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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Beehive Corner, Adelaide</text>
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                <text>Adelaide, arch, architecture, banded brickwork, commercial building, corbel, English &amp; Soward, Federation Gothic style, gable, golden bee, Gothic Revival, Haighâ€™s chocolate store, historic site, John Rundle (1791-1864), King William Street, lancet arch, neo-gothic, quatrefoil, pinnacle, red brick, restoration, retail, Rundle Mall, SA, shopping mall, South Australia, tourelle, turret</text>
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                <text>A view of Beehive Corner at the Western end of Rundle Mall in Adelaide, South Australia. This historic corner site was originally owned by John Rundle and has been known as â€˜Beehive Cornerâ€™ since the 1840s. The Federation Gothic style building pictured here is the second building to stand on the site, replacing an older, plainer building erected in 1849. The present building was constructed between 1894 and 1896, most probably by architects English &amp; Soward. It provides a rare example where neo-gothic architecture was used for a commercial building. Its characteristic gothic features include the lancet-arched windows with quatrefoil insets, the banded brickwork, the corbel effect, the pinnacles and the tourelle (or turret) bearing the name â€˜Beehive Cornerâ€™ in gold lettering. Original features and details that had been stripped away during the twentieth century were restored in 1998.</text>
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                <text>Dorey, Margaret</text>
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                <text>7 July 2011</text>
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                <text>Dorey, Margaret, &amp;ldquo;Beehive Corner, Adelaide,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/499"&gt;http://ausmed.arts.uwa.edu.au/items/show/499&lt;/a&gt;</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="line-height: 115%; font-size: 10pt;"&gt; &lt;a href="http://www.smh.com.au/national/knights-templar-jump-from-dan-brown-to-down-under-20091211-kok7.html" target="_blank"&gt;http://www.smh.com.au/national/knights-templar-jump-from-dan-brown-to-down-under-20091211-kok7.html&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Knights Templar jump from Dan Brown to Down Under </text>
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          <element elementId="49">
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                <text>Dan Brown, Crusades, The Da Vinci Code, knights, knighthood, Knights Templar, fiction, literature, Christian, Christianity, religion, religious, war, Military Orders, New South Wales, NSW, Sydney, The Sydney Morning Herald</text>
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                <text>An article by Dylan Welch in The Sydney Morning Herald about the Knights Templar in Australia. The article briefly outlines the origins of the order in the early twelfth century as protectors of Christian pilgrims to Jerusalem, and its disbandment in the early fourteenth. The order has since been revived and now also operates in Australia, combining Christian charity work with instruction in swordplay and a French form of kickboxing. The article interviews two Australian members of the Templarâ€™s, Paul Oâ€™Sullivan and Paul Grice. It is noted that the modern knights have little in common with those featured in Dan Brownâ€™s novel â€˜The Da Vinci Codeâ€™. Instead, they are described as a â€˜modern-day esoteric knighthoodâ€™.</text>
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                <text>Welch, Dylan</text>
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                <text>12 December 2009</text>
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              <elementText elementTextId="10632">
                <text>The Sydney Morning Herald</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;span&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt;&lt;a href="https://www.courses.uq.edu.au/student_section_loader.php?section=1&amp;amp;profileId=42451" target="_blank"&gt;https://www.courses.uq.edu.au/student_section_loader.php?section=1&amp;amp;profileId=42451&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Adaptation: Studies in Transmission between Cultures and Forms </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Brisbane, fiction, literature, The Lord of the Rings, QLD, Queensland, J.R.R. Tolkien, The University of Queensland, Tolkien, university, universities</text>
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                <text>A 2011 undergraduate unit run by Associate Professor Frances Bonner in the School of English, Media and Art History at the St Lucia campus of The University of Queensland. Week 7 of the unit uses Tolkienâ€™s books informed by the early medieval world, The Lord of the Rings, as its case study.   </text>
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                <text>Bonner, Frances</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The University of Queensland</text>
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                <text>The University of Queensland</text>
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                <text>2 March 2011</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10643">
                <text>The University of Queensland</text>
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                <text>Undergraduate Course</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>A short article with photograph on page 22 of the Hobart newspaper â€˜The Mercuryâ€™ on September 5, 1953. The article reports the recent activities of the World War Two Norwegian resistance hero Lief Larsen. The article describes Larsen as a â€˜Modern Vikingâ€™.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <element elementId="50">
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>A review of the film The Viking on page 14 of the Adelaide newspaper â€˜The Advertiserâ€™ on October 17, 1929. The film was about Lief Eriksson, or Leif the Lucky, the leader of possibly the first group of Europeans to reach North America. The review is positive, describing the film as â€˜a remarkable screen achievementâ€™, featuring dragon ships and Viking dress and armour. The reviewer also notes that Lief had a saga written about him, although the saga (story) that provides the most information about Lief is the saga about his father, Saga of Erik the Redâ€™s.    </text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>National Library of Australia</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>dragon</name>
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        <name>Lief Eriksson</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia</text>
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            <description>The topic of the resource</description>
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                <text>Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia</text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint Michael&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate.&lt;strong&gt; &lt;/strong&gt;This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts Michael, archangel and commander of the Lord&amp;rsquo;s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (&lt;em&gt;Revelation&lt;/em&gt;, 12:7-9). As is common in artistic renditions, Michael&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of &amp;lsquo;Good&amp;rsquo;. During the medieval period, St Michael&amp;rsquo;s feast day (29 September) &amp;ndash; known as Michaelmas &amp;ndash; was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Le Coultre, Eleanor</text>
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                <text>23 November 2010</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10687">
                <text>Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA.</text>
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            <name>Format</name>
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        <name>J. J. Talbot Hobbs (1864-1938)</name>
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        <name>leadlight windows</name>
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        <name>medieval calendar</name>
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        <name>medieval Holy Day</name>
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        <name>Michaelmas</name>
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        <name>neo-Romanesque</name>
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        <name>saints</name>
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        <name>semi-circular arch</name>
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        <name>St Alban</name>
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      <tag tagId="1822">
        <name>St George</name>
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        <name>St Michael</name>
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        <name>St. Alban</name>
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        <name>St. Michael</name>
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      <tag tagId="375">
        <name>stained-glass</name>
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      <tag tagId="1442">
        <name>Victorian Romanesque style</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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        <name>window</name>
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        <name>windows</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Viking Breed</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>An article on page 4 of The Brisbane Courier newspaper on April 6, 1909. The article reports on an official welcome in Sydney Town Hall for returned Antarctic explorer Professor (Sir) Edgeworth David. In recounting the achievements of the expedition the anonymous author takes the opportunity to compare the adventures to earlier voyages of exploration by the Norsemen recounted in Sagas and Eddas. The article also manages to mention the Norse god Thor, noting that it was fortunate the his hammer did not â€˜descend in wrath and blizzardâ€™, allowing Professor David to return home and do â€˜honour both to science and the Empireâ€™.  </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>The Brisbane Courier</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6 April 1909</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10697">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="10698">
                <text>Newspaper Article; PDF</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>honour</name>
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        <name>Nimrod</name>
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        <name>saga</name>
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        <name>Sydney</name>
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        <name>Sydney Town Hall</name>
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        <name>The Brisbane Courier</name>
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        <name>Thor</name>
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        <name>viking</name>
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        <name>vikings</name>
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                <description/>
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                <name>Channels</name>
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              <element elementId="73">
                <name>Height</name>
                <description/>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>2 x Digital Photographs; JPEGs</text>
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          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Bethany Church of God, Raglan Road, North Perth</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10851">
                <text>Jerusalem, Saint Lazarus of Bethany, Saint Martha of Bethany, St Mary of Bethany, saints, saint, church, churches, Christianity, Christian, religion, religious, worship, Perth, WA, Western Australia, J. Hine, architect, architecture</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Images of the front of Bethany Church of God on Raglan Road in North Perth, Western Australia. The Church, designed by architect J. Hine, was originally built in 1913, and has received further renovations in 1935 and in more recent years.  </text>
              </elementText>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10853">
                <text>Carter, Bree</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10854">
                <text>28 July 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10855">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="10856">
                <text>Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/511"&gt;http://ausmed.arts.uwa.edu.au/items/show/511&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth, Western Australia ,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/510"&gt;http://ausmed.arts.uwa.edu.au/items/show/510&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Arched Windows, Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/509"&gt;http://ausmed.arts.uwa.edu.au/items/show/509&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;The Bethany Church of God, North Perth - Rose Window,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/508"&gt;http://ausmed.arts.uwa.edu.au/items/show/508&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Jerusalem</name>
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        <name>Perth</name>
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        <name>Saint Lazarus of Bethany</name>
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        <name>Saint Martha of Bethany</name>
      </tag>
      <tag tagId="1691">
        <name>saints</name>
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        <name>St Mary of Bethany</name>
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      <tag tagId="838">
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      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
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