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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>A name given to the resource</description>
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                <text>Greek Orthodox Church, West Perth</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Greek, Orthodox, Greek Orthodox, Community of The Annunciation Of Our Lady, Parish, Carr Street, West Perth, Western Australia, WA, Byzantine, Byzantium</text>
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            <description>An account of the resource</description>
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                <text>An image of the Greek Orthodox Church located on the corner of Charles and Carr Streets in West Perth. The church possesses typical Orthodox/Byzantine architectural features, including a dome (symbolising the heavens) on top of a square church building (symbolising the earth). </text>
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                <text>Carter, Bree</text>
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                <text>2013</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="33544">
                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Carr Street</name>
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        <name>Community of The Annunciation Of Our Lady</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Viking Statue at Miss Maud's</text>
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            <description>The topic of the resource</description>
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                <text>Miss Maud, Sweden, Swedish, restaurant, bakery, bakehouse, food, dining, eating, hotel, viking, vikings, limestone, figure, figures, statue, sculpture, statues, helmet, Perth, WA, Western Australia, Fitzgerald Street</text>
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                <text>An image of the giant Viking head statue located outside Miss Maud's Swedish restaurant and bakehouse on Fitzgerald Street in Perth, WA. &#13;
&#13;
The figure has a long, bushy beard and is wearing a horned helmet. It appears to be made of limestone. </text>
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                <text>Carter, Bree</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2013</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <name>Format</name>
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        <name>figure</name>
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        <name>Fitzgerald Street</name>
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        <name>food</name>
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        <name>helmet</name>
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        <name>helmets</name>
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        <name>hotel</name>
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        <name>limestone</name>
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        <name>Miss Maud</name>
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        <name>statue</name>
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        <name>statues</name>
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        <name>Swedish</name>
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        <name>viking</name>
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        <name>vikings</name>
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      <tag tagId="838">
        <name>WA</name>
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        <name>Western Australia</name>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <name>Local URL</name>
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              <text>&lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>â€˜Vikings Visited Cairnsâ€™, Rex Gilroy, Psychic Australia </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="33481">
                <text>BifrÃ¶st, Cairns, Rex Gilroy, horned helmet, Mysterious Australia, Norse, Odin, opera, Psychic Australia, Qld, Queensland, Ring Cycle, Scandinavia, ship, swastika, Thor, Valkyrie, Viking, Vikings Visited Cairns, Richard Wagner, website.</text>
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                <text>&lt;p&gt;This article from &amp;lsquo;Psychic Australia&amp;rsquo; in March 1977 by Rex Gilroy claims that Norse/Scandinavian sailors visited the South Pacific and northern Australia. The article, &amp;lsquo;Vikings Visited Cairns&amp;rsquo;&amp;rsquo;, is now freely available online on the Mysterious Australia website. The article includes various arguments for a Norse presence in the south Pacific, including swastika symbols found in rock and wood art in Java, Cambodia, Malaya, and Vietnam, the shape of war canoes in Fiji, New Guinea, the Solomon Islands, and Tonga, and the physical appearance of some of the native inhabitants of New Guinea. Similar arguments are then applied to northern Australia, augmented by a comparison between northern-Australian Aboriginal religious beliefs and those of the Norse, such as the existence of a rainbow bridge (Bifr&amp;ouml;st in Old Norse texts) in both cultures, and spirits, or Valkyries, carrying off the dead after a battle. Gilroy also considers rock art near Cairns, Queensland, to show warriors dressed as Vikings in horned helmets. The author&amp;rsquo;s belief that Vikings wore horned and winged helmets, both of which became popularly associated with Vikings through the costumes used in Richard Wagner&amp;rsquo;s (1813-1883) Ring Cycle operas (although there is evidence for the ceremonial use of horned helmets in pre-Viking age Scandinavia), and the confusion in calling Wotan/O&amp;eth;in/Odin the thunder god instead of &amp;THORN;orr/Thor, allows for little confidence in the assertions of the article.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gilroy, Rex</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Psychic Australia (hard copy); Mysterious Australia (online) </text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>March 1977</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33486">
                <text>Copyright Â© 2006  - Uru Publications</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Website</text>
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        <name>BifrÃ¶st</name>
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        <name>Cairns</name>
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      <tag tagId="2975">
        <name>horned helmet</name>
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      <tag tagId="6223">
        <name>Mysterious Australia</name>
      </tag>
      <tag tagId="2525">
        <name>Norse</name>
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      <tag tagId="3173">
        <name>Odin</name>
      </tag>
      <tag tagId="5113">
        <name>opera</name>
      </tag>
      <tag tagId="6224">
        <name>Psychic Australia</name>
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      <tag tagId="1350">
        <name>Qld</name>
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      <tag tagId="475">
        <name>Queensland</name>
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      <tag tagId="6222">
        <name>Rex Gilroy</name>
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      <tag tagId="4774">
        <name>Richard Wagner</name>
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      <tag tagId="4772">
        <name>Ring Cycle</name>
      </tag>
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        <name>Scandinavia</name>
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        <name>ship</name>
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        <name>swastika</name>
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        <name>Thor</name>
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        <name>Valkyrie</name>
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        <name>viking</name>
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        <name>Vikings Visited Cairns</name>
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              <text>&lt;a href="http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1"&gt;http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1&lt;/a&gt;</text>
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                <text>The Kingâ€™s Horses Medieval Equestrian Society Inc., Ballarat, Victoria</text>
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                <text>Armour, Ballarat, combat, costume, equestrian, helmet, horse, The Kingâ€™s Horses, The Kingâ€™s Horses Medieval Equestrian Society Inc., jousting, knight, lance, living history, performance, re-creation, re-enactment, shield, sword, tournament, Vic, Victoria, weapons, website.</text>
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                <text>&lt;p&gt;The King&amp;rsquo;s Horses Medieval Equestrian Society Inc. are a living history group based in the Victorian city of Ballarat. The group were formed in 2007 to focus on the equestrian aspects of the medieval period, especially the 13th century. The King&amp;rsquo;s Horses re-enact jousting at tournaments, where knights riding horses would do battle. The knights and horses are clad in appropriate costume, including helmets, armour, swords, lances, and shields. The group perform at medieval fairs, schools, and corporate functions.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1"&gt;http://kingshorses.ballarat.vic.au/index.php?option=com_frontpage&amp;amp;Itemid=1&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&amp;lsquo;Gerni Weekend Warriors&amp;rsquo; is a marketing campaign created by Sydney ad agency MJW to promote Gerni high pressure water cleaners. The television advert features three men dressed as warriors from the past using a Gerni to clean their cars and houses, with the Gerni clearly taking the place of a weapon. The men are dressed as a Roman centurion with cape, helmet and breastplate; a Viking (c. 800-1000) wearing a horned helmet and animal skin; and a thirteenth century Mongol wearing a fur-lined conical helmet, fur boots, and upper-body armour.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see &lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For an article on the marketing campaign see &lt;a href="http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni"&gt;http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>August, 2012</text>
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                <text>Gerni, MJW</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.dragonsrealm.com.au/"&gt;http://www.dragonsrealm.com.au/&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Dragon&amp;rsquo;s Realm are both a re-enactment group and a retail store based in the northern Tasmanian city of Burnie. The store opened in 2006 and is located in the CBD in a former church built in the Gothic Revival style with buttresses and lancet windows. Products are also available online and include medieval-style weapons (swords, axes, spears etc), clothing, and armour, as well as medieval-inspired items such as fantasy books and castle tower candle holders.&lt;/p&gt;&#13;
&lt;p&gt;The re-enactment group, The Sovereign Military Order of the Knights Templar Tasmania [The Dragon Order], is a full contact battle group practicing western martial arts swordsmanship combat. The group re-create combat from the whole medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://www.dragonsrealm.com.au/&lt;/p&gt;</text>
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              <elementText elementTextId="33430">
                <text>Copyright Â© 2013 The Dragon's Realm. All rights reserved. </text>
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                <text>Anglo-Saxons, Ascomanni Medieval Re-enactment Society, Battle of Hastings, Battle of Stamford Bridge, combat, costume, Launceston, living history, Normans, Oseberg Ship Burial, Oseberg Tapestry, re-creation, re-enactment, Saxons, Tas, Tasmania, Viking Age, Vikings, website.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;Ascomanni Medieval Re-enactment Society is a living history group based in the Tasmanian city of Launceston. The group focus on Anglo-Saxons, Normans, and Vikings during the later Viking Age, specifically the period 966-1066 ending with the Norwegian defeat at Stamford Bridge and the Norman victory at Hastings. Ascomanni (a term used for the Vikings by the eleventh-century German chronicler Adam of Bremen) focus both on the daily life and martial aspects of the Viking Age.&lt;/p&gt;&#13;
&lt;p&gt;Their website banner is an image of the reconstructed Oseberg Tapestry which was found in the Oseberg ship burial in Norway, c. 834.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://ascomanni.webs.com/&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ascomanni Medieval Re-enactment Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33423">
                <text>Ascomanni Medieval Re-enactment Society, Copyright Â©2011</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Website</text>
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        <name>Anglo-Saxons</name>
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        <name>Battle of Hastings</name>
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        <name>Battle of Stamford Bridge</name>
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        <name>Launceston</name>
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        <name>living history</name>
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        <name>Normans</name>
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        <name>Oseberg Ship Burial</name>
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        <name>Oseberg Tapestry</name>
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        <name>re-creation</name>
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        <name>re-enactment</name>
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        <name>Saxons</name>
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        <name>Tas</name>
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        <name>vikings</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
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          <name>URL</name>
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              <text>&lt;a href="http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&amp;amp;IRN=100786"&gt;http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&amp;amp;IRN=100786&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33409">
                <text>â€˜Inferno, canto XIII: The Forest of Suicidesâ€™ by Fiona Hall</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33410">
                <text>Afterlife, allegory, art, artwork, birds, canto, Dante Alighieri, dogs, epic poem, forest, Giacomo of Santâ€™ Andrea, harpies, Hell, â€˜Illustrations to Danteâ€™s Divine Comedyâ€™, Inferno, journey, Lano, medieval literature, mastiffs, medieval world-view, modern art, Pier della Vigna (c.1190-1249), photograph, poem, punishment, sin, soul, suffering, The Divine Comedy, The Forest of the Suicides, The National Gallery, trees, underworld, Virgil, wounded.</text>
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          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33411">
                <text>&lt;p&gt;This photographic artwork by Australian artist Fiona Hall belongs to a series titled &amp;lsquo;Illustrations to Dante&amp;rsquo;s Divine Comedy&amp;rsquo;. It is held by The National Gallery of Australia and depicts a scene from canto XIII of Dante Alighieri&amp;rsquo;s &amp;lsquo;Inferno&amp;rsquo;, the first part of his famous medieval Italian poem &lt;em&gt;The Divine Comedy&lt;/em&gt;. Written between 1308 and 1321,&lt;em&gt; The Divine Comedy&lt;/em&gt; tells of Dante&amp;rsquo;s journey through hell, purgatory and paradise respectively, guided at first by the Roman poet Virgil and then by his ideal woman, Beatrice. In canto XIII, Dante and Virgil descend into the second ring of the seventh circle of hell, where people who committed suicide were cast. They come across a thorny, tangled forest of gnarled trees that bleed and cry in pain when they are broken. One of the trees, who identifies himself as Pier della Vigna, a prominent figure at the imperial court of Frederick II, explains to Dante that people like himself who committed suicide were sent by Minos to the wood where they would grow into trees, all the while being wounded by harpies (half woman/half-bird creatures) who would tear and feast on their leaves. They are then disturbed by the sight of two figures running frantically through the forest. The slower of the two, subsequently identified as Giacomo of Sant&amp;rsquo; Andrea, takes refuge in a bush, only to be pounced upon by a number of black female mastiffs who &amp;lsquo;rent him piecemeal&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For an English translation of &amp;lsquo;Inferno, canto XIII&amp;rsquo;, translated by the Rev. H. F. Cary, see: &lt;a href="http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html"&gt;http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="33412">
                <text>Fiona Margaret Hall</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="33413">
                <text>The National Gallery of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="33414">
                <text>The National Gallery of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33415">
                <text>1988</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33416">
                <text>The National Gallery of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33417">
                <text>Photograph, 53.3cm x 61.5cm.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>â€˜Illustrations to Danteâ€™s Divine Comedyâ€™</name>
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        <name>Afterlife</name>
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        <name>allegory</name>
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        <name>art</name>
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        <name>artwork</name>
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        <name>birds</name>
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      <tag tagId="6180">
        <name>canto</name>
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        <name>Dante Alighieri</name>
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        <name>dogs</name>
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        <name>epic poem</name>
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        <name>forest</name>
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        <name>Giacomo of Santâ€™ Andrea</name>
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        <name>harpies</name>
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      <tag tagId="6186">
        <name>Hell</name>
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      <tag tagId="6188">
        <name>Inferno</name>
      </tag>
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        <name>journey</name>
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        <name>Lano</name>
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        <name>mastiffs</name>
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        <name>medieval literature</name>
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        <name>modern art</name>
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        <name>photograph</name>
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        <name>Pier della Vigna (c.1190-1249)</name>
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        <name>poem</name>
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        <name>punishment</name>
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        <name>sin</name>
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        <name>soul</name>
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        <name>suffering</name>
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        <name>The Divine Comedy</name>
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        <name>The National Gallery</name>
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        <name>trees</name>
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        <name>underworld</name>
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        <name>Virgil</name>
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        <name>wounded</name>
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