to the ships that he had constructed to help counter Viking attacks.</text>
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                <text>White, David</text>
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                <text>11 February 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>University of Sydney, David White (photograph in link)</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article32886900" target="_blank"&gt;http://nla.gov.au/nla.news-article32886900&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>On the seven hundred and twentieth anniversary of the first issue of Magna Carta (in 1215), this article in the Western Mail outlines the charterâ€™s significance for English history and notes that special lessons had been delivered in Australian State high schools in recognition of its importance. The article begins by suggesting that the Great Charter differed only in degree from the previous charters of Norman and Angevin Kings, but then goes on to draw particular attention to the Magna Cartaâ€™s role in outlining the mutual obligations of the King and his feudal vassals, in removing weirs from rivers to facilitate inland transport, and in affording to all classes of freemen the right to a fair trial. The article also describes the location and state of the four surviving copies of the charter bearing the Great Seal of King John, including two in the British Museum and one each in the Lincoln and Salisbury Cathedrals.</text>
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                <text>National Library of Australia</text>
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                <text>The West Australian</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The West Australian</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/21e6c92f572d2ca710a37dd302d7aa63.jpg</src>
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                <name>Bit Depth</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>The diorama of King John I (1166-1216) signing Magna Carta in 1215 is one of six revolving scenes devoted to English royalty that appear on the hour in the Royal Clock in Sydneyâ€™s Queen Victoria Building. The clock was designed by Neil Glasser and made by Thwaites and Reed in Hastings, England. In the scene John is shown sitting on a throne flanked by guards with spears and signing the document surrounded by the English barons (in chain-mail) who had revolted against him and the Archbishop of Canterbury Stephen Langton (1150-1228). &#13;
The signing of Magna Carta is considered an moment in the history of western democracy. Australia owns a medieval copy of Magna Carta, which is on display in Parliament House, Canberra.&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>29 December 2012</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33911">
                <text>No Copyright</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>John I</name>
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      <tag tagId="1023">
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        <name>Neil Glasser</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>Title, URL, Description or annotation.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mainly Medieval </text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17805">
                <text>artefacts, consumption, â€˜Mainly Medievalâ€™, material culture, New South Wales, NSW, re-enactment, reenactment, replica, reproduction</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>â€˜Mainly Medievalâ€™ is an online store that provides a range of products for medieval enthusiasts. The catalogue lists for sale reference books about aspects of the medieval period, magazines related to re-enactor activities such as medieval warfare and textiles, medieval music and various re-enactor supplies including pavilions, artefacts, clothing, badges, games and playing cards. The company is based in New South Wales. </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Copyright Â© 2011 Mainly Medieval</text>
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            <description>A language of the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_100&amp;amp;products_id=2036"&gt;http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_100&amp;amp;products_id=2036&lt;/a&gt;&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="17990">
                <text>Mainly Medieval replica spoon</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17991">
                <text>acorn, acorn knop, consumption, dining utensils, dining, food, knop, â€˜Mainly Medievalâ€™, material culture, medieval eating customs, New South Wales, NSW, pewter, replica, reproduction, spoon, symbolism, utensils</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17992">
                <text>An advertisement for a replica medieval eating spoon distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The spoon is made from food grade pewter. It is described by the catalogue as â€˜English,â€™ and of a type and design that was common between the fourteenth and fifteenth centuries. At the tip of the handle there is a stylised acorn design, symbolising life, fertility, and strength (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol. 1, p.27). The acorn was also, as the catalogue suggests, regarded as a talisman against cholera and fluxes. These properties likely explain its decorative appeal for dining utensils. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17993">
                <text>Mainly Medieval</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17994">
                <text>2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17995">
                <text>Copyright Â© 2011 Mainly Medieval</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17996">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17997">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
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      <tag tagId="3941">
        <name>â€˜Mainly Medievalâ€™</name>
      </tag>
      <tag tagId="4006">
        <name>acorn</name>
      </tag>
      <tag tagId="4007">
        <name>acorn knop</name>
      </tag>
      <tag tagId="3940">
        <name>consumption</name>
      </tag>
      <tag tagId="3717">
        <name>dining</name>
      </tag>
      <tag tagId="4008">
        <name>dining utensils</name>
      </tag>
      <tag tagId="3572">
        <name>food</name>
      </tag>
      <tag tagId="4009">
        <name>knop</name>
      </tag>
      <tag tagId="3942">
        <name>material culture</name>
      </tag>
      <tag tagId="4010">
        <name>medieval eating customs</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="4011">
        <name>pewter</name>
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      <tag tagId="114">
        <name>replica</name>
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      <tag tagId="3944">
        <name>reproduction</name>
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      <tag tagId="4012">
        <name>spoon</name>
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      <tag tagId="4013">
        <name>symbolism</name>
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        <name>utensils</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/914c507ac22d50b5e93b90bde84255e0.jpg</src>
        <authentication>c8529e293c980eb87f0654872fef5184</authentication>
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              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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                  <elementText elementTextId="6529">
                    <text>8</text>
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              <element elementId="75">
                <name>Channels</name>
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                  <elementText elementTextId="6530">
                    <text>3</text>
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              <element elementId="73">
                <name>Height</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="6533">
                    <text>2079</text>
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                <name>Width</name>
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                  <elementText elementTextId="6534">
                    <text>2262</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15362">
                <text>Making chain mail at the Perth Medieval Fayre</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15363">
                <text>Apparel, armament, armour, battle, body armour, byrnie, chain, chain mail, chain-mail, chainmail, chin-guard, coif, crossbow, defensive armament, garment, glove, handcrafted, handmade armour, hood, knight, longbow, mail, mail armour, mail shirt, metal rings, metalwork, medieval armour, medieval craft, mitons, Perth, Perth Medieval Fayre, plate armour, protective clothing, re-creation, recreation, riveting, soldier, WA, WAMA, warfare, weaponry, weapon, weapons, Western Australia, WA, Western Australian Medieval Alliance</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15364">
                <text>A photograph depicting chain mail being hand-crafted according to the traditional medieval method at the Perth Medieval Fayre. Chain mail is made by interlocking a number of metal rings to form small sections. Each ring is linked through four others and then the end is riveted. Additional links are then inserted to join the sections together and create a meshed material. The mail can be shaped into patterns â€“ for example gloves, shirts, hoods and chin-guards â€“ by increasing or decreasing the number of metal rings in a row when the sections are created. Chain mail was used extensively in the middle ages to fashion protective garments that were worn as body armour by medieval knights and soldiers. It was gradually superseded by plate armour in the fourteenth century, possibly as a result of the increasing use of high-powered weapons such as crossbows and longbows (See Kelly DeVries, Medieval Military Technology, Peterborough, Broadview Press, 1992, p.75).&#13;
&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15365">
                <text>McEwan, Joanne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15366">
                <text>19 March 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15367">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15368">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2004">
        <name>Apparel</name>
      </tag>
      <tag tagId="2005">
        <name>armament</name>
      </tag>
      <tag tagId="153">
        <name>Armour</name>
      </tag>
      <tag tagId="595">
        <name>battle</name>
      </tag>
      <tag tagId="2006">
        <name>body armour</name>
      </tag>
      <tag tagId="2007">
        <name>byrnie</name>
      </tag>
      <tag tagId="2008">
        <name>chain</name>
      </tag>
      <tag tagId="2009">
        <name>chain mail</name>
      </tag>
      <tag tagId="2010">
        <name>chain-mail</name>
      </tag>
      <tag tagId="140">
        <name>chainmail</name>
      </tag>
      <tag tagId="2011">
        <name>chin-guard</name>
      </tag>
      <tag tagId="2012">
        <name>coif</name>
      </tag>
      <tag tagId="2013">
        <name>crossbow</name>
      </tag>
      <tag tagId="2014">
        <name>defensive armament</name>
      </tag>
      <tag tagId="2015">
        <name>garment</name>
      </tag>
      <tag tagId="2016">
        <name>glove</name>
      </tag>
      <tag tagId="2017">
        <name>handcrafted</name>
      </tag>
      <tag tagId="2018">
        <name>handmade armour</name>
      </tag>
      <tag tagId="2019">
        <name>hood</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="2020">
        <name>longbow</name>
      </tag>
      <tag tagId="831">
        <name>mail</name>
      </tag>
      <tag tagId="2021">
        <name>mail armour</name>
      </tag>
      <tag tagId="2022">
        <name>mail shirt</name>
      </tag>
      <tag tagId="670">
        <name>medieval armour</name>
      </tag>
      <tag tagId="578">
        <name>medieval craft</name>
      </tag>
      <tag tagId="2023">
        <name>metal rings</name>
      </tag>
      <tag tagId="673">
        <name>metalwork</name>
      </tag>
      <tag tagId="2024">
        <name>mitons</name>
      </tag>
      <tag tagId="150">
        <name>Perth</name>
      </tag>
      <tag tagId="1680">
        <name>Perth Medieval Fayre</name>
      </tag>
      <tag tagId="2025">
        <name>plate armour</name>
      </tag>
      <tag tagId="2026">
        <name>protective clothing</name>
      </tag>
      <tag tagId="569">
        <name>re-creation</name>
      </tag>
      <tag tagId="168">
        <name>recreation</name>
      </tag>
      <tag tagId="2027">
        <name>riveting</name>
      </tag>
      <tag tagId="1599">
        <name>soldier</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="2028">
        <name>WAMA</name>
      </tag>
      <tag tagId="757">
        <name>warfare</name>
      </tag>
      <tag tagId="721">
        <name>weapon</name>
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      <tag tagId="316">
        <name>weaponry</name>
      </tag>
      <tag tagId="722">
        <name>weapons</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="2029">
        <name>Western Australian Medieval Alliance</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
