68 8 1266 https://ausmed.arts.uwa.edu.au/files/original/de5086e69740472eb688ae874f750907.JPG 68da25f880c238883e1d1e9538d342b2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 513 Width 770 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chalkboard Close-up, Balingup Medieval Carnivale Subject The topic of the resource Advertisement, Balingup, Balingup Medieval Carnivale, carnival, chalk board, dragon, fair, Shire of Donnybrook-Balingup, signage, South-West WA, WA, Western Australia Description An account of the resource A close up photograph of the chalkboard at the Balingup Medieval Carnivale. The chalkboard advertised the programme for the day, including events on the combat arena. The illustration features a running dragon, perhaps attacking the man on the horse. Balingup Medieval Carnival was first held in the town of Balingup, in the south-west of WA, in 1998 and takes place each year on the fourth weekend of August. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 27 August 2011 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG advertisement Balingup Balingup Medieval Carnivale carnival chalk board dragon fair Shire of Donnybrook-Balingup signage South-West WA WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/7f4cb8f3c8c255ba0c6ca78b439e36fb.JPG 144ce8f12def7498dda9f4063cc0f7ea Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 622 Width 933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viking boat, Balingup Medieval Carnivale Parade Subject The topic of the resource Balingup, Balingup Medieval Carnivale, carnival, dragon boat, helmet, parade, recreation, Shire of Donnybrook-Balingup, South-West WA, Vendal, Viking, WA, Western Australia Description An account of the resource A close-up digital photograph of a Viking dragon boat in the Balingup Medieval Carnivale. The warriors in the boat, possibly setting out on a raid, are quite accurately attired. The three warriors at the back of the boat are wearing helmets similar to those known from excavations of Vendal era (the period immediately preceding the Viking Age) sites in Sweden. The lack of body armour is also realistic for all but the most wealthy of warriors. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 27 August 2011 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Balingup Balingup Medieval Carnivale carnival dragon boat helmet parade recreation Shire of Donnybrook-Balingup South-West WA Vendal viking WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/7320d2776e95b876c54671df404a0f77.jpg a07630a6e63491e57d11eaf022005c64 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 551 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of Western Australia, Claremont Campus Subject The topic of the resource Architecture, arrow slit windows, battlement, castellation, Claremont, Claremont Teacher’s College, crenellation, decorative effect, depressed arch, Edith Cowan University, embrasures, facade, gothic architecture, hood moulding, medieval castle, medieval warfare, merlons, military structures, neo-gothic, oriel, parapet, The University of Western Australia, Western Australia, Western Australian College of Advanced Education Description An account of the resource A view of The University of Western Australia’s Claremont Campus. The Claremont Campus building was constructed in 1901 and originally housed the Claremont Teacher’s College. It was then home to the Western Australian College of Advanced Education from 1981 and was a campus of Edith Cowan University before being purchased by The University of Western Australia in 2004. At the roof of the façade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG https://ausmed.arts.uwa.edu.au/files/original/f33c69689f712b8873ac304c659625c2.jpg 9dd7386d1622348b856acb824c61aabc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 521 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The University of Western Australia, Claremont Campus Subject The topic of the resource Architecture, arrow slit windows, battlement, castellation, Claremont, Claremont Teacher’s College, crenellation, decorative effect, depressed arch, Edith Cowan University, embrasures, facade, gothic architecture, hood moulding, medieval castle, medieval warfare, merlons, military structures, neo-gothic, oriel, parapet, The University of Western Australia, Western Australia, Western Australian College of Advanced Education Description An account of the resource A view of The University of Western Australia’s Claremont Campus. The Claremont Campus building was constructed in 1901 and originally housed the Claremont Teacher’s College. It was then home to the Western Australian College of Advanced Education from 1981 and was a campus of Edith Cowan University before being purchased by The University of Western Australia in 2004. At the roof of the façade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architecture arrow slit windows battlement castellation Claremont Claremont Teacher’s College crenellation decorative effect depressed arch Edith Cowan University embrasures facade gothic architecture hood moulding medieval castle medieval warfare merlons military structures neo-Gothic oriel parapet The University of Western Australia Western Australia Western Australian College of Advanced Education https://ausmed.arts.uwa.edu.au/files/original/bd6acc39aa94efeed07314ca8225ed69.jpg d5f61d5f6f73b6a423ca3856b975c27c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 533 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flying Buttresses, St Patrick’s Basilica, Fremantle, WA Subject The topic of the resource arch, architect, architecture, basilica, blind arch, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, flying buttress, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, Sydney freestone, Thomas Ryan OMI, tower, tracery, Vatican, Western Australia, WA Description An account of the resource A view of a flying buttress at the Basilica of St Patrick’s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building. About St Patrick’s Basilica: St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architect architecture Basilica blind arch buttress Catholic Catholic Church Church church building Federation Gothic Style flying buttress Fremantle gothic architecture Gothic Revival lancet arch lancet window limestone masonry Michael Cavanagh minor basilica missionaries neo-Gothic Oblates of Mary Immaculate Sydney freestone Thomas Ryan OMI tower tracery Vatican WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/43885d930f1accb0d54ccbd2e359998e.JPG 3f71aa0d152d6b01d4b826de49a1fcf7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 926 Width 617 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Henry IV Part I, New Fortune Theatre Subject The topic of the resource ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia Description An account of the resource This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance). Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 16 September 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ARC Centre of Excellence for the History of Emotions collaboratory Elizabethan Fortune Playhouse Fortune Theatre Henry IV Henry IV Part I La Trobe Theatre and Drama School La Trobe University New Fortune Theatre performance Performing Old Emotions on the New Fortune Stage Perth Rob Conkie theatre University of Western Australia UWA WA Western Australia William Shakespeare https://ausmed.arts.uwa.edu.au/files/original/a14d1b441e7b3f4180b6a4574430fcf3.JPG 588ac7b0d2ffba03c81097c9aa7b9cb2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Henry IV Part I, New Fortune Theatre Subject The topic of the resource ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia Description An account of the resource This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance). Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 16 September 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ARC Centre of Excellence for the History of Emotions collaboratory Elizabethan Fortune Playhouse Fortune Theatre Henry IV Henry IV Part I La Trobe Theatre and Drama School La Trobe University New Fortune Theatre performance Performing Old Emotions on the New Fortune Stage Perth Rob Conkie theatre University of Western Australia UWA WA Western Australia William Shakespeare https://ausmed.arts.uwa.edu.au/files/original/13a194d03c4df3191592231ece2d98b8.JPG bd98c09e917384ab9519bb8897d8615e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Performance of Henry IV Part I, New Fortune Theatre Subject The topic of the resource ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia Description An account of the resource This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance). Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 16 September 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ARC Centre of Excellence for the History of Emotions collaboratory Elizabethan Fortune Playhouse Fortune Theatre Henry IV Henry IV Part I La Trobe Theatre and Drama School La Trobe University New Fortune Theatre performance Performing Old Emotions on the New Fortune Stage Perth Rob Conkie theatre University of Western Australia UWA WA Western Australia William Shakespeare