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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in Subiaco, Western Australia was designed by architect Edgar L. B. Henderson and built by C. W. Arnot between 1933 and 1937. It is constructed from red brick and pressed cement in an inter-war gothic style common of the 1920s and 1930s. It exhibits many features common to gothic architecture, including pointed gothic arches, lancet windows, elaborate bar tracery in the stained glass windows and blind tracery on the tympana of the doorways, and a large tower and spire.&lt;/p&gt;&#13;
&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic style single (or standalone), lancet windows, collections of two or three single windows positioned side by side, and also the later gothic trend of enclosing multiple lancet windows beneath one arch and separating them with mullions to form larger windows and allow for more light to enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in Subiaco, Western Australia was designed by architect Edgar L. B. Henderson and built by C. W. Arnot between 1933 and 1937. It is constructed from red brick and pressed cement in an inter-war gothic style common of the 1920s and 1930s. It exhibits many features common to gothic architecture, including pointed gothic arches, lancet windows, elaborate bar tracery in the stained glass windows and blind tracery on the tympana of the doorways, and a large tower and spire.&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;div class="element-text"&gt;&#13;
&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in Subiaco, Western Australia was designed by architect Edgar L. B. Henderson and built by C. W. Arnot between 1933 and 1937. It is constructed from red brick and pressed cement in an inter-war gothic style common of the 1920s and 1930s. It exhibits many features common to gothic architecture, including pointed gothic arches, lancet windows, elaborate bar tracery in the stained glass windows and blind tracery on the tympana of the doorways, and a large tower and spire.&lt;/p&gt;&#13;
&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic style single (or standalone), lancet windows, collections of two or three single windows positioned side by side, and also the later gothic trend of enclosing multiple lancet windows beneath one arch and separating them with mullions to form larger windows and allow for more light to enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;&#13;
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McEwan, Joanne</text>
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                <text>A photograph depicting chain mail being hand-crafted according to the traditional medieval method at the Perth Medieval Fayre. Chain mail is made by interlocking a number of metal rings to form small sections. Each ring is linked through four others and then the end is riveted. Additional links are then inserted to join the sections together and create a meshed material. The mail can be shaped into patterns â€“ for example gloves, shirts, hoods and chin-guards â€“ by increasing or decreasing the number of metal rings in a row when the sections are created. Chain mail was used extensively in the middle ages to fashion protective garments that were worn as body armour by medieval knights and soldiers. It was gradually superseded by plate armour in the fourteenth century, possibly as a result of the increasing use of high-powered weapons such as crossbows and longbows (See Kelly DeVries, Medieval Military Technology, Peterborough, Broadview Press, 1992, p.75).&#13;
&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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      <tag tagId="150">
        <name>Perth</name>
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&#13;
The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                <text>Morris dancers performing a version of the folk dance at the Perth Medieval Fayre in Western Australia. The style of the dance is derived from the English villages of the Cotswolds and is characterised by groups of six men dressed in white clothing with coloured baldricks, bell pads and flower-covered hats dancing in formation. The dancers also frequently make use of handkerchiefs and sticks in this form of morris dance. The origins of morris dancing are subject to debate, with some scholars arguing that it developed from a pagan fertility ritual, and others arguing that it originated in the medieval period. Scholars involved in collating references to morris dancing for the â€˜Early Morris Projectâ€™ have suggested that the earliest written reference is in two English wills dated 1458 (see John Forrest and Michael Heaney, â€˜Charting Early Morrisâ€™ in Folk Music Journal, vol.6, no.2, 1991, pp.169-186). Morris dancing has also frequently been linked to the month of May and the dancing and festivities that took place around the maypole.&#13;
&#13;
The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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          <element elementId="50">
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                <text>St. Andrew's Uniting Church in Campbell Town, Tasmania, was built in 1847 as a Presbyterian Church. It is in the Victorian Gothic Revival style complete with an iron gabled roof, castellated parapet, clock mouldings, lancet windows, and a square tower with a needle spire. The interior includes </text>
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&lt;p&gt;&lt;a href="http://www.ohta.org.au/"&gt;http://www.ohta.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Organ Historical Trust of Australia. Permission to reproduce image granted by the OHTA Webmaster, Mark Quarmby </text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
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                <text>St Andrew's Church, Campbell Town, Tasmania</text>
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            <name>Subject</name>
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                <text>St. Andrew, St Andrew, Saint Andrew, buttress, church, clock molding, crenellation, pointed arch, sandstone, lancet window, pointed arch, Gothic, Gothic Revival, neo-Gothic, architecture, spire, TAS, Tasmania, Campbelltown, Presbyterian, tower, Uniting Church.</text>
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                <text>St. Andrew's Uniting Church in Campbell Town, Tasmania, was built in 1847 as a Presbyterian Church. It is in the Victorian Gothic Revival style complete with an iron gabled roof, castellated parapet, clock mouldings, lancet windows, and a square tower topped by a needle spire. </text>
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            <name>Creator</name>
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                <text>Bunning, Trevor</text>
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                <text>&lt;a href="http://www.ohta.org.au/confs/Tas/CampbellTown/StAndCampbellTas.html"&gt;http://www.ohta.org.au/confs/Tas/CampbellTown/StAndCampbellTas.html&lt;/a&gt;</text>
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            <name>Publisher</name>
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&lt;p&gt;Organ Historical Trust of Australia&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.ohta.org.au/"&gt;http://www.ohta.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
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            <name>Date</name>
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                <text>December 2008</text>
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            <name>Rights</name>
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                <text>Organ Historical Trust of Australia. Permission to reproduce image granted by the OHTA Webmaster, Mark Quarmby.</text>
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            <name>Format</name>
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                <text>Digital Photograph; JPEG</text>
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        <name>lancet window</name>
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        <name>Presbyterian</name>
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        <name>Saint Andrew</name>
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        <name>spire</name>
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        <name>St Andrew</name>
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        <name>St. Andrew</name>
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        <name>Uniting Church.</name>
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