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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Banners flying at the Society for Creative Anachronism's College Challenge between St. Basil (UWA) and St. Lazarus (Murdoch University). The banners bear the crests/emblems of the competing colleges. In Perth, Western Australia, St. Basil and St. Lazarus are the only two chapters of the SCA which are based at colleges. The event was held at the UWA Campus on the 19th December 2010.&lt;br /&gt;&lt;br /&gt; About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Alfonso 10th, Cantigas de Santa Maria, Galician Portuguese, hammered dulcimer, Harlequin, hurdy gurdy, instrument, moraharpa, percussion, performance, re-enactment, shawm, Spain, Tas, Tasmania, vielle, vocal, Harry Wass, whistle. </text>
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                <text>&lt;p&gt;Formed in 2005, Harlequin is a four-piece band from Tasmania who play medieval music taken from medieval manuscripts. As well as vocal and percussion a number of medieval instruments are played, including hammered dulcimer, hurdy gurdy, moraharpa, shawm, vielle, and whistle. Many of the instruments are made by band member Harry Wass. Much of the band&amp;rsquo;s repertoire is drawn from the 13&lt;sup&gt;th&lt;/sup&gt; century manuscript &lt;em&gt;Cantigas de Santa Maria &lt;/em&gt;which contains 400 songs. The manuscript came from the court of Alfonso 10&lt;sup&gt;th&lt;/sup&gt; of Spain and the songs are sung in the medieval language Galician Portuguese.&lt;/p&gt;&#13;
&lt;p&gt;More about the band, including upcoming performances and cds, can be found at: &lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/952" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/952&lt;/a&gt;</text>
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&#13;
"With the increasing number of themed birthday partys, the Harry Potter theme is a fantastic way to have fun and relive the memorys of Harry Potter. The Western Australian Birds of Prey Centre offers an educational experience with our Nocturnal raptors. The opporunity to get up close and personal with Oska the Barking Owl, Brandon the Barn Owl, Phoenix the Sotty Owl, just to mention a few. We offer prises and â€˜hands onâ€™ great photo opportunity for a memorable event. For More Information contact me via website or mobile."</text>
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                <text>&lt;p&gt;One of two photographs associated with Harry Potter: The Exhibition at the Powerhouse Museum in Sydney from November 19, 2011 &amp;ndash; March 18, 2012. This photograph shows a poster advertising the exhibition. Although set in a magical version of the contemporary world, the Harry Potter books and films feature strong medieval influences. For example Hogwarts School of Witchcraft and Wizardry is situated in a castle, in Harry Potter and the Philosopher&amp;rsquo;s Stone the characters play with a replica of the twelfth-century Lewis Island chess set and later play a life-sized version of chess with pieces based on medieval knights. The philosopher&amp;rsquo;s stone itself was sought by alchemists during the middle ages. Medieval-style characters include witches, wizards, giants, goblins, dragons, and unicorns.&lt;/p&gt;&#13;
&lt;p&gt;Due to the immense popularity of the Harry Potter series it is likely to be the first place that many people encounter medievalism and the medieval.&lt;/p&gt;&#13;
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                <text>This article about Australian lyric poet Hugh Raymond McCrae (1876-1958) is titled â€˜He still wears the Ruff and Doubletâ€™ in response to a claim supposedly made by Kenneth Slessor (quoted in the article) that McCrae was â€˜perpetually haunted by the loss of his ruff and doubletâ€™. Hugh McCrae was highly regarded both throughout his lifetime and after his death in 1958 for his poetry, prose and line drawings. He often drew on the medieval past and old poetic forms in his work, and in the 1920s started work on a verse-drama called â€˜Joan of Arcâ€™. This article opens with a photograph of him being appointed O.B.E alongside Alfred Hill in 1953, and goes on to provide a complimentary sketch of his life, career and work. </text>
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Word doc.</text>
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                <text>Links to Electronic books on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson&lt;/a&gt;</text>
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