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&#13;
The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. The building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. It is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. The vaulted ceilings of this building is a feature which is particularly characteristic of the nineteenth-century Gothic style of architecture.&#13;
&#13;
At present, the building is privately owned and opens as an Antique shop on weekends. </text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>A name given to the resource</description>
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                <text>Entrance to St. Patrick's School, York, Western Australia</text>
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                <text>An image of St. Patrick's Convent School located on South Street in York, a town ninety minutes south east of Perth in Western Australia.&#13;
&#13;
The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. This building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. This style is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition.&#13;
&#13;
At present, the building is privately owned and opens as an Antique shop on weekends. </text>
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          <element elementId="39">
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            <elementTextContainer>
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                <text>Carter, Bree</text>
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                <text>27 November 2011</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17084">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Digital Photograph; JPEG</text>
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        <name>St. Patrick</name>
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        <name>teachers</name>
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        <name>teaching</name>
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      <tag tagId="958">
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      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="3782">
        <name>York</name>
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      <tag tagId="3090">
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      <tag tagId="3813">
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                    <text>700</text>
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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="16969">
              <text>2 x Digital Photographs; JPEGs</text>
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          </elementTextContainer>
        </element>
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    <elementSetContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Rouen clock: Medieval inspiration for London Court, Perth.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="16963">
                <text>clock, France, the Great Clock, Le Gros Horloge, H. Hope-Jones, London Court, newspaper, Normandy, Perth, replica, Rouen, WA, The West Australian, Western Australia</text>
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            <name>Description</name>
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                <text>&lt;p&gt;These photographs compare the clock face at the Hay Street end of London Court in Perth with Le Gros Horloge, or the Great Clock, at Rouen in Normandy, France, on which it is based. An article in The West Australian newspaper in 1937, and repeated on the official London Court website, claims that the London Court clock face designed by H. Hope-Jones is a &amp;lsquo;replica&amp;rsquo; of the one at Rouen. Yet a comparison of the photographs shows that this is not the case. Although the layout is the same the materials are different and the central sun on the Rouen clock is much larger. Le Gros Horloge also only has a single hand, to indicate the hour, whereas the London Court clock has the conventional modern two hands.&lt;/p&gt;&#13;
&lt;p&gt;The Rouen clock mechanism was installed in the early fifteenth century, whilst the clock face was added a century later. The clock includes figures associated with the day of the week appearing at noon on the appropriate day and, above the clock, a globe depicting the phase of the moon.&lt;/p&gt;&#13;
For London Court see &lt;a href="http://www.londoncourt.com.au/" target="_blank"&gt;&lt;span style="color: #800080;"&gt;www.londoncourt.com.au&lt;/span&gt;&lt;/a&gt;. For the newspaper article &amp;lsquo;Two New Clocks&amp;rsquo; see &lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;.&lt;/span&gt;&lt;/span&gt;</text>
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                <text>29 November 2011</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of the Sisters of Mercy convent located next to St. Patrick's Convent School on South Street in York, Western Australia.&#13;
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It was built in 1868 and was originally used as a presbytery by Father Patrick Gibney before the arrival of the Sisters of Mercy in York in 1872. The building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. This style is often seen to be symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. The lancet windows of this building and its vaulted ceiling are particular features which are in keeping with this style.</text>
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