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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>1 negative : acetate, b&amp;amp;w.&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.pic-an13997268"&gt;&lt;/a&gt;</text>
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              <text>16.2 x 11.8 cm.&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;</text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;</text>
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                <text>Interior looking towards High Altar [St Mary's Cathedral, Perth, Western Australia]</text>
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                <text>Saint Mary, St. Mary, Western Australia, Perth, cathedral, church, Gothic Revival, architecture, christian, christianity, gothic, Frank Hurley</text>
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                <text>Image of interior of St. Mary's Cathedral in Western Australia.&#13;
&#13;
About St Maryâ€™s Roman Catholic Cathedral:&#13;
&#13;
St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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                <text>Hurley, Frank</text>
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                <text>National Library of Australia</text>
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            <name>Date</name>
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                <text>between 1910-1962</text>
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                <text>National Library of Australia</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.ironfest.net/index.php"&gt;http://www.ironfest.net/index.php&lt;/a&gt;</text>
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                <text>Ironfest</text>
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                <text>Armour, arts festival, blacksmith, costume, festival, helmet, jousting, Kingdom of Ironfest, knight, Lithgow, living history, New South Wales, NSW, performance, plate armour, re-enactment, replica, shield, sword, website.</text>
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                <text>&lt;p&gt;Billed as &amp;lsquo;An Arts Festival with a Metal Edge&amp;rsquo; Ironfest is an annual festival held in the New South Wales city of Lithgow. The festival involves artists and blacksmith working with metal, as well as historical re-enactors, musicians, and performers. The re-enactors include those who focus on the medieval period, and the entertainment for the Ironfest 2013 includes jousting. The main page for Ironfest includes a photograph of nine knights wearing plate armour and helmets and carrying shields and swords. The festival began in 2010 and&amp;nbsp;is held at the Kingdom of Ironfest (the Lithgow Showground).&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://www.ironfest.net/index.php&lt;/p&gt;</text>
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                <text>Ironfest</text>
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                <text>2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Â© Ironfest 2012</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.ironfest.net/images-of-ironfest"&gt;http://www.ironfest.net/images-of-ironfest&lt;/a&gt;</text>
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                <text>Billed as â€˜An Arts Festival with a Metal Edgeâ€™ Ironfest is an annual festival held in the New South Wales city of Lithgow. The festival involves artists and blacksmith working with metal, as well as historical re-enactors, musicians, and performers. The re-enactors include those who focus on the medieval period, and the entertainment for the Ironfest 2013 includes jousting. The main page for Ironfest includes a photograph of nine knights wearing plate armour and helmets and carrying shields and swords. The festival began in 2010 and is held at the Kingdom of Ironfest (the Lithgow Showground).&#13;
&#13;
For their website see http://www.ironfest.net/index.php</text>
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                <text>Copyright Â© Ironfest 2012</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/"&gt;http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Alcohol, beer, Boagâ€™s Brewery, crusade, dragon, label, logo, James Boagâ€™s, Launceston, St George, sword, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The Launceston, Tasmania, brewing company James Boag has a &amp;lsquo;St George&amp;rsquo; beer. The bottle&amp;rsquo;s label features St George on a horse and carrying a sword trampling a dragon underfoot. This was one of the original logos of the brewery and has been used since 1883. The Boag&amp;rsquo;s website states that St George symbolises &amp;lsquo;strength, honour and courage&amp;rsquo;. Although the mounted figure depicts a more historic St George, who was a Roman soldier, than most other images, the tale of St George fighting a dragon is thought to have been brought to Western Europe by crusaders returning from the Holy Lands in the eleventh century.&lt;/p&gt;&#13;
&lt;p&gt;More information about the beer can be found at &lt;a href="http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/"&gt;http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;This advertisement is for the Launceston, Tasmania, brewing company James Boag&amp;rsquo;s &amp;lsquo;St George&amp;rsquo; beer. The slogan of the commercial is &amp;lsquo;Gallantry is back&amp;rsquo;, which plays on one of the attributes associated with St George, that of honour. In medieval chivalric culture St George was also depicted as showing great chivalry towards women, and this is the notion found in the advertisement. The advertisement concludes with the logo of a mounted St George coming to life and trampling a dragon underfoot.&lt;/p&gt;&#13;
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