71 8 1266 https://ausmed.arts.uwa.edu.au/files/original/81ef0e915b6afde6f5e20764c127b75b.jpg 552ee92c8622cd9776905ee069f3f062 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Alban's Anglican Church, Highgate, WA Subject The topic of the resource Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource A view of St Alban’s Anglican Church, Highgate. St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church architect architecture bell turret buttresses Church church building Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows limestone neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St. Alban St. George St. Michael stained glass stained-glass stone The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/21a8617823436b0939d49acf9871c98e.jpg 97cf4cb6cf668f47fb5bf6d90c10e66b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 435 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Redemptorist Monastery, North Perth, Western Australia Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, corbel, Cottesloe limestone, crenellations, ecclesiastical building, false machiolation, Federation Gothic Style, gothic architecture, James Cavanagh, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, pinnacles, Redemptorist monastery, Redemptorist Order, religious order, St Paul, St Peter, turrets, W. Fairweather, Western Australia, WA Description An account of the resource A view of the Redemptorist Monastery in North Perth, Western Australia. This Federation Gothic Style Monastery and the adjoining church were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been established in WA in 1899. The building was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903, and an additional monastery wing was added in 1912. The monastery and church were added to the WA Heritage Register in 2006. The monastery is a three-storey building constructed from Cottesloe limestone. The arches around the main doorway are decorated with an acanthus leaf design matching the door to the Church. The entrance is flanked by two hexagonal columns that extend beyond the rooftop to form crenellated turrets. The upper level is also distinctive for its decorative stone corbels and false machiolations, and the elaborate blind tracery adorning the gables and pinnacles. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG https://ausmed.arts.uwa.edu.au/files/original/f74db8ec3bb3e73bfbf7822ff11246f9.jpg 47dc7e240c4f6e0c53bd64274922d392 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Redemptorist Monastery in North Perth, WA Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, corbel, Cottesloe limestone, crenellations, ecclesiastical building, false machiolation, Federation Gothic Style, gothic architecture, James Cavanagh, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, pinnacles, Redemptorist monastery, Redemptorist Order, religious order, St Paul, St Peter, turrets, W. Fairweather, Western Australia, WA Description An account of the resource An image of the Redemptorist Monastery in North Perth, Western Australia. This Federation Gothic Style Monastery and the adjoining church were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been established in WA in 1899. The building was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903, and an additional monastery wing was added in 1912. The monastery and church were added to the WA Heritage Register in 2006. The monastery is a three-storey building constructed from Cottesloe limestone. The arches around the main doorway are decorated with an acanthus leaf design matching the door to the Church. The entrance is flanked by two hexagonal columns that extend beyond the rooftop to form crenellated turrets. The upper level is also distinctive for its decorative stone corbels and false machiolations, and the elaborate blind tracery adorning the gables and pinnacles. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture blind tracery Catholic Church cement dressing corbel Cottesloe limestone crenellations ecclesiastical building false machiolation Federation Gothic Style gothic architecture James Cavanagh limestone Michael Cavanagh monastery mullion neo-Gothic North Perth pinnacles Redemptorist monastery Redemptorist Order religious order St Paul St Peter turrets W. Fairweather WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/72797610f56b4f3927308204c04ab6d5.jpg 46b3d191b3093b9e9b5f7a6d7a5a3e0b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 439 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Large Traceried Window, The Redemptorist Church, North Perth, Western Australia Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, church, church building, Cottesloe limestone, crenellations, decorated gothic, Federation Gothic Style, gothic architecture, James Cavanagh, lancet arch, leadlights, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, porch, quatrefoil, Redemptorist monastery, Redemptorist Order, St Paul, St Peter, stained glass, tracery, turrets, W. Fairweather, Western Australia, WA, window, windows Description An account of the resource A view of the Redemptorist Church in North Perth, Western Australia. This image is of the large traceried window containing five stained glass and lead light panels, which dominate the church’s appearance. This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture blind tracery Catholic Church cement dressing Church church building Cottesloe limestone crenellations Decorated Gothic Federation Gothic Style gothic architecture James Cavanagh lancet arch leadlights limestone Michael Cavanagh monastery mullion neo-Gothic North Perth porch quatrefoil Redemptorist monastery Redemptorist Order St Paul St Peter stained glass tracery turrets W. Fairweather WA Western Australia window windows https://ausmed.arts.uwa.edu.au/files/original/8ddda963b2ac13b3f3770be07f602e59.jpg a3953493ebc16de850ae14bd993cdfeb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Redemptorist Church, North Perth, Western Australia Subject The topic of the resource arch, architect, architecture, blind tracery, Catholic church, cement dressing, church, church building, Cottesloe limestone, crenellations, decorated gothic, Federation Gothic Style, gothic architecture, James Cavanagh, lancet arch, leadlights, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, porch, quatrefoil, Redemptorist monastery, Redemptorist Order, St Paul, St Peter, stained glass, tracery, turrets, W. Fairweather, Western Australia, WA, window, windows Description An account of the resource A view of the Redemptorist Church in North Perth, Western Australia. An entrance porch with decorative crenellations and a large traceried window containing five stained glass and lead light panels dominate the church’s appearance. The door is surrounded by gothic arches decorated with acanthus leaves, and is flanked on either side by stone buttresses and niches. The Greek letters Alpha and Omega are clearly visible on the door, signifying that Christ is the beginning and ending of all things. This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG https://ausmed.arts.uwa.edu.au/files/original/5376704bc3382c8498cb965a54b1a1c6.JPG 1bf23bd18983fd5d963b9003e1979e73 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 436 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of St. George and the Dragon, State Library of Victoria Subject The topic of the resource bronze, Centennial International Exhibition, chivalric tradition, crusades, dragon, exhibition, Golden Legend, hagiography, international exhibition, Jacobus de Voragine, knight, legend, Melbourne, mythology, sculpture, Sir Joseph Edgar Boehm (1834-1890), spear, Speculum Historiale, St George, Saint George, St George and the Dragon sculpture, State Library of Victoria, statue, sword, Victoria, Vincent of Beauvais (c.1190-1264) Description An account of the resource Image of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of £1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate Frémiet’s Jeanne d’Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragon’s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais’ Speculum Historiale and Jacobus de Voragine’s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, “‘Thingless names’? The St George Legend in Australia”, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html. Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 9 September 2004 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG bronze Centennial International Exhibition chivalric tradition Crusades dragon exhibition Golden Legend hagiography international exhibition Jacobus de Voragine knight legend Melbourne mythology Saint George sculpture Sir Joseph Edgar Boehm (1834-1890) spear Speculum Historiale St George St George and the Dragon sculpture State Library of Victoria statue sword Victoria Vincent of Beauvais (c.1190-1264) https://ausmed.arts.uwa.edu.au/files/original/2dc210654329591c43576abcf042057c.jpg b829fab2c70a29b4ab4a21849ef3b55a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 426 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St George and the Dragon Altar, St George’s Cathedral, Perth, WA Subject The topic of the resource altar, Anglican, Anglicanism, Anglican Cathedral, carving, Cathedral, chivalric tradition, chivalry, combat, battle, crusades, dragon, Eucharist service, Golden Legend, hagiography, Jacobus de Voragine, jarrah, knight, legend, myth, mythology, nave, nave altar, Perth, saint, saints, Speculum Historiale, St George, St George and the Dragon, Saint George, St George’s Cathedral, sword, Vincent of Beauvais (c.1190-1264), WA, Western Australia Description An account of the resource <p>Close-up image of the jarrah nave altar at St George&rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.</p> <p>The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&rsquo; Speculum Historiale and Jacobus de Voragine&rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &ldquo;&lsquo;Thingless names&rsquo;? The St George Legend in Australia&rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: <a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank">http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html</a>).</p> Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2004 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Altar Anglican Anglican Cathedral Anglicanism battle carving Cathedral chivalric tradition chivalry combat Crusades dragon Eucharist service Golden Legend hagiography Jacobus de Voragine jarrah knight legend myth mythology nave nave altar Perth saint Saint George saints Speculum Historiale St George St George and the Dragon St George’s Cathedral sword Vincent of Beauvais (c.1190-1264) WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/1bd8f7fdc8b70674f251970654d577fa.jpg bda346f2a2fa802d5c98031c3a73971c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 513 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scots Presbyterian Church, Fremantle, Western Australia Subject The topic of the resource Architecture, arch, buttress, church, Fremantle, gable, gothic architecture, lancet arch, lancet windows, lead-light windows, limestone, neo-gothic, oculus window, Petrie & Co., porch, Presbyterian church, red brick quoins, red brick voussoirs, Sir J. J. Talbot Hobbs, spire, tower, Western Australia Description An account of the resource A view of Scots Presbyterian Church in Fremantle, Western Australia. The church was designed by Perth architect Sir J. J. Talbot Hobbs (1864-1938) and built by Petrie & Sons in 1890. It is a gothic style church constructed from limestone with decorative red brick quoins on the buttresses. Voussoirs around the yellow doors and the numerous lancet windows are also in distinctive red brick. The large square tower with an octagonal steeple is another dominant feature of the church’s neo-gothic architecture. Scots Presbyterian Church is one of only six Presbyterian churches remaining in Western Australia after the congregation refused to amalgamate with the Uniting Church in 1977. It was added to WA’s State Register of Heritage Places in 1999. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architecture buttress Church Fremantle gable gothic architecture lancet arch lancet windows lead-light windows limestone neo-Gothic oculus window Petrie & Co. porch Presbyterian Church red brick quoins red brick voussoirs Sir J. J. Talbot Hobbs spire tower Western Australia