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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.fourseasonsgutterpro.com.au/"&gt;http://www.fourseasonsgutterpro.com.au/&lt;/a&gt;</text>
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                <text>Four Seasons Gutter Protection</text>
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                <text>Advertisement, cartoon, flail, foot soldier, Four Seasons Gutter Protection, helmet, mace, pike, shield, soldier, spear, Vic, Victoria, website.</text>
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                <text>&lt;p&gt;The website and advertisements for Four Season Gutter Protection feature four cartoon medieval foot soldiers wearing helmets and brandishing shields and weapons &amp;ndash; flails (a type of mace) and spears or pikes. The heads of the weapons are in the shape of different leaves, and the leaves also feature on the soldiers helmets and shields. The soldiers are evidently protecting your gutters against leaves.&lt;/p&gt;&#13;
&lt;p&gt;Four Season Gutter Protection are an Australian-wide company based in Victoria.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.fourseasonsgutterpro.com.au/"&gt;http://www.fourseasonsgutterpro.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Four Seasons Gutter Protection</text>
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                <text>2011</text>
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                <text>Â© 2011 Four Seasons Gutter Protection. All Rights Reserved.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Glass, Paper, Wood (no image available)</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/RELAWM12571"&gt;http://cas.awm.gov.au/item/RELAWM12571&lt;/a&gt;</text>
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                <text>Framed coat of arms - General Sir John Monash </text>
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                <text>Badge of Coat of Arms of Sir John Monash, Coat of arms, heraldry, insignia, John Monash, shield, scroll, â€˜marte et arteâ€™, knight, knights, knighthood, chivalry, knightâ€™s helmet, helmet, lion, compass, College of heralds, Latin motto, Latin, motto</text>
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                <text>&lt;p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"&gt;&lt;span&gt;Hand drawn and coloured picture of the Monash coat of arms, which has been signed vertically 'R K PEACOCK'. The image shows a blue shield divided horizontally by a gold band. Above the band are five eight pointed gold stars. Beneath the band is a sword with two laurel branches, all in gold. A scroll beneath the shield bears the motto 'MARTE ET ARTE'. The ends of the scroll are a dark pink, gradually lightening to a white centre. Above the shield is a knight's helmet with a gold and blue ribbon and leaf design on both sides. Sitting above the helmet is the upper half of a dark pink (possibly meant to be red) lion, holding a pair of gold compasses. The drawing is held in a brown wooden frame with a brown matte.&lt;br /&gt; &lt;br /&gt; A paper label is pasted on the back with typed details: ' ARMS OF / GENERAL SIR JOHN MONASH, / G.C.M.G., K.C.B. / (Granted by the College of Heralds, 1918) / ARMS- Azure, a fess between in chief five / mullets of eight points three and / two, and in base a sword within two / branches of laurel all Or. / CREST - On a wreath of the colours a demi / lion Gules holding between the paws / a pair of compasses Or. / MOTTO - "MARTE ET ARTE". / (Authority - "Fox-Davies Armorial Families" / Vol.II, page 1371)". Next to 'MARTE ET ARTE' is hand written '(BY WAR AND BY ARTS)' . The label is signed 'R.K. Peacock / 1937'.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;Permalink:&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;&lt;span&gt; &lt;a href="http://cas.awm.gov.au/item/RELAWM12571" target="_blank"&gt;http://cas.awm.gov.au/item/RELAWM12571&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"&gt;&lt;em&gt;&lt;span&gt;Also see &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ol type="1"&gt;&#13;
&lt;li class="MsoNormal" style="line-height: normal;"&gt;&lt;span&gt;Serle, G. &lt;em&gt;John Monash: A Biography&lt;/em&gt; (Melb, 1982) &lt;/span&gt;&lt;/li&gt;&#13;
&lt;li class="MsoNormal" style="line-height: normal;"&gt;&lt;span&gt;Pedersen, P. &lt;em&gt;Monash as Military Commander&lt;/em&gt; (Melb, 1985). &lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ol&gt;</text>
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                <text>Peacock, Robert Knox</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Australian War Memorial Website</text>
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                <text>1937</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Australian War Memorial &#13;
RELAWM12571</text>
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                <text>Hyperlink</text>
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        <name>â€˜marte et arteâ€™</name>
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        <name>knights</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Franklin Village Chapel, Franklin Village, Tasmania</text>
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                <text>Anglican, bellcote, chapel, Franklin Village, Franklin Village Chapel, Gothic, Gothic Revival, St James Church, Launceston, Bishop Francis Nixon, pointed arch, school, Tas, Tasmania.</text>
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                <text>Consecrated and renamed St James Anglican Church in 1926, this building is in Franklin Village, Tasmania, was originally known as Franklin Village Chapel and is on what used to be the main road between Hobart and Launceston. The rendered brick chapel was opened in 1845 by Tasmaniaâ€™s first bishop, Francis Nixon, and it operated as a school from 1847. The modest building is in the Gothic Revival style and features a bellcote and pointed-arch windows. Franklin Village is now virtually an outer suburb of Launceston.   </text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Architecture, capital punishment, conservation, Considine &amp; Griffiths Architects, architect, convict, Convict Establishment, convict labour, Edmund Henderson, Edward I of England (1239-1307), fortification, Fremantle, Fremantle Prison, gate, gatehouse, limestone, maximum security, medieval castle, medieval warfare, penal establishment, prison, stonework, Swan River Colony, towers, transportation, WA, Western Australia</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the Fremantle Prison Gatehouse in  Fremantle, Western Australia. The Gatehouse was constructed by convict  labour between 1854 and 1855. It was built according to the design of  Royal Engineer Edmund Henderson from limestone quarried on site.  Gatehouses consisting of two close towers with a gate positioned between  them were a common feature of medieval castles and walled cities,  especially during the reign of Edward I in England (1272-1307).  Gatehouses were deliberately designed to be large and imposing  structures, because their purpose was to protect the weakest point of a  fortified space - the entrance. A major restoration of the Fremantle  Prison Gatehouse took place in 2005 under the management of Considine  and Griffiths Architects. The stonework was conserved and all  non-original rendering was removed.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About Fremantle Prison:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Fremantle  Prison was originally named The Convict Establishment, then The  Colonial Convict Establishment. It was renamed Fremantle Prison in 1867.  The building of the prison commenced in 1852, following a British  government directive that the Swan River Colony was to be used as a  penal establishment and the arrival of the first ship of convicts in  June 1850. The prison was first occupied in May 1855. Control of the  prison was handed over to the colonial authorities in 1886, and the  gallows were added in 1888 (following the closure of the Perth Gaol in  1887). From then until capital punishment was abolished by an act of  State Parliament in 1984, Fremantle Prison was the only legal place of  execution in the colony and later the state. The prison was  decommissioned in 1991, when the remaining male inmates and staff were  transferred to the new maximum security prison at Casuarina. The Women&amp;rsquo;s  Division, added to the prison in 1889, had been disbanded in 1970 when  female prisoners were transferred to Bandyup Women&amp;rsquo;s Training Centre.  Since its closure, Fremantle Prison has been added to the State,  National and World Heritage Lists. For more information and a list of  recommended readings, see Fremantle Prison&amp;rsquo;s official website: &lt;a href="http://www.fremantleprison.com.au/" target="_blank"&gt;http://www.fremantleprison.com.au&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>4 February 2011</text>
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            <name>Format</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>Title, URL, Description or annotation.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Engraving:&lt;br /&gt;http://www.catalog.slsa.sa.gov.au:80/record=b2132504~S1</text>
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                <text>Friendly Society Picnic March at Belair National Park</text>
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                <text>Ancient Order of Foresters, Foresters Friendly Society, Foresters, Friendly Society, Friendly Societies, banner, banners, procession, processions, South Australia, Belair, SA </text>
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                <text>&lt;p&gt;Men, women, and children marching with Ancient Order of Foresters banners prior to arriving at the Belair National Park. &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The 'Ancient Order'&amp;nbsp;in the friendly society's title probably refers to the medieval origins of foresters. The term entered Middle English via Old French and is first attested in English in 1297. A forester was an officer in charge of a forest, or of growing timber on an estate&amp;nbsp;(&lt;em&gt;Oxford English Dictionary&lt;/em&gt;).The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The Foresters are a non-profit organisation. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/p&gt;&#13;
&lt;p&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were utilised for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/p&gt;&#13;
&lt;p&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated members, has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities."&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.forestersfs.com.au/1history.html"&gt;http://www.forestersfs.com.au/1history.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
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                <text>State Library of South Australia</text>
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            <name>Publisher</name>
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                <text>Unknown</text>
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                <text>ca. 1914</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Reproduction rights owned by State Library of South Australia</text>
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        <name>banners</name>
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      <tag tagId="884">
        <name>Foresters</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Newspaper Article</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fringes and Tassels. Medieval Fashion Revived.</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15739">
                <text>medieval fashion, medieval decoration, domestic furnishings, Renaissance, medieval handicrafts, fringes, tassels, curtains, embroidery, medieval dress, dress, vogue, medieval style, fashion</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15740">
                <text>This newspaper article suggests that a renewed interest in Renaissance fashions and medieval handicrafts can be seen in the elaborate cord trimmings, satin embroidery, coloured fringes and tassels that were being incorporated into home decoration schemes in 1934.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="15741">
                <text>Anon.</text>
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