84 8 1266 https://ausmed.arts.uwa.edu.au/files/original/a6943c7aa33514ab56eac917e9c641b7.jpg 9970d062b858b5d64d74e7a3d63b8021 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 626 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Patrick's Basilica, Fremantle Subject The topic of the resource Saint Patrick, saint, saints, St. Patrick, St Patrick, arch, architecture, architect, basilica, blind arch, blind tracery, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, flying buttress, gothic architecture, gothic revival, lancet window, lancet arch, lead-light windows, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, mullion, neo-gothic, Oblates of Mary Immaculate, quatrefoil, stained glass windows, Sydney freestone, Thomas Ryan OMI, tower, tracery, tympanum, Vatican, Western Australia, WA, window Description An account of the resource St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. Examples of its gothic features are the large decorated window above the main door, the tall vertical towers flanking the entrance, the pointed archways, the flying buttresses, and the ornate tracery decorating the windows, towers and tympanum. St Patrick’s was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architect architecture Basilica blind arch blind tracery buttress Catholic Catholic Church Church church building Federation Gothic Style flying buttress Fremantle gothic architecture Gothic Revival lancet arch lancet window lead-light windows limestone masonry Michael Cavanagh minor basilica missionaries mullion neo-Gothic Oblates of Mary Immaculate quatrefoil saint Saint Patrick saints St Patrick St. Patrick stained glass windows Sydney freestone Thomas Ryan OMI tower tracery tympanum Vatican WA Western Australia window https://ausmed.arts.uwa.edu.au/files/original/6cd6b96eee3ff26626c1f38426e90401.jpg ea7fd0157ef53fa3cb6bbdbda4e2698f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 583 Width 968 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tournament of Armoured Knights, London Court, Perth Subject The topic of the resource arcade, architecture, armour, Bernard Evans, caprison, castle, chivalry, Claude de Bernales, clock, Elizabethan, Hay Street, heraldic decoration, horse, horseback, Inter-War Old English style, joust, jousting, knight, knights, lance, London Court, Perth, retail, shops, St George cross, St George’s Terrace, sword, tournament, tourney, Tudor, Western Australia, WA Description An account of the resource Image of “The Tournament of Armoured Knights” at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the ‘caprisons’, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop. London Court is a retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade architecture Armour Bernard Evans caprison castle chivalry Claude de Bernales clock Elizabethan Hay Street heraldic decoration horse horseback Inter-War Old English style joust jousting knight knights lance London Court Perth retail shops St George cross St George’s Terrace sword tournament tourney Tudor WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/7ef7671d0ba4eb4fbf1abac43fd4c83e.jpg c7e62917da8b229a670e56e52f88c66f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 879 Width 590 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tournament of Armoured Knights, London Court, Perth - Clock Face Subject The topic of the resource arcade, Architecture, armour, Bernard Evans, caprison, castle, chivalry, Claude de Bernales, clock, Elizabethan, Hay Street, heraldic decoration, horse, horseback, Inter-War Old English style, joust, jousting, knight, knights, lance, London Court, Perth, retail, shops, St George cross, St George’s Terrace, sword, tournament, tourney, Tudor, Western Australia, WA Description An account of the resource Images of “The Tournament of Armoured Knights” at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the ‘caprisons’, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop. London Court is a retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade architecture Armour Bernard Evans caprison castle chivalry Claude de Bernales clock Elizabethan Hay Street heraldic decoration horse horseback Inter-War Old English style joust jousting knight knights lance London Court Perth retail shops St George cross St George’s Terrace sword tournament tourney Tudor WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/ec237f1072f3ccdbd40d8a14d1a6e2e2.JPG bf21cc19339d472f47a7fd2ba7b8524e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 520 Width 933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viking Runes at the Perth Medieval Fayre Subject The topic of the resource alphabet, Fuþark, Futhark, handcrafted, literacy, medieval craft, craft, crafts, Perth, Perth Medieval Fayre, re-creation, recreation, rune, runes, WA, WAMA, Western Australia, Western Australian Medieval Alliance, writing Description An account of the resource Image of person in costume stamping initials into leather using the Viking alphabet, or Fuþark. Runic inscriptions are attested from c. 150 CE and were used by a number of ‘Germanic’ peoples. During the Viking Age (c. 800-1100) the Younger Fuþark was used by the Scandinavians, with many inscriptions surviving today not only in Scandinavia but other places visited and/or settled by Scandinavians, including Britain, Constantinople (Istanbul), and Greenland. The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph alphabet craft crafts Fuþark Futhark handcrafted literacy medieval craft Perth Perth Medieval Fayre re-creation recreation rune runes WA WAMA Western Australia Western Australian Medieval Alliance writing https://ausmed.arts.uwa.edu.au/files/original/dad3f2c66443e43d446b8caab7c7998a.JPG be4a350e15005b2f4bc966c04229116b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 718 Width 958 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viking Runes Display at the Perth Medieval Fayre Subject The topic of the resource alphabet, Fuþark, Futhark, handcrafted, literacy, medieval craft, craft, crafts, Perth, Perth Medieval Fayre, re-creation, recreation, rune, runes, WA, WAMA, Western Australia, Western Australian Medieval Alliance, writing Description An account of the resource Image of person in costume stamping initials into leather using the Viking alphabet, or Fuþark. Runic inscriptions are attested from c. 150 CE and were used by a number of ‘Germanic’ peoples. During the Viking Age (c. 800-1100) the Younger Fuþark was used by the Scandinavians, with many inscriptions surviving today not only in Scandinavia but other places visited and/or settled by Scandinavians, including Britain, Constantinople (Istanbul), and Greenland. The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph https://ausmed.arts.uwa.edu.au/files/original/fefc68220deec3df17fe6235c3af97ce.jpg 739daf90c08ac09282ade94800a45bf9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Winthrop Hall, The University of Western Australia Subject The topic of the resource architect, architecture, bell tower, benefactor, bequest, campanile, clock tower, Conrad Sayce, Crawley, Hackett Hall, Italian influence, Mediterranean style, “Renaissance” style, Rodney Alsop, Romanesque style, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, tower, university buildings, Western Australia, Winthrop Hall Description An account of the resource A view of Winthrop Hall and the clock tower at the University of Western Australia. They are built in an Italian or Mediterranean Romanesque style, typified by rounded arches, arcading, thick walls (they are 9ft thick) and the large square campanile tower. When asked about the style of the design, the architect described it variously as “Renaissance”, and as being of Italian ancestry, but notably “anglicised and adapted to the local conditions” (See Western Mail, 21 April 1932, pp.14: http://nla.gov.au/nla.news-article38891565). There was at first, as historian Fred Alexander noted, some concern over “the wisdom of preferring a boldly Mediterranean or Spanish type of architecture to the more familiar neo-gothic style generally favoured by academic authorities”, but these concerns faded as the buildings began to take shape and by the time Winthrop Hall was officially opened on 13 April 1932, it was highly praised as a fitting commemoration to its founder (See Fred Alexander, Campus at Crawley: A Narrative and Critical Appreciation of the First Fifty Years of The University of Western Australia, F.W. Cheshire, Melbourne, 1963, p.136). Winthrop Hall was designed by Melbourne architects Rodney Alsop and Conrad Sayce, whose joint entry won an architectural competition held by the University Senate in 1927. The impetus for the competition was a large bequest left by the University’s first Chancellor, Sir John Winthrop Hackett, who had died in 1916. Alsop, the senior of the pair, was employed as the lead architect and they began the project of building Winthrop Hall and the Hackett Buildings together. However, they fell out in the process and Sayce left before the buildings were completed. One of the points on which they disagreed was Alsop’s replacement of the clock tower in the original design with the Italian Campanile style tower that stands today (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of The University of Western Australia, University of Western Australia Press, Perth, 1993). Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 3 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph “Renaissance” style architect architecture bell tower benefactor bequest campanile clock tower Conrad Sayce Crawley Hackett Hall Italian influence Mediterranean style Rodney Alsop Romanesque style Sir John Winthrop Hackett (1848-1916) The University of Western Australia tower university buildings Western Australia Winthrop Hall https://ausmed.arts.uwa.edu.au/files/original/76cd2467304de30a0b1ee39345c30dd3.jpg 53562997026e6a73dce49c2347ee879c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3648 Width 2736 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Court, Perth, Western Australia Subject The topic of the resource Arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis retail, shops, St George, St George cross, St George’s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia Description An account of the resource Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a ‘Ye Olde English Fayre’. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields – many bearing the St George cross – and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade architecture Bernard Evans bypass Claude de Bernales clock cobblestones corbels Elizabethan gable gargoyles Hay Street heraldic shield horse Inter-War Old English style iron gate jettying knight leadlight windows London Court oriel window pageantry Perth portcullis retail shops St George St George cross St George’s Terrace timber panelling tourney Tudor WA weather vanes Western Australia https://ausmed.arts.uwa.edu.au/files/original/b286298bbd3879f9aa94d0a65e167d3c.jpg 6a39cfd1eb48acc80a9fc8e6d37e7483 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 889 Width 593 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Court, Perth - Hay Street End Subject The topic of the resource Arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis retail, shops, St George, St George cross, St George’s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia Description An account of the resource Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a ‘Ye Olde English Fayre’. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields – many bearing the St George cross – and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph