79 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/3775" target="_blank">http://www.ngv.vic.gov.au/col/work/3775</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Belle Yseult Subject The topic of the resource Art, Arthurian, Arthurian legend, Arthurian romance, BÃ©roul, chivalry, Cornwall, Iseult, Isolde, Isolt, John Bedford (1823-1886), knight, legend, Mark, medieval poetry, nostalgia, Pre-Raphaelite, romance, Tristan, Tristram, â€˜Tristram and Iseultâ€™, Tristran, Tristrem, Victorian, Yseult Description An account of the resource This oil on panel painting, by English artist John Bedford, is held by the National Gallery of Victoria. Dating from 1863, the painting depicts a woman with long flowing hair wearing a blue medieval style dress and a garland of flowers. The title identifies her as Yseult, from BÃ©roulâ€™s late twelfth-century medieval romance â€˜Tristram and Iseultâ€™. The story of Tristram and Iseult is a tale of adulterous love between Tristram, a Cornish Knight, and Yseult, the Irish bride of his uncle - King Mark. Bedfordâ€™s choice of medieval subject matter is typical of the mid- nineteenth century, and was popularised especially by the Pre-Raphaelites in the 1850s. However, it also fits with a wider Victorian tendency to romantically view and revive the Middle Ages as an idyllic alternative to the drastic changes experienced in both lifestyle and the British landscape during the Industrial Age. As Malcolm Warner suggests, â€œMedieval history and legend, above all the adventures of King Arthur and the Knights of the Round Table, provided both escape and inspiration to an age in which, for all its successes, there seemed so few certainties to act upon, so little occasion for real heroism, such a lack of romance and glamour in lifeâ€ (Malcolm Warner, The Victorians: British Painting, 1937-1901, National Gallery of Art, Washington, 1996, p.31). Creator An entity primarily responsible for making the resource Bedford, John Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1863 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Painting - oil on wood panel, 35.4 x 27.9cm; Hyperlink https://ausmed.arts.uwa.edu.au/files/original/843902ca7853aa6b5cbee06e30b1ef9a.jpg 63f5046cbb7dea24781c9cb921191556 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 903 Width 677 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Francis Xavier Cathedral, Adelaide Subject The topic of the resource Adelaide, arch, architecture, buttress, cathedral, Catholic, Catholicism, Charles Hansom (1817-1888), Christopher Augustine Reynolds (1834-1893), church, cinquefoil, ecclesiastical building, early English gothic (1189-1307), Edward John Woods (1839-1916), Francis Murphy (1975-1858), Francis Xavier (1506-1552), gothic architecture, Gothic Revival, Harrold Herbert Jory (1888-1966), lancet arch, lancet window, Leonard Faulkner (b.1926), neo-gothic, Peter Paul Pugin (1851-1904), pinnacles, Pugin and Pugin Architects, rose window, Richard Lambeth (1807-1877), Robert William Spence (1860-1934), Roman Catholic, SA, South Australia, tower, tracery, Walter Hervey Bagot (1880-1963) Description An account of the resource A detail of the distinctive neo-gothic square tower at St Francis Xavier Cathedral in Adelaide, South Australia. The cornerstone was laid in 1887 and the lower part of the tower was constructed between 1923 and 1926. However, the tower then remained unfinished until 1996, when it was completed in accordance with drawings by the original nineteenth-century architects, Pugin & Pugin. The tower measures 36.5 metres in heights and is topped with four ornately decorated stone pinnacles. St Francis Xavier is a Catholic cathedral of Gothic Revival design. Work on St Francis Xavierâ€™s began at the instigation of its first bishop, Francis Murphy. The foundation stone was laid by Father Michael Ryan in 1856, and the building proceeded in five stages between 1858 and 1996. The initial portion of the cathedral was designed by Charles Hansom, a student of well-known Gothic Revivalist Augustine Welby Pugin, and comprised a small sanctuary, the central nave and two small side aisles. The first extension added a sanctuary, a Lady Chapel, a side chapel and a sacristy in 1860. In 1887, extensions to the Eastern side of the nave (designed by Peter Paul Pugin, son of Augustine Welby Pugin) were dedicated, and further extensions to the Western side of the nave were completed in 1926. Finally, the tower was completed in 1996. The cathedral is named after Francis Xavier, a sixteenth-century Jesuit priest and missionary. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 27 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch architecture buttress Cathedral Catholic Catholicism Charles Hansom (1817-1888) Christopher Augustine Reynolds (1834-1893) Church cinquefoil early English gothic (1189-1307) ecclesiastical building Edward John Woods (1839-1916) Francis Murphy (1975-1858) Francis Xavier (1506-1552) gothic architecture Gothic Revival Harrold Herbert Jory (1888-1966) lancet arch lancet window Leonard Faulkner (b.1926) neo-Gothic Peter Paul Pugin (1851-1904) pinnacles Pugin and Pugin Architects Richard Lambeth (1807-1877) Robert William Spence (1860-1934) Roman Catholic rose window SA South Australia tower tracery Walter Hervey Bagot (1880-1963) https://ausmed.arts.uwa.edu.au/files/original/cd5fc827ae6d12f51558ac88e3e14c2c.jpg eaae60535197cf590f578e7b45391b1d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 835 Width 806 https://ausmed.arts.uwa.edu.au/files/original/3c5fffb56f9e3f4bdac3fe475e2dc400.jpg 25a08fab733a2bedc58132ecf9b01644 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 937 Width 750 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs; JPEGs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Francis Xavier Cathedral, Adelaide Subject The topic of the resource Adelaide, arch, architecture, buttress, cathedral, Catholic, Catholicism, Charles Hansom (1817-1888), Christopher Augustine Reynolds (1834-1893), church, cinquefoil, ecclesiastical building, early English gothic (1189-1307), Edward John Woods (1839-1916), Francis Murphy (1975-1858), Francis Xavier (1506-1552), gothic architecture, Gothic Revival, Harrold Herbert Jory (1888-1966), lancet arch, lancet window, Leonard Faulkner (b.1926), neo-gothic, Peter Paul Pugin (1851-1904), pinnacles, Pugin and Pugin Architects, rose window, Richard Lambeth (1807-1877), Robert William Spence (1860-1934), Roman Catholic, SA, South Australia, tower, tracery, Walter Hervey Bagot (1880-1963) Description An account of the resource Images of St Francis Xavier Cathedral in Adelaide, South Australia. St Francis Xavier is a Catholic cathedral of Gothic Revival design. The early stages of the building are reminiscent of English gothic architecture dating from the period c.1198-1307, and may have been modelled on the twelfth century Byland Abbey Church in Yorkshire, UK. Distinctive neo-gothic features of the completed cathedral include the large square tower, which measures 36.3m in height, the rose window, lancet arches, pinnacles, stone tracery and steep gables. Work on St Francis Xavierâ€™s began at the instigation of its first bishop, Francis Murphy. The foundation stone was laid by Father Michael Ryan in 1856, and the building proceeded in five stages between 1858 and 1996. The initial portion of the cathedral was designed by Charles Hansom, a student of well-known Gothic Revivalist Augustine Welby Pugin, and comprised a small sanctuary, the central nave and two small side aisles. The first extension added a sanctuary, a Lady Chapel, a side chapel and a sacristy in 1860. In 1887, extensions to the Eastern side of the nave (designed by Peter Paul Pugin, son of Augustine Welby Pugin) were dedicated, and further extensions to the Western side of the nave were completed in 1926. Finally, the tower was completed in 1996. The cathedral is named after Francis Xavier, a sixteenth-century Jesuit priest and missionary. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 27 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2 x Digital Photographs; JPEGs Adelaide arch architecture buttress Cathedral Catholic Catholicism Charles Hansom (1817-1888) Christopher Augustine Reynolds (1834-1893) Church cinquefoil early English gothic (1189-1307) ecclesiastical building Edward John Woods (1839-1916) Francis Murphy (1975-1858) Francis Xavier (1506-1552) gothic architecture Gothic Revival Harrold Herbert Jory (1888-1966) lancet arch lancet window Leonard Faulkner (b.1926) neo-Gothic Peter Paul Pugin (1851-1904) pinnacles Pugin and Pugin Architects Richard Lambeth (1807-1877) Robert William Spence (1860-1934) Roman Catholic rose window SA South Australia tower tracery Walter Hervey Bagot (1880-1963) https://ausmed.arts.uwa.edu.au/files/original/fc5c863f052d45662243d825d949f8cb.pdf f06de8b0c0286c36b734161c191ba865 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Essay; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nancy White - Essay on The Society for Creative Anachronism Subject The topic of the resource Andrew Lynch, chivalry, College of Saint Basil the Great, combat, costume, ENGL2238, entertainment, essay, fighting, heraldry, Kingdom of Lochac, Known World Handbook, medieval names, medievalism, Monty Python and the Holy Grail, Nancy white, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, Victorian medievalism, WA, Western Australia Description An account of the resource A student essay submitted by Nancy White as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia. In this essay, the author traces the origins, and outlines the principles guiding participation in, the Society for Creative Anachronism (SCA) - a medieval re-enactment group. She explains the ties of the SCA to Victorian medievalism, and the influence of popular culture through films such as Monty Python and the Holy Grail. The essay also discusses the research that is invested in the costumes and names chosen by the participants, and the culture of chivalry that underpins the tournaments they host. With thanks to the author for permission to include a copy of this essay. Creator An entity primarily responsible for making the resource White, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource This work is © Nancy White. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Nancy White: ‘The Society for Creative Anachronism: Origins, Nature and Cultural Labour of its Medievalism’, 2011, <a href="../../../" target="_blank">http://ausmed.arts.uwa.edu.au/</a>. Format The file format, physical medium, or dimensions of the resource Student Essay; PDF Language A language of the resource English Andrew Lynch chivalry College of Saint Basil the Great combat costume ENGL2238 entertainment essay fighting heraldry Kingdom of Lochac Known World Handbook medieval names medievalism Monty Python and the Holy Grail Nancy white SCA Society for Creative Anachronism student essay The Medieval in the Modern World The University of Western Australia tournament Victorian medievalism WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Galahad and the Pale Nun Subject The topic of the resource Alfred Lord Tennyson (1809-1892), Art, Arthur, Arthurian, Arthurian legend, Arthurian romance, chivalric, chivalry, Galahad, gallantry, Holy Grail, Idylls of a King, illustration, knight, Le Morte dâ€™Arthur, legend, Mabinogion, narrative poem, nostalgia, nun, piety, poem, purity, Sir Galahad, Sir Thomas Malory (1405-1471), Victorian revival Description An account of the resource This photograph, taken by Julia Margaret Cameron in 1874, is held by the Art Gallery of South Australia. It depicts Sir Galahad, one of the Knights of the Round Table in Arthurian legend, and a nun. The illegitimate son of Lancelot and Elaine of Corbenic, Galahad was raised in a convent under the care of the Abbess, his Great Aunt. He was one of only 3 Knights to see the Holy Grail, and is renowned in legend for his gallantry, his piety and his purity. He was a popular character in the Victorian revival of Arthurian myth, and these qualities were emphasised in Alfred Lord Tennysonâ€™s 1842 poem â€˜Sir Galahadâ€™. This particular photograph appeared as Plate IX in Alfred Lord Tennysonâ€™s Idylls of the King and Other Poems, a collection of 12 narrative poems retelling the King Arthur legend published between 1856 and 1885. Tennysonâ€™s version was based primarily on two well-known medieval texts: Sir Thomas Maloryâ€™s Le Morte dâ€™Arthur and the Mabinogion. Creator An entity primarily responsible for making the resource Cameron, Julia Margaret Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1874 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Albumen-silver photograph, 33.4 x 27.2 cm; Hyperlink Alfred Lord Tennyson (1809-1892) art Arthur Arthurian Arthurian legend Arthurian romance chivalric chivalry Galahad gallantry Holy Grail Idylls of a King illustration knight Le Morte dâ€™Arthur legend Mabinogion narrative poem nostalgia nun piety poem purity Sir Galahad Sir Thomas Malory (1405-1471) Victorian revival https://ausmed.arts.uwa.edu.au/files/original/a0257e78b49e281fa08e2255bd23e788.jpg 345f01f954c590d7511f4e09e63b49b0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Trinity Church, York, Western Australia Subject The topic of the resource Romanesque, Victorian Romanesque, Gothic Revival, Rustic Gothic, Gothic, Carpenter Gothic, architecture, architect, church, churches, pipe organ, organ, Walsingham Shrine, Anglican, Anglicanism, Christianity, Christian, religion, religious, Newcastle Street, York, Western Australia, WA, Perth, Holy Trinity, Saint George, St. George, flag, turret, lancet window, lancet windows Description An account of the resource Completed in 1854 and consecrated in 1858, the Holy Trinity Church in York, Western Australia possesses features which are characteristic of the Victorian Romanesque, Carpenter Gothic and Gothic Revival architectural styles. Throughout the nineteenth century in the United Kingdom, Australia and America, the Gothic manifested itself in a variety of architectural forms. Based on, yet distinct from, British nineteenth-century medievalism, Australian medievalist buildings appropriated elements of medievalist design in ways which suited the Australian climate, materials and unique colonial settings. The most obvious evocation of the medieval in the design of the Holy Trinity Church in York is the castle turret and its many lancet windows. The simplicity of the church's design (both structurally and aesthetically) is also typical of the Carpenter Gothic style, known for its pointed arches, towers and steep gables, as well as light-frame construction. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism architect architecture Carpenter Gothic Christian Christianity Church churches flag Gothic Gothic Revival Holy Trinity lancet window lancet windows Newcastle Street organ Perth pipe organ religion religious Romanesque Rustic Gothic Saint George St George St. George turret Victorian Romanesque WA Walsingham Shrine Western Australia York https://ausmed.arts.uwa.edu.au/files/original/6d058a99a97df62940932aa2ccd4fbe7.pdf f5b9f8d1d6d7a99d4cfff162875f3184 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Essay; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alana Bennett - Essay on the Society for Creative Anachronism Subject The topic of the resource Alana Bennett, Andrew Lynch, Aneala Barony, chivalry, costume, Eglinton Tournament, ENGL2238, entertainment, essay, fantasy, fighting, imagined community, J. R. R. Tolkein, Last Tournament, â€˜Living historyâ€™, medieval names, medievalism, medievalist space, pageantry, postmodernism, recreation, re-creation, re-enactment, romanticised medievalism, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, WA, Western Australia Description An account of the resource A student essay on the Society for Creative Anachronism submitted by Alana Bennett as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia. The author traces the origins and objectives of the SCA as a â€˜Living Historyâ€™ group, and discusses particularly the different levels on which the group operates. She draws a distinction between the recreational aspect of the Societyâ€™s activities on the one hand, in the sense that they provides entertainment and create a â€˜joint fantasyâ€™ amongst individuals with similar interests, and the â€˜re-creational â€™ aspect of its medievalism on the other, in which they â€œreconstruct a semblance of the Middle Ages through material culture and romanticised values systemsâ€. With thanks to the author for permission to include a copy of this essay. Creator An entity primarily responsible for making the resource Bennett, Alana Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource This work is © Alana Bennett. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Alana Bennett: ‘The Society for Creative Anachronism’, 2011, <a href="../../../" target="_blank">http://ausmed.arts.uwa.edu.au/</a>. Format The file format, physical medium, or dimensions of the resource Essay; PDF Language A language of the resource English â€˜Living historyâ€™ Alana Bennett Andrew Lynch Aneala Barony chivalry costume Eglinton Tournament ENGL2238 entertainment essay fantasy fighting imagined community J. R. R. Tolkein Last Tournament medieval names medievalism medievalist space pageantry postmodernism re-creation re-enactment recreation romanticised medievalism SCA Society for Creative Anachronism student essay The Medieval in the Modern World The University of Western Australia tournament WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/2e43e0fb454c3fc6966b146151d8ca50.jpg 19755c324874b401041bcb19529912e7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Trinity Anglican Church, York, Western Australia Subject The topic of the resource Gothic Revival, Victorian Romanesque, Gothic, Carpenter Gothic, architecture, architect, church, churches, pipe organ, organ, Walsingham Shrine, Anglican, Anglicanism, Christianity, Christian, religion, religious, Newcastle Street, York, Western Australia, WA, Perth, Holy Trinity, Saint George, St. George, flag, turret, lancet window, lancet windows Description An account of the resource Completed in 1854 and consecrated in 1858, the Holy Trinity Church in York, Western Australia possesses features which are characteristic of the Victorian Romanesque, Carpenter Gothic and Gothic Revival architectural styles. Throughout the nineteenth century in the United Kingdom, Australia and America, the Gothic manifested itself in a variety of architectural forms. Based on, yet distinct from, British nineteenth-century medievalism, Australian medievalist buildings appropriated elements of medievalist design in ways which suited the Australian climate, materials and unique colonial settings. The most obvious evocation of the medieval in the design of the church as is noticeable in this image is the castle turret. The simplicity of the church's design (both structurally and aesthetically) is typical of the Carpenter Gothic style, known for its pointed arches, towers and steep gables, as well as light-frame construction. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism architect architecture Carpenter Gothic Christian Christianity Church churches flag Gothic Gothic Revival Holy Trinity lancet window lancet windows Newcastle Street organ Perth pipe organ religion religious Romanesque Rustic Gothic Saint George St. George turret Victorian Romanesque WA Walsingham Shrine Western Australia York