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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This photograph shows the KFC store on George Street in central Sydney. The store, previously a bank, is in the Victorian Romanesque style, and features semi-circular arched windows, moulded brick, and carved stone. The Romanesque style was popular in medieval Europe prior to the development of the Gothic style in the twelfth century.</text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Newspaper illustration:&lt;/p&gt;&#13;
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                <text>Eight hour day, Eight-hour day movement, freedom of labour, Peasants Revolt, organized labour, labour, labourer, work, worker, working class, Premier Gilles, unions, union, unionism</text>
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                <text>This illustration  portrays the great fear of the establishment in the late nineteenth century in Australia, an organised workforce. Union organisation and affiliation and the strengthening of fraternities and friendly societies appeared to create a monster. King Working-Man, with tin crown emboldened with the symbol of the eight-hour movement on it, with working manâ€™s garb and hobnailed boots, lounges on his humble wooden throne clasping a sceptre. Premier Gilles is his attendant while wool, timber, shipping and sugar magnates grovel at his feet.&#13;
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                <text>poss. â€˜Tomâ€™ Carrington (Francis Thomas Dean Carrington)</text>
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                <text>Punch Magazine, Melbourne</text>
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                <text>18 August 1887</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows the letterbox in the guise of an armoured knight. The knight has a helmet, full body armour, and wears a quiver (arrow holder) to hold newspapers. Letters are placed in a slot in the knightâ€™s chest.</text>
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                <text>Dorey, Margaret</text>
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                <text>30 November 2011</text>
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&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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About Kryal Castle:&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.myspace.com/knightqueste"&gt;http://www.myspace.com/knightqueste&lt;/a&gt;</text>
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                <text>A hyperlink to the Myspace music profile for Australian metal band, Knightqueste. Based in Wollongong, New South Wales, Knightqueste have utilised elements of a typically 'masculinised' medieval past. In particular, there is a strong focus on elements of knighthood, battles and medieval weaponry. &#13;
The Knightqueste band page also includes a banner featuring the band's name in elaborate font, and the phrase "Majestic metal rocking into the Renaissance." </text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/f10b2a6b91ebfd2b84111b01a8d4059d.JPG</src>
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              <name>Title</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Knights Fighting at the SCA College Challenge, 2010</text>
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            <description>The topic of the resource</description>
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                <text>SCA, Society for Creative Anachronism, St. Basil, Saint Basil, Saint Lazarus, St. Lazarus, kettle hat, armour, armoury, knights, knight, knighthood, chivalry, Kingdom of Lochac, armour making, costume, costumes, UWA, University for Western Australia, Murdoch University, medieval armour, tournament, tourney, battle, medieval craft, craft, metalwork, banner, banners, Swan, black swan, Swan banner, WA, Western Australia</text>
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                <text>&lt;p&gt;This image depicts two members of the Society for Creative  Anachronism (SCA) fighting at the SCA 'College Challenge.' A handmade  banner depicting two black swans, the state emblem for Western  Australia, is billowing nearby. The College Challenge was fought between  members from both St. Basil (UWA) and   St. Lazarus (Murdoch). In Perth, Western  Australia, these are only two  chapters of the SCA which are based in  colleges.&lt;/p&gt;&#13;
&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac   (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and   're-creation' of Medieval and Early Modern cultures and their histories   before the seventeenth century. As the prime example of a 'living   history' group, members of the SCA aim to re-create the past through   applying elements of historical knowledge to a practical engagement with   Medieval and Early Modern crafts, martial arts, science, metalwork and   cooking (for example). The Society was created by graduates of the   University of Berkley in California in the 1960s and has since branched   out to include 19 kingdoms, with over 30,000 members in locations  across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Carter, Bree</text>
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                <text>19 December 2010</text>
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                <text>No Copyright</text>
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