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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.ironfest.net/images-of-ironfest"&gt;http://www.ironfest.net/images-of-ironfest&lt;/a&gt;</text>
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                <text>Images of Ironfest</text>
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                <text>Armour, arts festival, art, arts, blacksmith, costume, festival, helmet, jousting, Kingdom of Ironfest, knight, Lithgow, living history, New South Wales, NSW, performance, plate armour, re-enactment, replica, shield, sword, website</text>
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                <text>Billed as â€˜An Arts Festival with a Metal Edgeâ€™ Ironfest is an annual festival held in the New South Wales city of Lithgow. The festival involves artists and blacksmith working with metal, as well as historical re-enactors, musicians, and performers. The re-enactors include those who focus on the medieval period, and the entertainment for the Ironfest 2013 includes jousting. The main page for Ironfest includes a photograph of nine knights wearing plate armour and helmets and carrying shields and swords. The festival began in 2010 and is held at the Kingdom of Ironfest (the Lithgow Showground).&#13;
&#13;
For their website see http://www.ironfest.net/index.php</text>
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                <text>Ironfest</text>
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                <text>2012</text>
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                <text>Copyright Â© Ironfest 2012</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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              <text>&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;a href="http://trove.nla.gov.au/work/14143341" target="_blank"&gt;http://trove.nla.gov.au/work/14143341&lt;/a&gt;&lt;/span&gt;</text>
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                <text>architecture, gothic, gothic revival, neo-gothic, gothic architecture, gothic building, gothic buildings, engraving, monument, monuments, Adelaide, tourism, early tourism, Colonel Light's monument, SA, South Australia, Victoria Square</text>
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                <text>A page of engravings depicting notable landmarks and monuments in Adelaide at the end of the nineteenth century. One notices a strong gothic influence in the appearance of Colonel Light's monument and some of the buildings in Victoria Square.</text>
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                <text>Engraving [orig.]; Hyperlink</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/in-fashions-realm_western-mail_26-april-1928_p21_6a239295fc.pdf</src>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>In Fashionâ€™s Realm</text>
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                <text>medieval fashion, fashion, medieval dress, medieval style, gown, gowns, hats, dress-making, fabric, dress, vogue, medieval</text>
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                <text>In this column describing the latest fashion trends in 1928, the author suggests that alongside coat frocks, hats and fur pelts, the medieval style was making a comeback. Popular materials such as ring and chiffon velvets, brocades, satins and rich quality georgettes, the article suggests, were especially amenable to the â€˜grace, softness and classic expressionâ€™ of medieval gowns.</text>
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                <text>26 April 1928</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.ngv.vic.gov.au/col/work/3796" target="_blank"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://www.ngv.vic.gov.au/col/work/3796&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Arnold BÃ¶cklin (1827-1901), art, beauty, Felton Bequest, feminine ideal, landscape, medieval dress, medieval theme, music, musical instrument, naturalism, nature, nostalgia, Renaissance art, Renaissance beauty, seasons, spring, springtime, VIC, Victoria</text>
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                <text>This work by Swiss-born artist Arnold BÃ¶cklin was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1977. The painting depicts two beautiful â€˜otherworldlyâ€™ female figures in flowing, colourful dresses walking in an idyllic green landscape. Although the dresses are of a romanticised medieval style, the naturalism with which the landscape is rendered is a typically nineteenth-century artistic style. â€œBy bringing a modern sensibility to a late medieval sceneâ€, Ted Gott et al have suggested, â€œthe artist has brilliantly linked to his contemporary world the fifteenth-century ideal of beautyâ€ (19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.63). </text>
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                <text>National Gallery of Victoria</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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Hyperlink</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Balingup, Balingup Medieval Carnivale, carnival, festivities, carnivals, costume, cloak, fayre, costumes, cloaks, infant, Aurore McLeod, recreation, leisure, re-creation, Shire of Donnybrook-Balingup, South-West WA, WA, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A digital photograph of an infant wearing a corduroy hooded cloak at the Balingup Medieval Carnivale. The cloak was designed and made by Aurore McLeod, based on an imagined medieval outfit for a wealthy child. </text>
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            <name>Creator</name>
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                <text>McLeod, Aurore</text>
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                <text>27 August 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>1 negative : acetate, b&amp;amp;w.&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.pic-an13997268"&gt;&lt;/a&gt;</text>
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                <text>Interior looking towards High Altar [St Mary's Cathedral, Perth, Western Australia]</text>
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&#13;
St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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&lt;p&gt;The Queen Victoria Building was designed in Romanesque style by George McRae and completed in 1898. Built as a market incorporating coffee shops, a concert hall, and showrooms, the building fell into disrepair until it was restored in 1986. Features include a large central dome, arched windows, stained glass, colonnades, balustrades, and cupolas, making both the exterior and interior very ornate.&lt;/p&gt;&#13;
For more on the building see &lt;a href="http://www.qvb.com.au" target="_blank"&gt;http://www.qvb.com.au&lt;/a&gt;&lt;/div&gt;</text>
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                <text>6 February 2012</text>
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            <description>Information about rights held in and over the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>colonnades</name>
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        <name>cupolas</name>
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        <name>dome</name>
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        <name>George McRae</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>Queen Victoria</name>
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        <name>Queen Victoria Building</name>
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        <name>QVB</name>
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        <name>retail</name>
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        <name>Romanesque</name>
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        <name>stained glass</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/a1f0f90e645ef38a0098ecf970337b25.jpg</src>
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                <name>Bit Depth</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Interior of St. Andrew's Cathedral, Sydney</text>
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                <text>Anglican, Arched windows, Edmund Blacket, crenellation, gargoyle, Gothic, Gothic Revival, New South Wales, NSW, stained glass, Sydney, tower, tracery, saint, saints, Saint Andrew, St. Andrew, St Andrew, vaulted ceiling.</text>
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            <description>An account of the resource</description>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral was designed by the English architect Edmund Blacket, who later became the colonial architect to New South Wales. The building is in the Gothic revival style, and features gargoyles, pointed arched windows, stained glass, crenellation, towers, and tracery. Unusually, due to the ease of access from George Street, the Cathedral is now entered through the east end and the interior has been reorientated accordingly. This photograph shows the internal arches and vaulted ceiling of the cathedral.</text>
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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            <name>Format</name>
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              <elementText elementTextId="23833">
                <text>Digital Photograph; JPEG</text>
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        <name>stained glass</name>
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        <name>vaulted ceiling</name>
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