71 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Links to Electronic books on-line - Henry Lawson <a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"><http://www.ironbarkresources.com/henrylawson/index4.html></a> URL <a href="http://gutenberg.net.au/ebooks06/0607611h.html">http://gutenberg.net.au/ebooks06/0607611h.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource When I was King, poem by Henry Lawson Subject The topic of the resource Australian, Australian poet, bush poem, bush, poem, poet, poetry, nationalism, Henry Lawson, Australian poetry, bush poet, Australian Nationalism Movement, Monarchy satire, estates satire, satire Description An account of the resource Henry Lawson (1867-1922) is one of Australia's most famous poets, and can be regarded as a symbol for the Australian Nationalism Movement. Creator An entity primarily responsible for making the resource Lawson, Henry Source A related resource from which the described resource is derived Links to Electronic books on-line - Henry Lawson <a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"><http://www.ironbarkresources.com/henrylawson/index4.html></a> Date A point or period of time associated with an event in the lifecycle of the resource 1904 Rights Information about rights held in and over the resource Public domain Format The file format, physical medium, or dimensions of the resource Poem; Hyperlink Language A language of the resource English Australian Australian Nationalism Movement Australian poet Australian poetry bush bush poem bush poet estates satire Henry Lawson Monarchy satire nationalism poem poet poetry satire https://ausmed.arts.uwa.edu.au/files/original/d8096813ae89ad0c1e9ec1e10492901f.jpg 63e20d765c3fd7f97d7143290e145e47 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 983 Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia Subject The topic of the resource Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia Description An account of the resource An image of the ‘Saint Michael’ stained glass window at St Alban’s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George’s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban’s. The stained glass depicts Michael, archangel and commander of the Lord’s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (Revelation, 12:7-9). As is common in artistic renditions, Michael’s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of ‘Good’. During the medieval period, St Michael’s feast day (29 September) – known as Michaelmas – was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts. About St Alban’s: St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban’s, see: <a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank">http://stalbans.org.au/about-st-albans/historic-st-albans/</a>. Creator An entity primarily responsible for making the resource Le Coultre, Eleanor Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2010 Rights Information about rights held in and over the resource Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA. Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG angel Anglican Anglican church Anglicanism archangel Archangel Michael architecture battle Book of Revelation Christian Christianity Church church building dragon feast day Highgate iconography J. J. Talbot Hobbs (1864-1938) leadlight windows medieval calendar medieval Holy Day Michaelmas neo-Romanesque Norman architecture parish church religion religious Romanesque architecture rounded arch saint Saint Alban Saint George Saint Michael saints semi-circular arch St Alban St George St Michael St. Alban St. George St. Michael stained-glass Victorian Romanesque style WA Western Australia window windows https://ausmed.arts.uwa.edu.au/files/original/184ee6b0184e9cd674d9172ed34ed644.jpg f41b2c430c75c21f033cefae8ffe12c7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2048 Width 1536 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Georgeâ€™ window, St Albanâ€™s Anglican church, Highgate Subject The topic of the resource Anglican, armour, church, cross, dragon, helmet, Highgate, Joseph John Talbot Hobbs, iconography, parish church, pennant, Romanesque, St Albanâ€™s, St George, St Georgeâ€™s Cathedral, semi-circular arch, shield, spear, stained glass, sword, Victorian Romanesque, WA, Western Australia. Description An account of the resource An image of the ‘Saint George’ stained glass window at St Alban’s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St Michael) located at the rear of the church. It was originally purchased for St George’s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban’s. The stained glass depicts George standing astride a vanquished winged-dragon. As is common in artistic renditions, George’s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His spear, which pierces the dragon, is also a processional cross and has a pennant with a cross flying from it. About St Alban’s: St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban’s, see: <a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank">http://stalbans.org.au/about-st-albans/historic-st-albans/</a>. Creator An entity primarily responsible for making the resource Le Coultre, Eleanor Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2010 Rights Information about rights held in and over the resource Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA. Format The file format, physical medium, or dimensions of the resource Digital photograph Anglican Armour Church cross dragon helmet Highgate iconography Joseph John Talbot Hobbs parish church pennant Romanesque semi-circular arch shield spear St Albanâ€™s St George St Georgeâ€™s Cathedral stained glass sword Victorian Romanesque WA Western Australia. https://ausmed.arts.uwa.edu.au/files/original/fbac145262542dee02e87f7f53b11e2b.jpg c23df953c5ea360cc7be2f764d8167ce Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 442 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pulpit from Christ Church Congregational Church, Launceston, Tasmania Subject The topic of the resource Christ Church Congregational Church, column, Gothic, Gothic Revival, Alexander Kidd, Alexander Kidd (Jnr), Launceston, John Leeming, pointed arch, pulpit, QVMAG, Queen Victoria Museum and Art Gallery, Tas, Tasmania, tracery, John West Description An account of the resource This wooden pulpit was removed from the former Christ Church Congregational Church in Launceston, Tasmania, in 2002 (having originally been in another church building) and is now on display in the Queen Victoria Museum and Art Gallery in Launceston. The pulpit was made by Alexander Kidd, a foundational member of the new Congregational Church established in Launceston by John West (1809-1873) in 1839. West had emigrated from England as a missionary preacher the previous year. The pulpit’s pedestal and octagonal shape were added by Alexander Kidd (Jnr) in 1906. The pulpit is in the Gothic Revival style with the carved pointed arches and columns reminiscent of the architectural features of Gothic churches built in Europe between the twelfth and sixteenth centuries. For John West see <a href="http://adb.anu.edu.au/biography/west-john-2784">http://adb.anu.edu.au/biography/west-john-2784</a> For the Christ Church Congregational Church see <a href="http://ausmed.arts.uwa.edu.au/items/show/1045">http://ausmed.arts.uwa.edu.au/items/show/1045</a> Creator An entity primarily responsible for making the resource Leeming, John Date A point or period of time associated with an event in the lifecycle of the resource 2 February 2013 Rights Information about rights held in and over the resource John Leeming; Queen Victoria Museum and Art Gallery Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alexander Kidd Alexander Kidd (Jnr) Christ Church Congregational Church column Gothic Gothic Revival John Leeming John West Launceston pointed arch pulpit Queen Victoria Museum and Art Gallery QVMAG Tas Tasmania tracery Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feigned Death of Juliet Subject The topic of the resource bedchamber, Capulet, characters, Count Paris, domestic interior, Frederic Leighton (1830-1896), Friar Laurence, Juliet, Lady Capulet, medieval dress, music, musical instruments, musicians, nurse, play, Romeo and Juliet, SA, Shakespearean characters, South Australia, tragedy, William Shakespeare (1564-1616) Description An account of the resource This oil on canvas painting by nineteenth-century artist Frederic Leighton was acquired by the Art Gallery of South Australia with funds from the Elder Bequest in 1899. Titled â€˜The Feigned Death of Julietâ€™ it depicts a scene from William Shakespeareâ€™s tragedy 'Romeo and Juliet'. In Act IV Scene V of the play, Count Paris arrives at the Capulet house with Friar Laurence to claim Juliet as his bride. However, instead of finding her ready to proceed to the church to be wed, he discovers Juliet seemingly lifeless in her chamber. In Leightonâ€™s painting, Juliet is shown lying on a bed surrounded by her mother, her nurse, her father and Count Paris. Friar Laurence hovers in the corner and a band of musicians congregate by the open door with their instruments. Although the play was written in the 1590s, it is set in Verona in an earlier (but unspecified) period. The characters in the painting are all depicted wearing styles of dress typical of the High Middle Ages. Creator An entity primarily responsible for making the resource Leighton, Frederic Source A related resource from which the described resource is derived Art Gallery of South Australia Publisher An entity responsible for making the resource available Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1856 - 1858 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 113.6 x 175.2cm; Hyperlink bedchamber Capulet characters Count Paris domestic interior Frederic Leighton (1830-1896) Friar Laurence Juliet Lady Capulet medieval dress music musical instruments musicians nurse play Romeo and Juliet SA Shakespearean characters South Australia tragedy William Shakespeare (1564-1616) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data gouache with charcoal on cardboard. Physical Dimensions The actual physical size of the original image. overall: 54.6 x 39.8 cm. URL <a href="http://cas.awm.gov.au/item/ART02930">http://cas.awm.gov.au/item/ART02930</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "1189. The Crusaders 1915." Subject The topic of the resource St George, St. George, Saint George, Cross, St. George's Cross, crusader, crusades, Third Crusade, 1189-1192, chivalry, knight, knights, knighthood, chainmail Description An account of the resource A drawing by Fred Leist depicting an Australian soldier of 1915 shaking hands with a Crusader of 1189, with the cross of St George as the backdrop. Whilst the Australian soldier is shirtless and wearing shorts, the Crusader knight wears chain-mail, including on his head, and a white over-garment with a cross of St George, suggesting that he is a member of the Knights Templar. The image seems to suggest that Australian soldiers were returning to the Holy Land to renew a struggle began by Europeans during the medieval period. Creator An entity primarily responsible for making the resource Leist, Fred Source A related resource from which the described resource is derived Australian War Memorial <cite><a href="http://cas.awm.gov.au/item/ART02930" target="_blank">http://cas.awm.gov.au/item/ART02930</a></cite> Publisher An entity responsible for making the resource available Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource c 1915 Rights Information about rights held in and over the resource Copyright Expired - Public Domain. Australian War Memorial: <cite></cite><a href="http://cas.awm.gov.au/item/ART02930" target="_blank">http://cas.awm.gov.au/item/ART02930</a> Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English 1189-1192 chainmail chivalry cross Crusader Crusades knight knighthood knights Saint George St George St Geroge's Cross St. George Third Crusade Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Glass negative Physical Dimensions The actual physical size of the original image. Height 81 mm Width 105 mm URL <a href="http://from.ph/390599">http://from.ph/390599</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Corpus Christi Procession - The Children of Mary Subject The topic of the resource feast, feast of Corpus Christi, Corpus Christi, procession, St. Patrick, saint, saints, Saint Patrick, St Patrick, Christian, Christianity, religion, religious, religious procession, Children of Mary Description An account of the resource This black and white photograph held by the Powerhouse Museum portrays children participating in the Feast of Corpus Christi procession at St Patrick's Seminary at Manly, Sydney, in 1932. The annual Feast of Corpus Christi procession celebrates the Body and Blood of Christ in the Eucharist and began in 1246. It is attributed to the thirteenth-century Augustinian nun Juliana of LiÃ¨ge, who appealed for a celebration of the corpus christi continuously after having visions of the blessed sacrament in her youth. Creator An entity primarily responsible for making the resource Lennon, Tom Source A related resource from which the described resource is derived This negative was stored in a box inscribed 'Corpus Christi / Manly [Sunday May?] 1932'. Registration number 94/63/1-61/9 Production date 1932 Height 81 mm Width 105 mm http://from.ph/390599 Powerhouse Museum, Sydney Under Creative Commons License: Attribution Non-Commercial Publisher An entity responsible for making the resource available Lennon, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1932 Contributor An entity responsible for making contributions to the resource Powerhouse Museum, Sydney Rights Information about rights held in and over the resource Creative Commons Licence Format The file format, physical medium, or dimensions of the resource Glass negative, quarter plate; Height 81 mm, Width 105 mm Children of Mary Christian Christianity Corpus Christi feast feast of Corpus Christi procession religion religious religious procession saint Saint Patrick saints St Patrick St. Patrick Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/">http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dance Review: Romeo and Juliet Subject The topic of the resource Australian Ballet, ballet, dance, Jeff Busby, Dance Review: Romeo and Juliet, Gothic, Perth, Nina Levy, Graeme Murphy, Sergei Prokofiev, Romeo and Juliet, set design, vaulted ceiling, WA, website, The West Australian, Western Australia. Description An account of the resource Nina Levy’s review of Graeme Murphy’s production of Sergei Prokofiev’s Romeo and Juliet by the Australian Ballet appeared in the online version of The West Australian newspaper on October 12, 2012. It includes a photograph by Jeff Busby. Although the review is positive overall, Levy criticises the ‘variety of locations in time and place’. These include ‘medieval-looking vaulted rooms’ which presumably had vaulted ceilings. Ribbed vaulting was a characteristic feature of Gothic architecture of the twelfth to sixteenth centuries.     The review is available at <a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/">http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/</a> Creator An entity primarily responsible for making the resource Levy, Nina Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource October 12, 2012 Contributor An entity responsible for making contributions to the resource Busby, Jeff (photograph) Rights Information about rights held in and over the resource The West Australian; Nina Levy Format The file format, physical medium, or dimensions of the resource Hyperlink Australian Ballet ballet dance Dance Review: Romeo and Juliet Gothic Graeme Murphy Jeff Busby Nina Levy Perth Romeo and Juliet Sergei Prokofiev set design The West Australian vaulted ceiling WA website Western Australia.