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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) St Peterâ€™s Catholic Church, Kempton, Tasmania </text>
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                <text>The former St Peterâ€™s Catholic Church is in the small Tasmanian town of Kempton. The foundation stone for the red brick church was laid by Monsignor Gilleran in 1918 and the building was completed in 1923. St Peterâ€™s was designed by architect Alan Cameron Walker (1864-1931) in the Romanesque Revival style. It features semi-circular arches on the doorways, windows, and decorative details. The building also has corner buttresses, a tower with a parapet and corner crenels, stained glass windows, and a spire. It is now a private residence.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Town Hall, Bothwell, Tasmania </text>
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                <text>Bothwell (Tasmania) Town Hall was built in 1902. The building also served as the towns Police Station and Court Room. It is now used as the local library. The stone building features three semi-circular arches supported by columns with decorated capitals. The arches are in the Romanesque style, whilst the foliage decoration on the capitals is also commonly found in medieval Romanesque (and Gothic) architecture. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Working Men's College, RMIT, Melbourne</text>
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                <text>Addison and Kemp, Nahum Barnet, Melbourne, Percy Oakden, Francis Ormond, RMIT, RMIT University, Romanesque, Romanesque Revival, semi-circular arch, Terry and Oakden, tower, tracery, turret, Vic, Victoria, Working Menâ€™s College.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;The Working Men&amp;rsquo;s College (which became RMIT University) in Melbourne,&lt;br /&gt;Victoria, opened in 1887. The three-storey building was designed by Terry and&lt;br /&gt;Oakden, and Nahun Barnet and financed by Francis Ormond. The tower and La Trobe&lt;br /&gt;St frontage were added in 1890 and were designed by Percy Oakden Addison and&lt;br /&gt;Kemp. The building is now known as the Francis Ormond Building. The College was&lt;br /&gt;built in the Romanesque Revival style and features semi-circular arches and&lt;br /&gt;doorways, a corner tower with four corner turrets, and window tracery.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Perth Boyâ€™s School is in the central Perth CBD and was designed in the Gothic style by William Sandford, with the plans drawn by Richard Roach Jewell. The building opened in 1854, with extensions in the 1860s. Conservation and interpretation works were carried out by the National Trust in 2011-2012. Although it was the first purpose-built school in Perth, it closely resembles a Gothic church, which resulted in ventilation and lighting problems in its use as a school. Gothic features of the limestone building include lancet windows, a porch with a small bell tower and pointed-arched entrance, and a very steeply pitched roof. The building also originally had a spire. </text>
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                <text>(Old) Launceston State School is on Paterson Street in the Tasmanian city of Launceston. The brick building is in the Gothic Revival style and features a bellcote, lancet windows, tracery, and buttresses. The building is now a Launceston College Music Centre.</text>
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                <text>&amp;ldquo;Millie and Chard win &lt;em&gt;Beauty and the Geek Australia&lt;/em&gt;&amp;rdquo;, &lt;em&gt;Perth Now&lt;/em&gt;, 29 November 2012.</text>
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                <text>Australian TV, &lt;em&gt;Beauty &amp;amp; the Geek&lt;/em&gt;, broadcast, Channel 7, Chard, fairytale, finale, jousting, knight, masquerade ball, medieval challenge, medieval festivities, Millie, princess, program, programme, sonnet, television, winners.</text>
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                <text>&lt;p&gt;This online article from the &lt;em&gt;Perth Now&lt;/em&gt; website describes the fourth season finale show of TV programme &lt;em&gt;Beauty &amp;amp; the Geek Australia&lt;/em&gt;, from which contestants Chard and Millie emerged as winners. Pursuing a &amp;lsquo;happily ever after&amp;rsquo; fairytale theme, the article explains, the first part of the show &amp;lsquo;involved a series of medieval challenges&amp;rsquo; &amp;ndash; namely jousting and reciting sonnets &amp;ndash; for which the couples dressed up as knights and princesses. This was followed by a masquerade ball. Beauty &amp;amp; the Geek was broadcast in Australia in 2012 by the Channel 7 network.&lt;/p&gt;&#13;
&lt;p&gt;For the news article, see: &lt;a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self"&gt;http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For more about the TV show, see: &lt;a href="http://au.tv.yahoo.com/beauty-and-the-geek-australia/" target="_self"&gt;http://au.tv.yahoo.com/beauty-and-the-geek-australia/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Colin Vickery</text>
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                <text>&lt;em&gt;Perth Now&lt;/em&gt;</text>
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                <text>&lt;em&gt;Perth Now&lt;/em&gt;</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32613">
                <text>News Limited Network</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="32614">
                <text>Online news article</text>
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        <name>knight</name>
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                  <elementText elementTextId="24688">
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>&amp;lsquo;A Ro-Me-Owe and Jew-Liet Revival (New Reading)&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 17 November 1904</text>
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                <text>Balcony scene, &lt;em&gt;Bulletin&lt;/em&gt; cartoons, economy, Her Majesty&amp;rsquo;s Theatre, I.O.U., James C. Williamson (1845-1913), Livingston Hopkins aka &amp;lsquo;Hop&amp;rsquo; (1846-1927), loan, Miss Tittell Brune (1875-1974), New South Wales, NSW State loans, Romeo and Juliet, satire, Sir Joseph Carruthers (1856-1932), state politics, &lt;em&gt;Sydney Morning Herald&lt;/em&gt;, William Shakespeare (c.1564-1616), usury.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&amp;lsquo;Hop&amp;rsquo; produced this &lt;em&gt;Bulletin&lt;/em&gt; cartoon at a time when J. C. Williamson&amp;rsquo;s theatre company was staging William Shakespeare&amp;rsquo;s &amp;lsquo;Romeo and Juliet&amp;rsquo; at Her Majesty&amp;rsquo;s Theatre in Sydney. The popular young American actress Miss Tittell Brune was in the starring role, with Mr R. A. Greenaway as Romeo and Mr Roy Redgrave (patriarch of the famous English acting family) as Mercutio (See &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, Nov 12, 1904, p. 2. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1329960?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1329960?&lt;/a&gt;) Judging from reviews written at the time, Miss Brune&amp;rsquo;s &amp;ldquo;charming&amp;rdquo; balcony performance was hugely successful (See, for example, &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, Nov 16, 1904, p. 2. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1330003?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1330003?&lt;/a&gt;). So, Hop&amp;rsquo;s cartoon was not only timely but also bound to raise a laugh or a smile of recognition from Sydney theatre-goers. The NSW government was barely into its fifth month of office, and Sir Joseph Carruthers &amp;minus; who was both premier and treasurer &amp;minus; had inherited the difficult task of dealing with accumulated State debts. &lt;em&gt;The Sydney Morning Herald&lt;/em&gt; calculated that NSW owed around &amp;pound;4,310,000, to be paid-off over thirty years (&lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, October 10, 1904, p. 6. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1329596?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1329596?&lt;/a&gt;). Subsequently, Hop depicts premier Carruthers fawning and gesticulating to a bored and stereotypically Jewish financier. In the background, three spheres suspended in the night sky represent usury. Hop&amp;rsquo;s critique of the NSW economy is clearly designed to keep the matter firmly under continuous (and sceptical) public scrutiny.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Livingston Hopkins (â€˜Hopâ€™)</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="24703">
                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24704">
                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24705">
                <text>17 November 1904, Cover</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24706">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24707">
                <text>Journal (Microfilm)</text>
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        <name>Balcony scene</name>
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        <name>economy</name>
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        <name>Her Majestyâ€™s Theatre</name>
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      <tag tagId="5196">
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        <name>Miss Tittell Brune (1875-1974)</name>
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    <fileContainer>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
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              <text>&lt;a href="http://nla.gov.au/nla.news-article58381388" target="_self"&gt;http://nla.gov.au/nla.news-article58381388&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&amp;lsquo;Allan Wilkie: Henry VIII on Stage&amp;rsquo;, &lt;em&gt;The Sunday Times&lt;/em&gt;, 27 April 1930</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26380">
                <text>Allan Wilkie, Allan Wilkie Company, Anne Boleyn (c.1501-1536), Cardinal Thomas Wolsey (c.1473-1530), Catherine of Aragon (1484-1536), Duke of Buckingham, Edward Stafford (1478-1521), Henry VIII (1481-1547), His Majesty's Theatre, Miss Hunter-Watts, Miss Mildred Howard, Mr Alexander Marsh, Mr John Cairns, Mr William Lockhart, papal envoy, play, performance, Perth, Old England, stage, Tudor times, WA, Western Australia.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This article published in &lt;em&gt;The Sunday Times&lt;/em&gt; reviews a production of &amp;lsquo;Henry VIII&amp;rsquo; staged at the His Majesty's Theatre in Perth by the Allan Wilkie Company in 1930. Assisted by elaborate scenes and plush costumes it succeeded, according to the article, in bringing to life the Tudor period: an age of &amp;lsquo;a powerful diplomatic Cardinal that rose from the lowliness of being a son of a butcher; who rose to share the prominence of his regal master; of the beautiful and ill-fated loves of Henry, Catherine of Aragon and Anne Boleyn and of the unfortunate Duke of Buckingham&amp;rsquo;. A criticism levelled against the play was that its attempt to include so many different historical events could lead to incoherency, however, the general consensus of the article was that this was countered by its spectacular revival of &amp;lsquo;Old England&amp;rsquo;.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26382">
                <text>Anon</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26383">
                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article58381388" target="_self"&gt;http://nla.gov.au/nla.news-article58381388&lt;/a&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="26384">
                <text>The Sunday Times</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="26385">
                <text>27 April 1930, p.8</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26386">
                <text>Copyright Expired</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26387">
                <text>Newspaper Article</text>
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        <name>Allan Wilkie</name>
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        <name>Allan Wilkie Company</name>
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      <tag tagId="5442">
        <name>Anne Boleyn (c.1501-1536)</name>
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      <tag tagId="5443">
        <name>Cardinal Thomas Wolsey (c.1473-1530)</name>
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      <tag tagId="5444">
        <name>Catherine of Aragon (1484-1536)</name>
      </tag>
      <tag tagId="5445">
        <name>Duke of Buckingham</name>
      </tag>
      <tag tagId="5446">
        <name>Edward Stafford (1478-1521)</name>
      </tag>
      <tag tagId="5447">
        <name>Henry VIII (1481-1547)</name>
      </tag>
      <tag tagId="5457">
        <name>His Majesty's Theatre</name>
      </tag>
      <tag tagId="5448">
        <name>Miss Hunter-Watts</name>
      </tag>
      <tag tagId="5449">
        <name>Miss Mildred Howard</name>
      </tag>
      <tag tagId="5450">
        <name>Mr Alexander Marsh</name>
      </tag>
      <tag tagId="5451">
        <name>Mr John Cairns</name>
      </tag>
      <tag tagId="5452">
        <name>Mr William Lockhart</name>
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