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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Rose Window, St Peterâ€™s Cathedral, Adelaide. </text>
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                <text>Adelaide, Anglican, Anglicanism, architecture, Augustus Short (1802-1883), cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, neo-gothic, North Adelaide, rose window, SA, South Australia, St Peter, St Peterâ€™s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900)</text>
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                <text>&lt;p&gt;&amp;nbsp;A close-up image of the rose window on the front facade of St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Victorian Gothic style Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This article from the Sunday Times in 1907 comments on what the author views as the un-gentlemanly state of sporting ethic in the early twentieth century. It likens the use of padding and helmets in sports such as cricket, baseball and football to medieval suits of armour, and suggests that the increased need for these protective garments is indicative of a return to old medieval methods, whereby â€˜the harder you hurt your opponent the louder the plaudits from the pavilionâ€™. â€˜Win or killâ€™, suggests the author, encapsulates the modern attitude to sporting rivalry.&#13;
&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Peterâ€™s Cathedral, Adelaide</text>
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                <text>&lt;p&gt;A view of St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the front facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Other features of the Cathedral&amp;rsquo;s gothic architecture include the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires.&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10949">
                <text>Dorey, Margaret</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10950">
                <text>3 July 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10951">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10952">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1123">
        <name>Adelaide</name>
      </tag>
      <tag tagId="80">
        <name>Anglican</name>
      </tag>
      <tag tagId="81">
        <name>Anglicanism</name>
      </tag>
      <tag tagId="2672">
        <name>arcading</name>
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      <tag tagId="512">
        <name>arch</name>
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        <name>architecture</name>
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        <name>Augustus Short (1802-1883)</name>
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        <name>blind arch</name>
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        <name>Cathedral</name>
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        <name>Church</name>
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      <tag tagId="1189">
        <name>church building</name>
      </tag>
      <tag tagId="3283">
        <name>Church of St Jean-Baptiste de Belleville (1854)</name>
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      <tag tagId="3303">
        <name>cinquefoil pattern</name>
      </tag>
      <tag tagId="132">
        <name>cross</name>
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      <tag tagId="3284">
        <name>diocese of Adelaide</name>
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      <tag tagId="1455">
        <name>ecclesiastical building</name>
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      <tag tagId="3285">
        <name>Edward John Woods (1839-1916)</name>
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        <name>Gothic</name>
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      <tag tagId="1917">
        <name>gothic revival architecture</name>
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      <tag tagId="1077">
        <name>lancet arch</name>
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      <tag tagId="1115">
        <name>lancet window</name>
      </tag>
      <tag tagId="71">
        <name>neo-Gothic</name>
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      <tag tagId="3105">
        <name>North Adelaide</name>
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      <tag tagId="908">
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        <name>South Australia</name>
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        <name>spire</name>
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        <name>St Peter</name>
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        <name>St Peterâ€™s Cathedral</name>
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        <name>stone</name>
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        <name>tower</name>
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        <name>tracery</name>
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        <name>Victorian Gothic style</name>
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        <name>William Butterfield (1814-1900)</name>
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                <name>Bit Depth</name>
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                <name>Channels</name>
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                <name>Height</name>
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                    <text>692</text>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Peterâ€™s Cathedral, Adelaide: A side view</text>
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                <text>Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, buttress, cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), cinquefoil pattern, cross, diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, lancet arch, lancet window, neo-gothic, North Adelaide, SA, South Australia, spire, St Peter, St Peterâ€™s Cathedral, stone, tower, tracery, Victorian Gothic style, William Butterfield (1814-1900)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="10969">
                <text>&lt;p&gt;A side view of St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Gothic features of the Cathedral&amp;rsquo;s architecture include the lancet windows, the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires.&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10970">
                <text>Dorey, Margaret</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10971">
                <text>3 July 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10972">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10973">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="1123">
        <name>Adelaide</name>
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      <tag tagId="80">
        <name>Anglican</name>
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      <tag tagId="81">
        <name>Anglicanism</name>
      </tag>
      <tag tagId="2672">
        <name>arcading</name>
      </tag>
      <tag tagId="512">
        <name>arch</name>
      </tag>
      <tag tagId="74">
        <name>architecture</name>
      </tag>
      <tag tagId="3282">
        <name>Augustus Short (1802-1883)</name>
      </tag>
      <tag tagId="1202">
        <name>blind arch</name>
      </tag>
      <tag tagId="1075">
        <name>buttress</name>
      </tag>
      <tag tagId="353">
        <name>Cathedral</name>
      </tag>
      <tag tagId="68">
        <name>Church</name>
      </tag>
      <tag tagId="1189">
        <name>church building</name>
      </tag>
      <tag tagId="3283">
        <name>Church of St Jean-Baptiste de Belleville (1854)</name>
      </tag>
      <tag tagId="3303">
        <name>cinquefoil pattern</name>
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      <tag tagId="132">
        <name>cross</name>
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      <tag tagId="3284">
        <name>diocese of Adelaide</name>
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      <tag tagId="1455">
        <name>ecclesiastical building</name>
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      <tag tagId="3285">
        <name>Edward John Woods (1839-1916)</name>
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      <tag tagId="70">
        <name>Gothic</name>
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      <tag tagId="1917">
        <name>gothic revival architecture</name>
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      <tag tagId="1077">
        <name>lancet arch</name>
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      <tag tagId="1115">
        <name>lancet window</name>
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        <name>neo-Gothic</name>
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      <tag tagId="3105">
        <name>North Adelaide</name>
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      <tag tagId="887">
        <name>SA</name>
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      <tag tagId="885">
        <name>South Australia</name>
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      <tag tagId="1087">
        <name>spire</name>
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      <tag tagId="1464">
        <name>St Peter</name>
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      <tag tagId="3286">
        <name>St Peterâ€™s Cathedral</name>
      </tag>
      <tag tagId="374">
        <name>stone</name>
      </tag>
      <tag tagId="270">
        <name>tower</name>
      </tag>
      <tag tagId="1094">
        <name>tracery</name>
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      <tag tagId="3287">
        <name>Victorian Gothic style</name>
      </tag>
      <tag tagId="3288">
        <name>William Butterfield (1814-1900)</name>
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  <item itemId="520" public="1" featured="0">
    <fileContainer>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/0fcfd469a3197bdf6440addf343ee2c8.pdf</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="10985">
              <text>Newspaper Article; PDF</text>
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        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Viking Tales: Olafâ€™s Farm</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="10976">
                <text>Brisbane, Denmark, dragon ship, fiction, Jennie Hall, illustration, literature, Norway, Odin, QLD, Queensland, The Queenslander, ship, Thor, Valhalla, Viking, vikings</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An illustrated story on page 48? Of the Brisbane newspaper, The Queenslander, published on 23 November, 1907. The story by Jennie Hall is about a young Viking from Denmark named Olaf who, as the youngest son, has to â€˜go a-Vikingâ€™ (raiding) in order to accumulate wealth. He builds a ship with a dragon prow and leads a crew to Norway where they successfully raid along the coast. After forcing themselves upon a local farming household the Danes end up having a pleasant evening with the farmer and his family and reward them richly with gifts the following morning. The crew are then defeated in a naval battle by the fleet of king Halfdan and all die except Olaf who becomes a â€˜thrallâ€™ (servant) of Halfdan. The characters also invoke aspects Norse mythology, including Valhalla and the gods Odin and Thor. The story was taken from â€˜Prairie Farmerâ€™ and includes an illustration of the armed Vikings bursting into the farmhouse.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10978">
                <text>Hall, Jennie</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="10979">
                <text>National Library of Australia</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10980">
                <text>The Queenslander</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10981">
                <text>November 23 1907</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10982">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10983">
                <text>Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10984">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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      <tag tagId="2248">
        <name>Brisbane</name>
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      <tag tagId="2549">
        <name>Denmark</name>
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      <tag tagId="3304">
        <name>dragon ship</name>
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      <tag tagId="484">
        <name>fiction</name>
      </tag>
      <tag tagId="2059">
        <name>illustration</name>
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      <tag tagId="3305">
        <name>Jennie Hall</name>
      </tag>
      <tag tagId="251">
        <name>literature</name>
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      <tag tagId="605">
        <name>Norway</name>
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      <tag tagId="3173">
        <name>Odin</name>
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      <tag tagId="1350">
        <name>Qld</name>
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      <tag tagId="475">
        <name>Queensland</name>
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      <tag tagId="440">
        <name>ship</name>
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      <tag tagId="3143">
        <name>The Queenslander</name>
      </tag>
      <tag tagId="3177">
        <name>Thor</name>
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      <tag tagId="3178">
        <name>Valhalla</name>
      </tag>
      <tag tagId="2556">
        <name>viking</name>
      </tag>
      <tag tagId="2703">
        <name>vikings</name>
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                <name>Bit Depth</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;A close-up view &lt;span style="font-family: Calibri; font-size: small;"&gt;of the decorative blind tracery &lt;/span&gt;on the tympanum of the main entrance doorway at St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. &lt;span style="font-family: Calibri; font-size: small;"&gt;Ornate and detailed tracery was a common feature of gothic architecture.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Victorian Gothic style Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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                <text>Dorey, Margaret</text>
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                <text>No Copyright</text>
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            <element elementId="50">
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="11017">
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                <text>The Vikingâ€™s Adventure</text>
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                <text>Brisbane, childrenâ€™s literature, fiction, The Queenslander, ship, QLD, Queensland, Viking, vikings</text>
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                <text>An anonymous short story on page 47 of the Brisbane newspaper The Queenslander in the â€˜Childrenâ€™s Playgroundâ€™ section on 24 May, 1934. â€˜The Vikingâ€™s Adventureâ€™ is about a school trip to the beach and the adventure of a boys toy ship called â€˜The Vikingâ€™ which is sailed there.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>National Library of Australia</text>
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                <text>The Queenslander</text>
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            <description>Information about rights held in and over the resource</description>
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              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="11015">
                <text>Newspaper Article; PDF</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Doorway Detail: St Peterâ€™s Cathedral, Adelaide</text>
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                <text>Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, cathedral, church, church building, diocese of Adelaide, doorway, ecclesiastical building, Edward John Woods (1839-1916), facade, gothic, gothic revival architecture, lancet arch, neo-gothic, North Adelaide, SA, South Australia, St Peter, St Peterâ€™s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900)</text>
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                <text>&lt;p&gt;A close-up of the detailed stonework surrounding a doorway at St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Its gothic features include lancet arches, blind arcading and decorative stone tracery.&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>lancet arch</name>
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      <tag tagId="3287">
        <name>Victorian Gothic style</name>
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      <tag tagId="3288">
        <name>William Butterfield (1814-1900)</name>
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