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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in  Subiaco,  Western Australia was designed  by architect Edgar L. B.  Henderson and  built by C. W. Arnot between  1933 and 1937. It is  constructed from red  brick and pressed cement in an  inter-war gothic  style common of the  1920s and 1930s. It exhibits many  features common  to gothic  architecture, including pointed gothic arches,  lancet  windows,  elaborate bar tracery in the stained glass windows and  blind  tracery on  the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
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&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic  style   single (or standalone), lancet windows, collections of two or  three   single windows positioned side by side, and also the later gothic  trend   of enclosing multiple lancet windows beneath one arch and  separating   them with mullions to form larger windows and allow for more  light to   enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;&#13;
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in  Subiaco,  Western Australia was designed  by architect Edgar L. B.  Henderson and  built by C. W. Arnot between  1933 and 1937. It is  constructed from red  brick and pressed cement in an  inter-war gothic  style common of the  1920s and 1930s. It exhibits many  features common  to gothic  architecture, including pointed gothic arches,  lancet  windows,  elaborate bar tracery in the stained glass windows and  blind  tracery on  the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
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&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic  style   single (or standalone), lancet windows, collections of two or  three   single windows positioned side by side, and also the later gothic  trend   of enclosing multiple lancet windows beneath one arch and  separating   them with mullions to form larger windows and allow for more  light to   enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;&#13;
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in  Subiaco,  Western Australia was designed  by architect Edgar L. B.  Henderson and  built by C. W. Arnot between  1933 and 1937. It is  constructed from red  brick and pressed cement in an  inter-war gothic  style common of the  1920s and 1930s. It exhibits many  features common  to gothic  architecture, including pointed gothic arches,  lancet  windows,  elaborate bar tracery in the stained glass windows and  blind  tracery on  the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
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&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in  Subiaco,  Western Australia was designed  by architect Edgar L. B.  Henderson and  built by C. W. Arnot between  1933 and 1937. It is  constructed from red  brick and pressed cement in an  inter-war gothic  style common of the  1920s and 1930s. It exhibits many  features common  to gothic  architecture, including pointed gothic arches,  lancet  windows,  elaborate bar tracery in the stained glass windows and  blind  tracery on  the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
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&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;&#13;
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                <text>arch, architecture, balconette, balcony, banksia, clock tower, column, Conrad Sayce, corbel, Crawley, cross, decorated capital, fortification, King John II (b.1455-1495), King Manuel I (b.1469-1521), Lisbon, Manueline style, Moorish influence, Portugal, â€œRenaissanceâ€ style, Rodney Alsop, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, tower, Tower of BelÃ©m, Torres de BelÃ©m, university buildings, Western Australia, Winthrop Hall</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the balconette on the north facing wall  of Winthrop Tower at The University of Western Australia. Photographs of  a similar balconette taken by Winthrop Hall&amp;rsquo;s architect Rodney Alsop  (held in The University of Western Australia Archives Image Collection  61463P) suggest that the design was modelled on balconies at the Torres  de Bel&amp;eacute;m (Tower of Bel&amp;eacute;m) in Lisbon, Portugal (see &lt;span style="font-size: 11pt; color: #1f497d;"&gt;&lt;a href="http://www.bluffton.edu/%7Esullivanm/portugal/Lisbon/belem/belem.html" target="_blank"&gt;http://www.bluffton.edu/~sullivanm/portugal/Lisbon/belem/belem.html&lt;/a&gt;&lt;/span&gt;). The Tower of Bel&amp;eacute;m is a  fortified tower built in a characteristically Portuguese architectural  style known as Manueline, though it also incorporates features of  medieval military architecture and Moorish architecture. It was  commissioned by King John II (r.1481-1495) in the late fifteenth century  and built during the reign of King Manuel I (r.1495-1521), probably  between 1514 and 1521. Alsop made his Winthrop Tower balconette  distinctively Australian by using Banksia flowers and leaves for the  decorated capitals of the columns.&lt;/p&gt;&#13;
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&lt;p class="MsoNormal"&gt;Winthrop  Hall was designed by Melbourne architects Rodney Alsop and Conrad  Sayce, whose joint entry won an architectural competition held by the  University Senate in 1927. The impetus for the competition was a large  bequest left by the University&amp;rsquo;s first Chancellor, Sir John Winthrop  Hackett, upon his death in 1916. Alsop and Sayce began the project of  building Winthrop Hall, Hackett Hall and the Arts and Administration  Building together, but disagreed over changes to the design and Sayce  left before the buildings were completed. Winthrop Hall was officially  opened at a ceremony on 13 April 1932. The architectural style of  Winthrop Hall and the Hackett Buildings was described by Alsop as  &amp;ldquo;Renaissance&amp;rdquo;.&lt;/p&gt;</text>
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                <text>altar, Anglican, Anglican church, apse, arch, architect, architecture, buttress, chancel, chancel arch, church, church building, Church of England, Claremont, Cottesloe limestone, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, lectern, limestone, masonry, nave, neo-gothic, pews, pulpit, sanctuary, stained glass, T. W. L. Powell, trussed ceiling, Western Australia, William Howitt, wood-carving</text>
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                <text>An interior view of Christ Church, Claremont in Western Australia. The neo-gothic style of the building is clearly visible in the pointed arches of the stained-glass windows, arcading and large chancel arch separating the rectangular nave from the octagonal chancel. The wooden pulpit and lectern are the work of William Howitt, a well-known Western Australian wood carver. &#13;
&#13;
About Christ Church, Claremont:&#13;
&#13;
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                <text>McEwan, Joanne</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>2 x Digital Photographs</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anglican, Anglican church, arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A close-up view of the decorative stonework on the western wall of Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McEwan, Joanne</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4292">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Photograph</text>
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        <name>buttress</name>
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        <name>Church</name>
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        <name>church building</name>
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        <name>Cottesloe limestone</name>
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        <name>J. J. Talbot Hobbs</name>
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        <name>lancet windows</name>
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      <tag tagId="1079">
        <name>lead-light windows</name>
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        <name>masonry</name>
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        <name>neo-Gothic</name>
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        <name>rose window</name>
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        <name>stained glass</name>
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      <tag tagId="1198">
        <name>T. W. L. Powell</name>
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      <tag tagId="270">
        <name>tower</name>
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      <tag tagId="1094">
        <name>tracery</name>
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        <name>Western Australia</name>
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            <name>Omeka Image File</name>
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                <name>Bit Depth</name>
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              <element elementId="75">
                <name>Channels</name>
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                <name>Height</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="4314">
              <text>2 x Digital Photograph</text>
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      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Buttresses and Lancet Windows, Christ Church, Claremont, Western Australia</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anglican, Anglican church, arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, gothic revival, gothic, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4309">
                <text>A view of the stained-glass lancet windows and stone buttresses on the southern wall of Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>McEwan, Joanne</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>04 February 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4312">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4313">
                <text>Digital Photographs</text>
              </elementText>
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      <tag tagId="1185">
        <name>Anglican church</name>
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        <name>arch</name>
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        <name>architecture</name>
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        <name>bell tower</name>
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        <name>Church of England</name>
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        <name>Claremont</name>
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      <tag tagId="1191">
        <name>Cottesloe limestone</name>
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      <tag tagId="1076">
        <name>gable</name>
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      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="905">
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        <name>Gothic Revival style</name>
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        <name>J. J. Talbot Hobbs</name>
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        <name>lancet arch</name>
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      <tag tagId="1078">
        <name>lancet windows</name>
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        <name>lead-light windows</name>
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      <tag tagId="800">
        <name>limestone</name>
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      <tag tagId="1194">
        <name>masonry</name>
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        <name>neo-Gothic</name>
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        <name>rose window</name>
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        <name>stained glass</name>
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      <tag tagId="1198">
        <name>T. W. L. Powell</name>
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      <tag tagId="270">
        <name>tower</name>
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      <tag tagId="1094">
        <name>tracery</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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