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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Greek, Orthodox, Greek Orthodox, Community of The Annunciation Of Our Lady, Parish, Carr Street, West Perth, Western Australia, WA, Byzantine, Byzantium</text>
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                <text>Two images of the Greek Orthodox Church located on the corner of Charles and Carr Streets in West Perth. The church possesses typical Orthodox/Byzantine architectural features, including a dome (symbolising the heavens) on top of a square church building (symbolising the earth). </text>
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                <text>Carter, Bree</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Green Man, Balingup Medieval Carnivale</text>
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                <text>Advertisement, Balingup, Balingup Medieval Carnivale, carnival, chalk board, fair, monster, Shire of Donnybrook-Balingup, signage, South-West WA, WA, Western Australia</text>
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                <text>A close up photograph of the chalkboard at the Balingup Medieval Carnivale. The chalkboard advertised the programme for the day. The illustration features a green monster, with the foliage suggesting that it may be a green man. Medieval representations, often sculptures, of the green man are known from a number of European countries. Today the image and name remains popular for pubs in England. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Arched entrance, blind arcade, convict, crenellation, Government House, Francis Greenway, Greenway Building, New South Wales, NSW, Royal Botanic Gardens, stables, Sydney, Sydney Conservatorium of Music, tower, University of Sydney</text>
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                <text>The Greenway Building is on the edge of the Royal Botanic Gardens in Sydney and has housed the Sydney Conservatorium of Music, part of the University of Sydney, since 1915. It was built as the stables for Government House by convict architect Francis Greenway and completed by 1821. The building is in the shape of a castle, complete with towers, crenellation, arched entrances, and blind arcading. The central (pitched roof) area was originally an open exercise yard for the horses.    </text>
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                <text>McLeod, Shane</text>
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                <text>4 February 2012</text>
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                <text>&lt;p&gt;The well preserved Guard Tower at Port Arthur, Tasmania, was a central part of the penal colony&amp;rsquo;s Military Complex. The tower was built in 1836 during the rule of Commandant Charles O&amp;rsquo;Hara Booth (1800-1851). It was built with convict labour, and the stones were shaped by the boys at the nearby Point Puer Juvenile Establishment. The guard tower is in a prominent elevated position and resembles a medieval castle tower with its crenelated parapet.&lt;/p&gt;&#13;
&lt;p&gt;For the Military Complex see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1142"&gt;http://ausmed.arts.uwa.edu.au/items/show/1142&lt;/a&gt;&lt;/p&gt;</text>
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                <text>A list of the Guilds which the members of the Lochac Region (within the Society for Creative Anachronism) can join. Some of the Guilds include:&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Brewers, Vintners and Imbibers Guild&lt;/li&gt;&#13;
&lt;li&gt;Broiderers Guild&lt;/li&gt;&#13;
&lt;li&gt;Lohac Cooks' Guild&lt;/li&gt;&#13;
&lt;li&gt;Royal Guild of Defence&lt;/li&gt;&#13;
&lt;li&gt;Painters and Limners Guild&lt;/li&gt;&#13;
&lt;li&gt;College of Scribes&lt;/li&gt;&#13;
&lt;li&gt;Woodworkers' Guild&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
The Kingdom of Lochac is the regional branch of the Society of Creative Anachronism (SCA) for Australia, New Zealand and "their Antarctic territories."&amp;nbsp; &amp;nbsp;&lt;br /&gt;</text>
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                <text>&lt;a href="http://www.sca.org.au/lochac/groups/guilds.html"&gt;http://www.sca.org.au/lochac/groups/guilds.html&lt;/a&gt;</text>
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                <text>Society for Creative Anachronism&lt;br /&gt;&lt;a href="http://www.sca.org.au/lochac/groups/guilds.html"&gt;http://www.sca.org.au/lochac/groups/guilds.html&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This article provides a description of Winthrop Hall and the Hackett Buildings at the University of Western Australia by the architect, Rodney Alsop, shortly after they were opened in 1932. Alsop describes the guidelines he was set, namely that there was to be a multi-functional hall capable of seating a large number of people, two other buildings that would house lecture rooms, offices, the University administration, the Guild and a refectory, and that the buildings were to be monumental in order to adequately commemorate their founder, Sir John Winthrop Hackett (1848-1916). Alsop explains his rationale for the lay out of the buildings along three sides of the Court of Honour, (with the fourth side open to what was then known as the Perth-Fremantle road) and the addition of â€˜cloistersâ€™ along the front of the Hackett Hall and the Arts and Administration Building as an attempt to unify the different buildings. He refers to Winthrop Hall repeatedly as a â€˜great hallâ€™ and describes its shape as rectangular with transepts at the ends of the dais â€œafter the tradition of the halls of Englandâ€. He also describes some of its main features, including the rose window and elaborately patterned ceiling in the hall, and the vaulted ceiling, marble floor and colourful mosaics in the foyer.&#13;
&#13;
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                <text>An image of a replica of a medieval halberd. The image was taken at the abandoned Catholic church of St. Malachy in Gooloogong, New South Wales. It was featured on the Facebook site for the Medieval Shoppe, who design historical replicas of swords, armour and other weapons.&#13;
&#13;
Halberds were especially popular with infantry in Switzerland in the fouteenth and fifteenth century. The Swiss Guard at the Vatican still use ceremonial halberds.&#13;
&#13;
The church, which fell out of use in 1914, was also used as an infants' school, but was later abandoned and has been ever since. The building possesses many Gothic architectural features, such as a vaulted ceiling, and arched doorways and windows.</text>
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