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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article39111383" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article39111383&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Responding to an enquiry about an unusual plant specimen found in Cunderdin in the Wheatbelt region of Western Australian, the author of this article identifies the burrs and leaves as part of a Caltrop plant. The Caltrop plant was so named, it explains, because of its likeness to the spiky metal balls that were sown into the ground during medieval warfare to cripple the enemy. The Battle of Bannockburn in 1314 is cited as an example where caltrops were successfully used as weapons by Robert the Bruceâ€™s Scottish army to debilitate their opponents, the English army of Edward II.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/index.php" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://www.mainlymedieval.com/store/index.php&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜Mainly Medievalâ€™ is an online store that provides a range of products for medieval enthusiasts. The catalogue lists for sale reference books about aspects of the medieval period, magazines related to re-enactor activities such as medieval warfare and textiles, medieval music and various re-enactor supplies including pavilions, artefacts, clothing, badges, games and playing cards. The company is based in New South Wales. </text>
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                <text>Copyright Â© 2011 Mainly Medieval</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_100&amp;amp;products_id=2036"&gt;http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_100&amp;amp;products_id=2036&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Mainly Medieval replica spoon</text>
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                <text>An advertisement for a replica medieval eating spoon distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The spoon is made from food grade pewter. It is described by the catalogue as â€˜English,â€™ and of a type and design that was common between the fourteenth and fifteenth centuries. At the tip of the handle there is a stylised acorn design, symbolising life, fertility, and strength (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol. 1, p.27). The acorn was also, as the catalogue suggests, regarded as a talisman against cholera and fluxes. These properties likely explain its decorative appeal for dining utensils. </text>
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                <text>Copyright Â© 2011 Mainly Medieval</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_101&amp;amp;products_id=488"&gt;http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_101&amp;amp;products_id=488&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>An advertisement for a replica thirteenth-century devotional candleholder distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. In purified Christianised logic, the candle is a symbol of â€˜devotion,â€™ and (prayerful) â€˜studyâ€™ (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol. 1, p.284). The candle also symbolises light and, by extension, Christ. This candleholder is a heavy pewter artefact, designed for maximum stability and utility. It contains a blessing which states, â€œGod bless those present and those that made meâ€. Candles and candleholders were used in the homes of the wealthy, especially in the libraries of those able to read and write, as well as in monasteries, churches, and universities. It seems unlikely, however, that such an expensive candleholder as this would be found in peasant dwellings, where rushlights and light from the fire would be sufficient to see after dark. </text>
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            <elementTextContainer>
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                <text>Mainly Medieval</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="18017">
                <text>2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18018">
                <text>Copyright Â© 2011 Mainly Medieval</text>
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          </element>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18019">
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>candleholder</name>
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        <name>candles</name>
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        <name>Christ</name>
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        <name>Christian</name>
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        <name>Christianity</name>
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        <name>devotion</name>
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        <name>devotional</name>
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        <name>light</name>
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        <name>material culture</name>
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        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="173">
        <name>re-enactment</name>
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        <name>replica</name>
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        <name>symbolism</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?products_id=883"&gt;http://www.mainlymedieval.com/store/product_info.php?products_id=883&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pilgrim Badge: St James of Compostella</text>
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                <text>Badge, Compostella, material culture, â€˜Mainly Medievalâ€™, medieval pilgrimage, NSW, New South Wales, pilgrim, pilgrimage, replica, reproduction, Saint James, scallop shell, shrine, Spain, St James, symbolism, Way of St James</text>
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                <text>An advertisement for a scallop shell badge distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The scallop shell badge signifies that the wearer has completed the lengthy overland pilgrimage known in English as the Way of St James. This pilgrimage, which now starts at Roncesvalles, gradually winds its way to the Cathedral in Compostela, NW Spain. The ninth-century version, however, was considerably shorter due to the Moorish occupation. This early route started at Oviedo, passed through Lugo, and culminated at Santiago de Compostela, covering a distance of 328 km. The church was built at Compostella as a shrine to James, the son of Salome and Zebedee, who died in Jerusalem AD 44 by order of King Agrippa. His body was reputedly rediscovered in 840 by divine revelation to Bishop Theodomirus (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol.2, p.1372). The Vatican â€˜officiallyâ€™ confirmed the location of St Jamesâ€™s relics and tomb via a Papal Bull in 1884, and consequently the Camino de Santiago de Compostela became one of the worldâ€™s great long-distance â€˜pilgrimages.â€™ </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Mainly Medieval</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18040">
                <text>2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18041">
                <text>Copyright Â© 2011 Mainly Medieval</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18042">
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        <name>Badge</name>
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        <name>Compostella</name>
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      <tag tagId="3942">
        <name>material culture</name>
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        <name>medieval pilgrimage</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="2002">
        <name>pilgrim</name>
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      <tag tagId="1688">
        <name>pilgrimage</name>
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        <name>replica</name>
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        <name>reproduction</name>
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      <tag tagId="4027">
        <name>Saint James</name>
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      <tag tagId="4028">
        <name>scallop shell</name>
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        <name>shrine</name>
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      <tag tagId="4030">
        <name>Spain</name>
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      <tag tagId="2935">
        <name>St James</name>
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      <tag tagId="4013">
        <name>symbolism</name>
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      <tag tagId="4031">
        <name>Way of St James</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜The bride woreâ€¦ a swordâ€™</text>
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                <text>Celtic, costume, Hobart, Hannah Martin, Medievalist wedding, The Mercury, newspaper, Port Arthur, re-enactment, SCA, Society for Creative Anachronism, sword, Tas, Tasmania, The bride woreâ€¦ a sword, torc, wedding.</text>
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                <text>&lt;p&gt;The article &amp;lsquo;The bride wore&amp;hellip; a sword&amp;rsquo; by reporter Hannah Martin appeared in the online version of the Tasmanian newspaper The Mercury. The article reports on a medieval &amp;lsquo;Celtic&amp;rsquo;-style wedding of two members of the Society of Creative Anachronism. The Hobart couple were married at Port Arthur wearing specially made medieval costumes and brandishing a sword each. The also wore torcs, or neck-rings, an item occasionally found in the medieval period but more common earlier. Many of the guests also wore medieval costumes.&lt;/p&gt;&#13;
&lt;p&gt;For the article, including photographs, see &lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Martin, Hannah</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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                <text>The Mercury</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="21516">
                <text>The Mercury</text>
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            <name>Date</name>
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              <elementText elementTextId="21517">
                <text>June 17, 2012</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21518">
                <text>The Mercury, Hannah Martin</text>
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        <name>Hannah Martin</name>
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      <tag tagId="320">
        <name>Hobart</name>
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        <name>Medievalist wedding</name>
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        <name>newspaper</name>
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        <name>Port Arthur</name>
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      <tag tagId="167">
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      <tag tagId="568">
        <name>Society for Creative Anachronism</name>
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        <name>sword</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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        <name>The bride woreâ€¦ a sword</name>
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        <name>The Mercury</name>
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      <tag tagId="4825">
        <name>torc</name>
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  <item itemId="242" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;span&gt;&#13;
&lt;pre&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a href="http://www.austlit.edu.au/" target="_blank"&gt;http://www.austlit.edu.au/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&#13;
&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Critical Article by Brian Matthews</text>
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                <text>Henry Lawson, Australian, Australian poetry, bush poetry, bush poem, bush poet, bush, medieval obsession with death, poem, poet, poetry</text>
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                <text>Abstract: Matthews finds a unity in the arrangement of stories in While the Billy Boils. The chronological nature of the stories, the use of rumour and the consistent use of time and distance are all elements that support the structure of the collection. Matthews concludes that the world of While the Billy Boils is "various and crowded", but it is a world "in which the whole undeniably loose undertaking can be regarded as hanging together". (Quoted from Auslit Website information).&#13;
&#13;
Matthews remarks that '...above all, the rumour and the reality which stalks through Lawson's fictional world with almost medieval intensity &#13;
and obsessiveness is Death.'p 194. Whether this is a fair description of 'the medieval' in Lawson's poetry is unclear but Lawson is preoccupied with injustice, and the uncomfortably close gap between annihilation and the vicissitudes of his ife: poverty, illness or war.(HH)&#13;
&#13;
AustLit BRN: 21818   &#13;
Last amended: 24 Jul 2001    </text>
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                <text>Cantrell, Leon (ed.), &lt;em&gt;Bards, Bohemians, and Bookmen: Essays in Australian Literature.&lt;/em&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="5608">
                <text>University of Queensland Press</text>
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          <element elementId="40">
            <name>Date</name>
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        <name>Australian poetry</name>
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        <name>Henry Lawson</name>
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        <name>medieval obsession with death</name>
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Maxwell Mead</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anglo-Saxon, Beowulf, beverage, label, honeymoon, honey wine, king, McLaren Vale, Maxwell Mead, Maxwell Wines, mead, poetry, SA, Scandinavia, South Australia, stained glass, sword, Viking.</text>
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                <text>&lt;p&gt;The McLaren Vale, South Australia, company Maxwell Wines produce three varieties of Maxwell Mead. Their website explains that although mead was first drunk much earlier than the medieval period, it has a particularly strong association with Scandinavian culture during the Viking Age (c. 790-1000), where the Mead of Poetry is a mythical drink that allows one to become a poet. Mead is also drunk by the Danish warriors in the Anglo-Saxon epic poem &lt;em&gt;Beowulf&lt;/em&gt;. The website also claims that the term &amp;lsquo;honeymoon&amp;rsquo; comes from a newlywed couple being given mead as an aphrodisiac in the hope of conceiving a child (this etymology is difficult to prove).&lt;/p&gt;&#13;
&lt;p&gt;The label of Maxwell Mead features a medieval king standing in front of a stained glass window and holding a sword.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Maxwell Wines</text>
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                <text>Maxwell Wines</text>
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        <name>sword</name>
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