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                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This poster advertises the 2012 annual conference of the Centre for Medieval and Early Modern Studies (at The University of Western Australia) and the Perth Medieval and Renaissance Group, which was held at UWA on 17-18 August 2012. The theme of the conference was &amp;ldquo;Receptions: Medieval and Early Modern Cultural Appropriations&amp;rdquo;, and featured papers exploring a range of cultural appropriations in, by and of the medieval and early modern world. One of the possible themes or approaches suggested by the convenors was medievalism. For more information about this conference, see: &lt;a href="http://www.pmrg.arts.uwa.edu.au/2012_conference" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.pmrg.arts.uwa.edu.au/2012_conference&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>P.J. Oâ€™Reillyâ€™s is an Irish pub in the Melbourne Building in Canberra, the Australian Capital Territory. The logo of the business is a lion rampant (in profile standing erect with forepaws raised) commonly found in medieval heraldry. Their accompanying slogan, â€˜The Tradition Continuesâ€™, suggests that old-time service and food are available, perhaps in the pubâ€™s â€˜The Olde Bailey Roomâ€™. The Old Bailey is the Central Criminal Court found in London and first mentioned in the late sixteenth century.  </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/e3968da2fb68bef916eded428ea9fb28.pdf</src>
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            <element elementId="50">
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Beserker, fiction, Samuel Hirsdon, Norseman, pagan, Perth, short story, Sunday Times, Viking, WA, Western Australia</text>
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                <text>A story by Samuel Hirsdon in the â€˜3 Short Stories for Week-End Readingâ€™ section of the Perth newspaper the Sunday Times on October 29, 1939. The story is about a group of Norsemen at sea (led by the curiously named Sir Ranulf, which does not sound particularly Norse) who accidently land in North America. The lone woman in the group is kidnapped by native â€˜savagesâ€™ and later rescued by a mysterious Viking Beserker named Brand after he kills a number of her captors with his bare hands. Beserkers are found in Old Norse poetry and sagas and appear to have been people who were particularly ferocious fighters and wore bear skins into battle. </text>
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            <name>Creator</name>
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                <text>Hirsdon, Samuel</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <elementTextContainer>
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                <text>The Sunday Times</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>29 October 1939</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10454">
                <text>The Sunday Times; National Library of Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10455">
                <text>Newspaper Article; PDF</text>
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            <description>A language of the resource</description>
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        <name>pagan</name>
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        <name>Perth</name>
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        <name>Samuel Hirsdon</name>
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        <name>Sunday Times</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
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          <description/>
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              <text>&lt;p&gt;Online Images:&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://catalogue.slwa.wa.gov.au/record=b1763515%7ES2" target="_blank"&gt;http://catalogue.slwa.wa.gov.au/record=b1763515~S2&lt;/a&gt;&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Redemptorist Monastery, Vincent Street, North Perth</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>arch, architect, architecture, blind tracery, buttress, Catholic church, cement dressing, church building, Cottesloe limestone, crenellations, ecclesiastical building, entrance, Federation Gothic Style, gable, gothic architecture, James Cavanagh, lancet arch, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, Passey Collection, photograph, pinnacles, porch, Redemptorist monastery, Redemptorist Order, religious order, tracery, turrets, WA, Western Australia, window</text>
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            <description>An account of the resource</description>
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                <text>Two black and white photographs of the Redemptorist Monastery in North Perth, Western Australia. These images are part of the Passey Collection, which is held by the State Library of Western Australia. The Federation Gothic style monastery and church buildings were designed by Michael and James Cavanagh for the Redemptorist Order of the Catholic Church, which had been established in WA in 1899. They were opened on 13 September 1903, only a few years before these photographs were taken c.1905. An additional monastery wing was later added in 1912 and a transept and chancel in 1922. The monastery and church were added to the WA Heritage Register in 2006.&#13;
&#13;
A number of neo-gothic features are clearly visible in the architecture. In particular, these include the high gable, lancet arches, entrance porch and large traceried window of the church, the multiple stone buttresses and the pinnacles. The monastery entrance is also distinctive, flanked by two hexagonal columns extending into crenellated turrets.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Historical Records Rescue Consortium (HRRC)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>State Library of Western Australia</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="6613">
                <text>Passey collection of photographs; 5323B/873,1812&amp;lt;&lt;a href="http://catalogue.slwa.wa.gov.au/search%7ES2?/tPassey+collection+of+photographs+%3B+5323B%2F873%2C1812/tpassey+collection+of+photographs+5323b+8731812/-3,-1,0,B/browse" target="_blank"&gt;http://catalogue.slwa.wa.gov.au/search~S2?/tPassey+collection+of+photographs+%3B+5323B%2F873%2C1812/tpassey+collection+of+photographs+5323b+8731812/-3,-1,0,B/browse&lt;/a&gt;&#13;
&lt;div id=":iy"&gt;&amp;gt;. State Library of Western Australia Online reference: 010036PD, 009459PD&amp;lt;&lt;a href="http://catalogue.slwa.wa.gov.au/search%7ES2?/c009459PD/c009459pd/-3,-1,,E/browse" target="_blank"&gt;http://catalogue.slwa.wa.gov.au/search~S2?/c009459PD/c009459pd/-3,-1,,E/browse&lt;/a&gt;&amp;gt;&lt;/div&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6614">
                <text>c. 1905</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6615">
                <text>HRRC/State Library of Western Australia</text>
              </elementText>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6616">
                <text>Hyperlinks to photographs</text>
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            </elementTextContainer>
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  </item>
  <item itemId="341" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="7413">
              <text>Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)</text>
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        </element>
        <element elementId="28">
          <name>URL</name>
          <description/>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=19716&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="13466">
                <text>A Knight in The University of Sydney Commem Day Parade, 1937</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>armour, chainmail, chain mail, â€œCommem Dayâ€, commemoration, costume, custom, fancy dress, â€œFestival Dayâ€, festivities, helmet, horse, knight, knights, chivalry, knighthood, medieval romance, romance, medieval costume, medieval dress, New South Wales, parade, pennant, procession, Sam Hood (1872-1953), shield, St George cross, street parade, students, Sydney, The University of Sydney, tradition, university</text>
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                <text>Hyperlink to a photograph of a Sydney university student participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The student in the photograph appears on horseback and dressed as a medieval knight, complete with chainmail and a helmet.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the early twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.&#13;
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                <text>State Library of New South Wales, Digital Order No. hood_14975</text>
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                <text>A Knight and his Lady, University Commemoration Day ("Commem") through streets</text>
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                <text>Hyperlink to a photograph of two Sydney university students participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.</text>
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