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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
926
Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Henry IV Part I, New Fortune Theatre
Subject
The topic of the resource
ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia
Description
An account of the resource
This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance).
Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
16 September 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
ARC Centre of Excellence for the History of Emotions
collaboratory
Elizabethan
Fortune Playhouse
Fortune Theatre
Henry IV
Henry IV Part I
La Trobe Theatre and Drama School
La Trobe University
New Fortune Theatre
performance
Performing Old Emotions on the New Fortune Stage
Perth
Rob Conkie
theatre
University of Western Australia
UWA
WA
Western Australia
William Shakespeare
-
https://ausmed.arts.uwa.edu.au/files/original/a14d1b441e7b3f4180b6a4574430fcf3.JPG
588ac7b0d2ffba03c81097c9aa7b9cb2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
933
Width
622
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Henry IV Part I, New Fortune Theatre
Subject
The topic of the resource
ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia
Description
An account of the resource
This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance).
Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
16 September 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
ARC Centre of Excellence for the History of Emotions
collaboratory
Elizabethan
Fortune Playhouse
Fortune Theatre
Henry IV
Henry IV Part I
La Trobe Theatre and Drama School
La Trobe University
New Fortune Theatre
performance
Performing Old Emotions on the New Fortune Stage
Perth
Rob Conkie
theatre
University of Western Australia
UWA
WA
Western Australia
William Shakespeare
-
https://ausmed.arts.uwa.edu.au/files/original/e128ec8a64c85c0e9bb7592e81f7dbf9.JPG
a2143df8271bb5196b819c1de71060df
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
581
Width
871
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Henry IV Part I, New Fortune Theatre, UWA
Subject
The topic of the resource
ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia
Description
An account of the resource
This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance).
Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
16 September 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
ARC Centre of Excellence for the History of Emotions
collaboratory
Elizabethan
Fortune Playhouse
Fortune Theatre
Henry IV
Henry IV Part I
La Trobe Theatre and Drama School
La Trobe University
New Fortune Theatre
performance
Performing Old Emotions on the New Fortune Stage
Perth
Rob Conkie
theatre
University of Western Australia
UWA
WA
Western Australia
William Shakespeare
-
https://ausmed.arts.uwa.edu.au/files/original/d2b292b09ee495026661921e494ab19b.JPG
78d7adb21003b5908f5c2b578d8b1a26
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
653
Width
980
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Henry IV, Part I, New Fortune Theatre
Subject
The topic of the resource
ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia
Description
An account of the resource
This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance).
Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
16 September 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
ARC Centre of Excellence for the History of Emotions
collaboratory
Elizabethan
Fortune Playhouse
Fortune Theatre
Henry IV
Henry IV Part I
La Trobe Theatre and Drama School
La Trobe University
New Fortune Theatre
performance
Performing Old Emotions on the New Fortune Stage
Perth
Rob Conkie
theatre
University of Western Australia
UWA
WA
Western Australia
William Shakespeare
-
https://ausmed.arts.uwa.edu.au/files/original/219fb44f8e01a759e4e4c5838f3789fb.JPG
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
635
Width
953
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Henry IV, Part I, New Fortune Theatre at UWA
Subject
The topic of the resource
ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia
Description
An account of the resource
This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance).
Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
16 September 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
ARC Centre of Excellence for the History of Emotions
collaboratory
Elizabethan
Fortune Playhouse
Fortune Theatre
Henry IV
Henry IV Part I
La Trobe Theatre and Drama School
La Trobe University
New Fortune Theatre
performance
Performing Old Emotions on the New Fortune Stage
Perth
Rob Conkie
theatre
University of Western Australia
UWA
WA
Western Australia
William Shakespeare
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Page
Description
An account of the resource
This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.
Hyperlink
Title, URL, Description or annotation.
URL
<a href="http://www.grenfellrecord.com.au/news/local/news/general/a-big-thank-you-to-grenfell-from-gulgong-heritage-harness-association/1821408.aspx">http://www.grenfellrecord.com.au/news/local/news/general/a-big-thank-you-to-grenfell-from-gulgong-heritage-harness-association/1821408.aspx</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Henry Lawson Pilgrimage, Annual Event
Subject
The topic of the resource
Henry Lawson, Australian poetry, bush poet, pilgrimage, Grenfell (New South Wales) to Gulgong (NSW), horse-drawn vehicles, saints, pilgrims, heritage tourism, Australian Nationalism Movement, Grenfell Record, Newspaper
Description
An account of the resource
Henry Lawson (1867-1922), one of Australia's most famous poets, and a symbol for the Australian Nationalism Movement, is honoured by a pilgrimage that traces his journey from Grenfell NSW to Gulgong NSW (280 kms). PIlgrimage is a medieval concept associated with spiritual edification and usually involves a journey to a saint's shrine for prayer and intercessions on the pilgrim's behalf. The 'real-time' horse power journey is particularly indicative of a secular reverence for Lawson. The Henry Lawson Pilgrimage Drive commenced in 2000 and is now an annual event.
Creator
An entity primarily responsible for making the resource
Henry Lawson Centre Gulgong
Source
A related resource from which the described resource is derived
<span><span><span><span><span><span><span><span style="font-family: Helvetica,Arial,sans-serif;"><a href="http://mumbil.nsw.au/photo-gallery/grenfell-to-gulgong---henry-lawson-heritage-drive" target="_blank">http://mumbil.nsw.au/photo-gallery/grenfell-to-gulgong---henry-lawson-heritage-drive</a></span> </span></span></span></span></span></span></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2008
Rights
Information about rights held in and over the resource
Public Domain
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Australian Nationalism Movement
Australian poetry
bush poet
Grenfell (New South Wales) to Gulgong (NSW)
Grenfell Record
Henry Lawson
heritage tourism
horse-drawn vehicles
newspaper
pilgrimage
pilgrims
saints
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Photograph (metal & paint)
URL
<a href="http://cas.awm.gov.au/item/REL39640">http://cas.awm.gov.au/item/REL39640</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hertford College Oxford heraldic shield : C E W Bean
Subject
The topic of the resource
Charles Edwin Woodrow Bean, Victoria Barracks, Collaroy, plaque, heraldry, education, historians, official war histories, First World War, World War I, journalism, Sydney Morning Herald, Gallipoli, Western Front, Australian War Memorial, Commonwealth Archives, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White, Tuggeranong, Oxford, university, Oxford University
Description
An account of the resource
<span><span><span>Entry on Australian War Memorial website:<br /> </span></span></span><span>Red painted curved metal shield designed as a wall plaque, with the heraldic crest of Hertford College, Oxford University, on the front in the form of a gold hart's head surmounted by a gold heraldic dagger, both of which are edged in black. The top of the shield has a semi-circular section soldered to it, to which is attached a red painted metal inverted 'V', folded over a metal ring, which allows it to be displayed on a wall. <br /> </span><span><cite><strong>Permalink:</strong> <a href="http://cas.awm.gov.au/item/REL39640" target="_blank">http://cas.awm.gov.au/item/REL39640</a></cite> </span><br /> <br /> <span>Summary from Australian War Memorial website:<br />This object was collected from Charles Bean's study at his home 'Clifton' in Collaroy, NSW. Bean is perhaps best remembered for the official histories of Australia in the First World War, of which he wrote six volumes and edited the remainder. Before this, however, he was Australia's official correspondent to the war. He was also the driving force behind the establishment of the Australian War Memorial. <br /> <br /> Charles Edwin Woodrow Bean was born on 18 November 1879 at Bathurst, New South Wales. His family moved to England when he was ten. He completed his education there, eventually studying classics and law at Oxford. Bean returned to Australia in 1904 and was admitted to the New South Wales Bar. <br /> <br /> Having dabbled in journalism, Bean joined the Sydney Morning Herald as a junior reporter in January 1908. He published several books before being posted to London in 1910. In 1913 he returned to Sydney as the Herald's leader writer. When the First World War began, Bean won an Australian Journalists Association ballot and became official correspondent to the AIF. He accompanied the first convoy to Egypt, landed at Gallipoli on 25 April 1915 and began to make his name as a tireless, thorough and brave correspondent. He was wounded in August but remained on Gallipoli for most of the campaign, leaving just a few days before the last troops. <br /> <br /> He then reported on the Australians on the Western Front where his admiration of the AIF crystallised into a desire to create a permanent memorial to their sacrifice and achievements. In addition to his journalism, Bean filled hundreds of diaries and notebooks, all with a view to writing a history of the AIF when the war ended. In addition he organised the collection of battlefield relics from AIF soldiers on the Western Front through the formation of the Australian War Records Section. In early 1919 he led a historical mission to Gallipoli to collect relics for the Memorial, obtain Turkish accounts of the campaign and report on the condition of war graves. <br /> <br /> On his return to Australia Bean and his staff moved into Tuggeranong homestead, south of Canberra, to work on the official history. In 1921 he married Ethel (Effie) Young, a nursing sister at the Queanbeyan hospital whom he first met when she visited Tuggeranong to play tennis. They later moved to Sydney, where he continued to write at Victoria Barracks. When he began, Bean imagined that the history would take five years to write; in the event it took 23 years, and the final volume did not appear until 1942. <br /> <br /> Besides his written work, Bean worked tirelessly on creating the Australian War Memorial in Canberra. He was present when the building opened on 11 November 1941 and became Chairman of the Memorial's board in 1952. He maintained a close association with the institution for the rest of his life. <br /> <br /> During the Second World War, Bean liaised between the Chiefs of Staff and the press for the Department of Information. He became Chairman of the Commonwealth Archives Committee and was instrumental in creating the Commonwealth Archives. Between 1947 and 1958 he was Chairman of the Promotion Appeals Board of the Australian Broadcasting Commission. He also continued to write, producing a history of Australia's independent schools and finally a book on two senior AIF figures, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White. Bean received a number of honorary degrees and declined a knighthood. Bean, one of the most admired Australians of his generation, died after a long illness in Concord Repatriation Hospital in 1968. <br /> <br /> Much of the material from Bean's study was originally housed in his Tuggeranong Homestead office where he began writing the official histories. When the family moved it was transferred to his homes in Sydney. Effie continued to use the study after her husband's death. The study was dismantled after her death in July 1991 and transferred to the Australian War Memorial. <br /> <a href="http://cas.awm.gov.au/item/REL39640" target="_blank">http://cas.awm.gov.au/item/REL39640</a></span>
Creator
An entity primarily responsible for making the resource
Anon.
Source
A related resource from which the described resource is derived
Australian War Memorial website
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1898-1902, UK
Rights
Information about rights held in and over the resource
Australian War Memorial
REL39639
Format
The file format, physical medium, or dimensions of the resource
Photograph
Australian War Memorial
Charles Edwin Woodrow Bean
Collaroy
Commonwealth Archives
education
First World War
Gallipoli
heraldry
historians
journalism
official war histories
Oxford
Oxford University
plaque
Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White
Sydney Morning Herald
Tuggeranong
university
Victoria Barracks
Western Front
World War I
-
https://ausmed.arts.uwa.edu.au/files/original/d9663da37871551ab19b47347592efdc.jpg
3759984354921dd2371721e3251c43d2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
300
Width
400
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Page
Description
An account of the resource
This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hieronymus Bosch, The Haywain Triptych Tableau vivant
Subject
The topic of the resource
Art, Hieronymus Bosch, The Haywain, painting, Perth, Perth Medieval and Renaissance Group, PMRG, re-creation, Tableau vivant, triptych, University of Western Australia, UWA, WA, Western Australia
Description
An account of the resource
A photograph recreating a scene in The Haywain Triptych panel painting by Dutch artist Hieronymus Bosch. The recreated scene occurs in the centre of the central panel of the work that was probably painted in the early sixteenth century. The central panel depicts various examples of earthly sin. The photographs include a blue devil, young lovers, a musician and singers, and an angel being ignored. The scene was recreated by members of the Perth Medieval and Renaissance Group as part of their Christmas party. The Perth and Medieval and Renaissance Group is based at The University of Western Australia and includes scholars, students and members of the general public amongst its membership. For the Perth and Medieval and Renaissance Group see <a href="http://www.pmrg.arts.uwa.edu.au/" target="_blank">http://www.pmrg.arts.uwa.edu.au/</a>
Creator
An entity primarily responsible for making the resource
Members of the Perth Medieval and Renaissance Group, photographs by Joe Scott
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2003
Rights
Information about rights held in and over the resource
Reproduced with the permission of the participants
Relation
A related resource
Members of the Perth Medieval and Renaissance Group; Joe Scott, “Hieronymus Bosch, The Haywain Triptych Tableau vivant - the Perth Medieval and Renaissance Group ,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/545">http://ausmed.arts.uwa.edu.au/items/show/545</a>.
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
art
Hieronymus Bosch
painting
Perth
Perth Medieval and Renaissance Group
PMRG
re-creation
Tableau vivant
The Haywain
triptych
University of Western Australia
UWA
WA
Western Australia