7 8 1266 https://ausmed.arts.uwa.edu.au/files/original/2e59fd45accaf3a182fc7e3c1329e638.JPG cc56d16aaa4706227fb048e25bc33013 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Methodist Church, Westbury, Tasmania Subject The topic of the resource Bellcote, buttress, Crouch and Wilson, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, pointed arch, Tas, Tasmania, tracery, Uniting Church, Westbury. Description An account of the resource The current Uniting Church in the small Tasmanian town of Westbury was built as a Methodist Church. Building commenced in 1865 and it was completed in March 1867. It was designed by the Melbourne architectual firm (Thomas) Crouch and (Ralph) Wilson. The brick and pressed cement building is in the Gothic Revival style and based on late thirteenth century English churches. It features pointed arch doorway and windows, window tracery on the large window above the entrance, buttresses, a bellcote, and lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph bellcote buttress Crouch and Wilson Gothic Gothic Revival Methodist Methodist Church pointed arch Tas Tasmania tracery Uniting Church. Westbury https://ausmed.arts.uwa.edu.au/files/original/f71341afbe2098889db7f74432132ff9.JPG b46f0e286252350986a62d9cd4dd85f8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Methodist Church, Whitemore, Tasmania Subject The topic of the resource Buttress, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, Percy Oakden, A.A. Quick, pointed arch, Tas, Tasmania, Uniting Church, Whitemore. Description An account of the resource The Uniting Church in the small town of Whitemore in northern Tasmania was formally a Methodist church. The simple brick building was designed by Launceston architect Percy Oakden (1845-1917) in the Gothic Revival style with buttresses, lancet windows, and a pointed arch door and doorway. The use of a darker paint colour effectively highlights the buttresses and pointed arches. The church hall beside the church incorporates part of an earlier timber chapel. The foundation stone for the Methodist church was laid in 1864 and it was opened in 1865 by the President of the Wesleyan Conference Rev. A.A. Quick. It became part of the Uniting Church in 1977. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 11, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph A.A. Quick buttress Gothic Gothic Revival lancet window Methodist Methodist Church Percy Oakden pointed arch Tas Tasmania Uniting Church Whitemore. https://ausmed.arts.uwa.edu.au/files/original/18f6039de2e2dd5681be88646bcb4d03.jpg 0258d4017adcdc8aab4969641d9eaf34 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 450 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Metropolitan Gas Company building, Melbourne, Victoria Subject The topic of the resource column, finial, Gothic, Gothic Revival, lancet window, Melbourne, Metropolitan Gas Company, pointed arch, Joseph Reed, Reed, Smart and Taplin, St Paul’s Cathedral, tower, tracery, Vic, Victoria Description An account of the resource The former Metropolitan Gas Company building is located at 194 Flinders Street in the Melbourne CBD. It is opposite St Paul’s Anglican Cathedral and was designed by Reed, Smart and Taplin in the Gothic Revival Style to harmonize with the Cathedral. It was completed in 1892, the year after the Cathedral was consecrated. Joseph Reed (1823-1890), part of the team that designed the Metropolitan Gas Company building, supervised the work on Cathedral after the original architect resigned in 1888. Originally in red brick, the façade of The Metropolitan Gas Company building was resurfaced in synthetic stone in the 1930s. The building features pointed arches, lancet windows with tracery, columns, a large square tower and smaller round towers topped by finials, and a stately pointed arch entrance with moulding. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 10, 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG column finial Gothic Gothic Revival Joseph Reed lancet window Melbourne Metropolitan Gas Company pointed arch Reed Smart and Taplin St Paul’s Cathedral tower tracery Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/4e9c8fe6f3e117cfdb9c2aca4ff2768b.JPG 97b40f1421ec6107c0c5ac1f20b375b3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f96063502afc37afff7c5a767d0285f0.JPG a109eb1417dab9f53a79a64f08a74a7e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/cb5c34284eba292575f326093f4b9c3b.JPG 9c2325c7ac4e1efe3e48b541f2a23804 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Mortuary Station, Regent St, Sydney Subject The topic of the resource James Barnet, Byzantine, capital, cemetery, Chippendale, column, funeral, Gothic, Gothic Revival, lancet window, Moorish, Mortuary Station, moulding, New South Wales, NSW, pointed arch, railway, Regent Street Railway Station, Rookwood Cemetery, sculpture, spire, Sydney, Venetian Gothic. Description An account of the resource The former Mortuary Station is located behind Sydney’s Central Station in the inner-city suburb of Chippendale on Regent Street, after which it was renamed. The station was designed by James Barnet and completed in 1869. It was part of the Rookwood Cemetery railway line, whereby special funeral trains transported bodies from the city centre to the cemetery for burial. The station is in the Gothic Revival style, in particular the 14th-century Venetian Gothic, and was deliberately designed to appear like a church (Indeed, one of the former stations on the line was dismantled and rebuilt in Canberra where it is now a church). The Venetian Gothic style combined elements from Gothic, Byzantine, and Moorish architecture. Mortuary Station features columns topped with decorated capitals, small lancet windows, pointed arches, a pointed-arch ticket window, decorated chimney, a spire, and bas-relief sculpture including a foliage motif and cherubs . The Rookwood line was officially closed in 1948 but the renamed Regent Street Railway Station is still sometimes used for special events. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource December 17, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Byzantine capital cemetery Chippendale column funeral Gothic Gothic Revival James Barnet lancet window Moorish Mortuary Station moulding New South Wales NSW pointed arch railway Regent Street Railway Station Rookwood Cemetery sculpture spire Sydney Venetian Gothic. https://ausmed.arts.uwa.edu.au/files/original/70feabe4951219ade9b8354439188ff8.JPG c692bfc83639f2cc526a9b6bfbfab834 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Mary’s Hospital, Hobart, Tasmania Subject The topic of the resource Edward Samuel Pickard Bedford, crenelation, Health Department, Hobart, hospital, William Porden Kay, Lands and Survey Department, parapet, St Mary’s Hospital, Tas, Tasmania. Description An account of the resource The former St Mary’s Hospital is on the corner of Davey Street and Salamanca Place, at the rear of Parliament House, in Hobart, Tasmania. Designed by William Porden Kay (1809-1870), it was built as a private sixty bed hospital for Dr Edward Samuel Pickard Bedford (1809-1876), with the foundation stone being laid in 1847. After the hospital closed in 1862 the building was used by the Lands and Survey Department and then the Health Department. The building has a crenelated parapet above the second storey, and another above the pointed arch entrance. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph crenelation Edward Samuel Pickard Bedford Health Department Hobart hospital Lands and Survey Department parapet St Mary’s Hospital Tas Tasmania William Porden Kay https://ausmed.arts.uwa.edu.au/files/original/51c7937d0c2bd7d0f79187a2ff2ff840.JPG 0f4fceb69793273d81f51d06cc2674bc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthew’s Presbyterian Church entrance, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, blind arcading, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania. Description An account of the resource <p>The former St Matthew&rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For more of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/e36064afd6f95c07c8a1065968f5adb0.JPG 4d3315ab6326e11ca824632ee6120600 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthew’s Presbyterian Church rear window, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, capital, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tracery. Description An account of the resource <p>The former St Matthew&rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the rear window of the church, made up of three narrow windows featuring tracery with semi-circular arches, above which are two small circular windows. The window frame also has a semi-circular arch, with columns and capitals on either side of the window.</p> <p>St Matthew&rsquo;s was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For more of the building see</p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p> <p>&nbsp;</p> Format The file format, physical medium, or dimensions of the resource Digital Photograph capital columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania. tracery https://ausmed.arts.uwa.edu.au/files/original/a61a73d168d82cb4b8a937aa736e0124.JPG 5bd2adfe55a75a97345bebe7f438a4aa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/3c572f113e7f3de3abadf04550fe4d7e.JPG 94c1ced2f1a997f11b4affbafa4b3675 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthew’s Presbyterian Church, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, blind arcading, buttress, cemetery, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tower, tracery. Description An account of the resource <p>St Matthew&rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the firm Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the use of semi-circular arches on the windows, doorway, and the blind arcading above the doorway. The building also has buttresses, a large square corner tower, and three smaller octagonal corner towers. The church is unusual in having its cemetery at the front of the building.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For a close up photograph of the entrance see <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph blind arcading buttress cemetery columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania tower tracery.