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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html&lt;/a&gt;&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Jesse Gregson Illuminated Address from New Winning (Newcastle) and Hebburn collieries</text>
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                <text>Illuminated manuscripts, manuscript, Jesse Gregson, heraldry, pastoralist, agriculture, agricultural, Australian Agricultural Company, Warrah, Liverpool Plains, Newcastle, illuminated addresses, illumination, address, New Winning (Newcastle) and Hebburn collieries, Nobbyâ€™s Head, Newcastle Wharf, vellum, medieval illumination, Valda Rigg, coalminer</text>
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                <text>The trend in medievalist revivals in all aspects of colonial life included medieval illumination found in addresses, books, presentation certificates or albums. These pieces of carefully crafted work, sometimes on precious vellum, marked special occasions such as retirement, welcomes, congratulations and condolences. Valda Rigg (see Bibliography below) notes the use of chivalric language in these manifestoes. Each address portrayed unique iconography pertinent to its recipient. The addresses are visual insignia or historical keepsakes showing relevant landscapes and/or labour tools and Australian flowers. The Powerhouse Museum has an extensive collection of â€˜Illuminated Addressesâ€™. Jesse Grigsonâ€™s are but two examples of this genre.</text>
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                <text>Australian National University Archives</text>
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                <text>29 Nov 1903</text>
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                <text>Copyright Applies&#13;
Australian National University Archive Collection, Jesse Gregson Collection (Aa. Co.) &#13;
Reference Code: N17/2&#13;
Noel Butlin Archives Centre&#13;
http://www.archives.anu.edu.au/nbac/html/index.php#</text>
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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <description>A name given to the resource</description>
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                <text>John Eardley Wilmot monument, Hobart, Tasmania</text>
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            <description>The topic of the resource</description>
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                <text>Blind arcading, cemetery, cenotaph, Gothic, Hobart, William Porden Kay, Lieutenant-Governor, mausoleum, monument, pointed arch, St Davidâ€™s Park, Tas, Tasmania, Van Diemen's Land, John Eardley Wilmot.</text>
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                <text>A monument to Sir John Eardley Wilmot (1783-1847) is situated in St Davidâ€™s Park (previously a cemetery), Hobart. Wilmot was Lieutenant-Governor of Van Diemenâ€™s Land (ie. Tasmania) between 1843 and 1847 and died of an undiagnosed illness after being removed from office. The multi-tiered cenotaph, sometimes referred to as a mausoleum, was raised by public subscription in 1850 and placed over his remains. It was designed by William Porden Kay (1809-1870). It is in the Gothic style and features the pointed arches, blind arcading, and elaborate stonework often associated with ecclesiastical architecture.     </text>
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                <text>McLeod, Shane</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>October 6, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>John Eardley Wilmot.</name>
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        <name>Lieutenant-Governor</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <description>A name given to the resource</description>
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                <text>John Storey Memorial Dispensary, Chippendale, Sydney, New South Wales</text>
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            <description>The topic of the resource</description>
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                <text>Blackletter script, Chippendale, clinic, crenel, dispensary, four-centred arch, Gothic script, hospital, memorial, New South Wales, NSW, parapet, John Storey, John Storey Memorial Dispensary, Sydney, tower, Tudor arch</text>
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                <text>The John Storey Memorial Dispensary is on the corner of Regent and Lee Streets in the inner-city Sydney suburb of Chippendale. The building was completed as in 1926 as a memorial to former New South Wales Premier John Storey. It was built by Sydney Hospital to help the poorer citizens of the area. It is now a methadone clinic. The John Storey Memorial Dispensary is a medieval-styled building with a central tower and crenelated parapets on the tower and down both sides of the building. It has four-centred, or Tudor, arches on the door, doorway and windows. The inscription above the doorway uses Blackletter, or Gothic, script, a script first used in the twelfth century.</text>
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                <text>McLeod, Shane</text>
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                <text>17 December 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33998">
                <text>No Copyright</text>
              </elementText>
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