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                <text>In this article from the Western Mail, news from Paris informs readers about a cheering crowd of 3000 people, mostly women, who mobbed Miss Barbara Hutton, the American Woolworthsâ€™ heiress, and Russian Prince Alexis Mdivani as they left the church after their wedding in June 1933. Huttonâ€™s wedding gown is described as a pearl-coloured satin dress with a medieval design and a train.</text>
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                <text>This advertisement for a new building material, Celotex, highlights its dual properties of strength and insulation as a selling point. Drawing comparisons to past societies, the article suggests while the Aztecs and the Eskimos had built for insulation, medieval builders had turned their attention to strength. Unlike in these examples where building had focused on either insulation or strength, the advertisement promises that Celotex would enable modern builders to incorporate the benefits of both traditions, by offering the means to construct houses that would stay cool in summer, preserve warmth in winter and that were also notable for their structural strength and durability. </text>
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                <text>17 January 1935, p. 16.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Battle, Battle of Largs, Hebrides, heraldry, King Alexander III of Scotland (1241-1286), King Haakon of Norway, King James II of England, King James VII of Scotland, Largs, medieval Scotland, national emblem, Norway, order of knighthood, Order of the Thistle, Scotland, St Andrew, thistle</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2231">
                <text>Explaining the establishment of "The Most Ancient and Most Noble Order of the Thistle&amp;rdquo; in 1687, this article from the Western Argus first discusses the medieval adoption of the thistle as Scotland&amp;rsquo;s national emblem. This it dates to the Battle of Largs fought between the Scottish army of Alexander III and the Norwegian army of King Haakon IV in 1263. In an ongoing battle over the territory of the Hebrides, King Haakon of Norway landed on Scottish shores and planned a night attack on the Scottish camp. However, one of his horsemen stepped on a thistle and cried out in pain, giving them away. The article suggests that the Scots adopted the thistle as their national emblem in remembrance of the Battle of Largs. It then links this to the thistle as the emblem of &amp;ldquo;The Order of the Thistle&amp;rdquo;, an order of knighthood founded by King James II of England (also King James VII of Scotland) in 1687.  The article incorrectly identifies the King of Scotland at the time of the Battle of Largs as Alexander II. King Alexander II had died and was succeeded by his young son, Alexander III, in 1249. Alexander III assumed full powers in 1259 and ruled until his own death in 1286. For more on Alexander III, see Norman H. Reid, &amp;lsquo;Alexander III (1241&amp;ndash;1286)&amp;rsquo;, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2009 [http://www.oxforddnb.com/view/article/323, accessed 18 Dec 2010]</text>
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              <elementText elementTextId="2232">
                <text>Anon.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2233">
                <text>National Library of Australia</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2234">
                <text>The Western Argus</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2235">
                <text>25 February 1930, p.35</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2236">
                <text>Western Argus, copyright expired</text>
              </elementText>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>King Alexander III of Scotland (1241-1286)</name>
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        <name>King Haakon of Norway</name>
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        <name>King James VII of Scotland</name>
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        <name>Largs</name>
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        <name>medieval Scotland</name>
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        <name>Norway</name>
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        <name>order of knighthood</name>
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        <name>Order of the Thistle</name>
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        <name>Scotland</name>
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        <name>St Andrew</name>
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        <name>thistle</name>
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  <item itemId="112" public="1" featured="0">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/promising-colt_western-mail_27-april_1939_p15_8ef71e0cc7.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="2248">
              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article41702770" target="_blank"&gt;http://nla.gov.au/nla.news-article41702770&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2239">
                <text>Promising Colt</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2240">
                <text>Alan Lechte - horsebreeder, colt, horse-racing, â€œMedieval Knightâ€, Melbourne, Messrs. William Inglis and Sonâ€™s, racehorse, racehorse lineage, racehorse names, racehorse sale, yearling</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2241">
                <text>In this article concerning the sale of a yearling racehorse in Melbourne, the sire is identified as a horse named â€œMedieval Knightâ€. The colt was offered for sale by Alan Lechte in Messrs William Inglis and Sonâ€™s yearling catalogue in 1939. When bidding reached 300 guineas, Mr Inglis informed buyers that the breeder expected a price of 1000 guineas, or he was prepared to race the horse himself.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2242">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2243">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2244">
                <text>The Western Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2245">
                <text>27 April 1939, p.15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2246">
                <text>Western Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2247">
                <text>Newspaper Article</text>
              </elementText>
            </elementTextContainer>
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      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="615">
        <name>â€œMedieval Knightâ€</name>
      </tag>
      <tag tagId="611">
        <name>Alan Lechte</name>
      </tag>
      <tag tagId="613">
        <name>colt</name>
      </tag>
      <tag tagId="614">
        <name>horse-racing</name>
      </tag>
      <tag tagId="612">
        <name>horsebreeder</name>
      </tag>
      <tag tagId="104">
        <name>Melbourne</name>
      </tag>
      <tag tagId="616">
        <name>Messrs. William Inglis and Sonâ€™s</name>
      </tag>
      <tag tagId="617">
        <name>racehorse</name>
      </tag>
      <tag tagId="618">
        <name>racehorse lineage</name>
      </tag>
      <tag tagId="619">
        <name>racehorse names</name>
      </tag>
      <tag tagId="620">
        <name>racehorse sale</name>
      </tag>
      <tag tagId="621">
        <name>yearling</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="113" public="1" featured="0">
    <fileContainer>
      <file fileId="131">
        <src>https://ausmed.arts.uwa.edu.au/files/original/novel-industry_western-mail_11-september-1941_p20_425438a40d.pdf</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="16242">
              <text>Newspaper Article&lt;br /&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article37934192" target="_blank"&gt;http://nla.gov.au/nla.news-article37934192&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16232">
                <text>Novel Industry. Australia â€“ Land of the Harp.</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16233">
                <text>Agincourt, cello, Crecy, export, gut, Hampton Court, harp, Henry VIII, lute, medieval craft, medieval production, music strings, musical instrument, sheep, tennis racquet, violin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16234">
                <text>In this Western Mail article about Britainâ€™s export of five million yards of musical instrument strings each year, Australia is identified as the top destination for harp strings. In contrast, the article singles out South Africa as preferring fretted instruments and New Zealand the cello. The article goes on to explain that while modern strings could be made from gut, silk, steel or metal wire, the making of strings was a craftsmanâ€™s job dating from the gut strings of medieval instruments, weaponry and recreational equipment: â€˜As far as gut goes, the British tradition runs back to the medieval lute, the bows used at Crecy and Agincourt, and the racquet with which Henry VIII played â€œrealâ€ tennis at Hampton Courtâ€™. Following a definition of â€œgutâ€ as the strong membranes from the insides of sheep and a comment on the skill of British craftsmen in making strings for unusual as well as standard musical instruments, the focus returns to the harp at the end of the article. It suggests that making harp strings was a particularly difficult job because a harp has six octaves, and each string has to be chosen separately.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16235">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="16236">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="16237">
                <text>The Western Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16238">
                <text>11 September 1941</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16239">
                <text>The Western Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16240">
                <text>Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16241">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="623">
        <name>Agincourt</name>
      </tag>
      <tag tagId="624">
        <name>cello</name>
      </tag>
      <tag tagId="625">
        <name>Crecy</name>
      </tag>
      <tag tagId="626">
        <name>export</name>
      </tag>
      <tag tagId="627">
        <name>gut</name>
      </tag>
      <tag tagId="628">
        <name>Hampton Court</name>
      </tag>
      <tag tagId="629">
        <name>harp</name>
      </tag>
      <tag tagId="630">
        <name>Henry VIII</name>
      </tag>
      <tag tagId="631">
        <name>Lute</name>
      </tag>
      <tag tagId="578">
        <name>medieval craft</name>
      </tag>
      <tag tagId="622">
        <name>medieval production</name>
      </tag>
      <tag tagId="632">
        <name>music strings</name>
      </tag>
      <tag tagId="633">
        <name>musical instrument</name>
      </tag>
      <tag tagId="634">
        <name>sheep</name>
      </tag>
      <tag tagId="635">
        <name>tennis racquet</name>
      </tag>
      <tag tagId="636">
        <name>violin</name>
      </tag>
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  </item>
  <item itemId="114" public="1" featured="0">
    <fileContainer>
      <file fileId="132">
        <src>https://ausmed.arts.uwa.edu.au/files/original/finucane-higgins_western-mail_6-february-1930_p36_9b83978224.pdf</src>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="2270">
              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article37685191" target="_blank"&gt;http://nla.gov.au/nla.news-article37685191&lt;/a&gt;</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2260">
                <text>Finucane-Higgins</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2261">
                <text>Cathedral, corsage, Finucane, Higgins, Keoghâ€™s Hall, medieval style, medieval design, organ, St Maryâ€™s Cathedral, Tasmania, wedding dress, wedding, gown</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2262">
                <text>This article from the wedding column of the Western Mail gives an account of the wedding of Josephine Higgins and Kevin Finucane at St Maryâ€™s Cathedral on 6 January 1930. The brideâ€™s dress is described as a picture frock of soft white satin, with a corsage â€œcut along medieval linesâ€, long sleeves and a diamante ornament on the waist. The skirt was ankle-length and embossed with pearl flowers, and she also wore a tulle veil with a circle of silver leaves and orange buds. The reception was held at Keoghâ€™s Hall before the bride and groom left for their future home in Tasmania.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2263">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2264">
                <text>National Library of Australia</text>
              </elementText>
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6 February 1930, p.36</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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        <name>medieval style</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article37674643" target="_blank"&gt;http://nla.gov.au/nla.news-article37674643&lt;/a&gt;</text>
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                <text>The World Overseas: â€˜A Relic of Other Daysâ€™</text>
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                <text>Archbishop, cathedral, festival, horseracing, jockey, Italy, medieval festival, medieval games, Siena, Tuscany</text>
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                <text>Included in this Western Mail Supplement page of pictures from around the world, Image 6 shows a festive horserace running through the marketplace in Siena, Italy. The caption describes the festival as a â€˜relic from other daysâ€™; the last surviving remnant of medieval games that had taken place in Tuscany. It adds that jockeys and mounts still received the traditional Archbishopâ€™s blessing at the cathedral before the race.</text>
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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                <text>The Western Mail, Supplement</text>
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                <text>22 August 1929</text>
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              <elementText elementTextId="2278">
                <text>The Western Mail (copyright expired)</text>
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        <name>archbishop</name>
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        <name>horseracing</name>
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        <name>Italy</name>
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        <name>Siena</name>
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