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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Chaucerâ€™s Portrait Gallery</text>
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                <text>G.H. suggests that the English novel is indebted to Chaucerâ€™s literary device of throwing together people from assorted social grades to interact. The writer notes that few people read Chaucer for pleasure but if they did master Middle English they would agree that Chaucer was the greatest depicter of social types that English literature has produced. Chaucerâ€™s interest in human nature is his most important quality. Humour and humanity are also characteristics of Englishness, the author remarks. The article finishes with a quote from Dryden: â€˜Here is Godâ€™s plenty.â€™ [HH]&#13;
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                <text>G.H.</text>
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                <text>National Library of Australia</text>
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                <text>The Argus</text>
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                <text>21 September 1940</text>
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                <text>Public Domain</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://courses.utas.edu.au/portal/page?_pageid=53,33239&amp;amp;_dad=portal&amp;amp;_schema=PORTAL&amp;amp;P_UNIT_CODE=HEA370&amp;amp;P_YEAR=2011&amp;amp;P_CONTEXT=NEW" target="_blank"&gt;http://courses.utas.edu.au/portal/page?_pageid=53,33239&amp;amp;_dad=portal&amp;amp;_schema=PORTAL&amp;amp;P_UNIT_CODE=HEA370&amp;amp;P_YEAR=2011&amp;amp;P_CONTEXT=NEW&lt;/a&gt;&lt;/span&gt;</text>
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                <text>'Fictions of History' Unit</text>
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                <text>literature, Hobart, Ivanhoe, medievalism literature, Rosemary Gaby, Tasmania, university, universities, historiography, fiction, fictional, University of Tasmania, UTAS, Walter Scott</text>
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                <text>Undergraduate unit â€˜Fictions of Historyâ€™ offered at the Hobart campus of The University of Tasmania (Coordinator: Dr Rosemary Gaby). The unit investigates how the past is represented in literature and includes Sir Walter Scottâ€™s novel set in the medieval period, Ivanhoe.</text>
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                <text>Gaby, Rosemary </text>
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                <text>University of Tasmania</text>
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                <text>University of Tasmania</text>
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            <name>Date</name>
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                <text>15 June 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="8463">
                <text>Rosemary Gaby</text>
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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.abc.net.au/dimensions/dimensions_people/Transcripts/s833528.htm" target="_blank"&gt;http://www.abc.net.au/dimensions/dimensions_people/Transcripts/s833528.htm&lt;/a&gt;</text>
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                <text>Interview with Prince Leonard, George Negus Tonight, New People Dimensions, â€˜Episode 11: Prince Leonardâ€™, 16/4/2003. </text>
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                <text>â€˜H.R.H Prince Leonard Iâ€™, 'Prince Leonard', â€˜Principality of Hutt Riverâ€™, â€˜Hutt River Provinceâ€™, â€˜Royal Orderâ€™, regalia, knight, knighthood, â€˜knighting ceremonyâ€™, heraldry, sword</text>
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                <text>In this transcript from episode 11 of the ABCâ€™s George Negus Tonight: New People Dimensions series, reporter Brendan Hutchens interviews Prince Leonard I of what was the Hutt River Province Principality (now the Principality of Hutt River). In April 1970, the Hutt River Province seceded from Australia and has functioned since as a principality under the sovereignty of Prince Leonard I and his wife Princess Shirley. The PHRâ€™s Royal College of Heraldry established an extensive system of heraldic honours, and during the course of this interview Prince Leonard performs a knighthood ceremony to admit Brendan Hutchens into the Royal Order of the Hutt River Province principality.  </text>
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                <text>George Negus Tonight: New People Dimensions</text>
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                <text>Episode broadcast on ABC 16/4/2003; Archived on ABC Online.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24032">
                <text>ABC, 2010.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Interview Transcript</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/REL32963.002"&gt;http://cas.awm.gov.au/item/REL32963.002&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Award; military heraldry&lt;br /&gt;Silver; Silver gilt; Enamel</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/REL32963.002"&gt;http://cas.awm.gov.au/item/REL32963.002&lt;/a&gt;</text>
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                <text>Breast Star of Knight Commander of the Order of the British Empire : Sir Thomas Daly</text>
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            <description>The topic of the resource</description>
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                <text>regalia, heraldry, award, awards, Thomas Joseph Daly, knights, knight, knighthood, military, military heraldry, heraldic badge, badge, heraldry, WWII, World War Two, World War II, Second World War</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12307">
                <text>Thomas Joseph Daly, the son of First World War veteran Lieutenant Colonel Thomas Daly, was born in Ballarat in March 1913. He attended the Royal Military College (RMC), Duntroon from 1930 to 1934 and was commissioned into 4 Light Horse Regiment. He served with the British Army in India in 1938, and on the outbreak of war enlisted in the Second Australian Imperial Force. He was appointed adjutant of 2/10 Infantry Battalion and later promoted to brigade major of 18 Brigade, serving in the Tobruk and North African campaigns. After attending Staff School at Haifa in 1942 he was promoted to lieutenant colonel and appointed senior staff officer to 5 Australian Division. He served in New Guinea and Australia until he was appointed commanding officer of 2/10 Battalion, leading them in the Balikpapan invasion. In July 1945 he was appointed an Officer of the Order of the British Empire. The citation reads 'As G.S.O.1 [General Staff Officer] in an Australian Division Lieutenant-Colonel Daly has constantly carried out his duties with vigour and exceptional ability. His sound judgment, attention to detail and lively foresight have proved invaluable to his commander.' On 6 October 1945 was made a Companion of the Distinguished Service Order for his leadership at Balikpapan. After the war, Daly took up a number of staff appointments and also instructed at the Staff College, Camberley, in the United Kingdom, in 1946. After a period at RMC Duntroon, he was appointed temporary colonel in July 1951 and confirmed in this rank in May 1952. A month later he was posted to command 28 Commonwealth Brigade, a British and Australian composite unit which was fighting in Korea. Further senior commands followed his return to Australia, and in 1959 he was promoted to major general. In 1965 he was gazetted a Companion of the Bath for his contribution to the development of the Australian Army. In 1966 he became Chief of the General Staff with a promotion to lieutenant general. Daly was knighted June 1967. He retired in 1971. Between 1974 and 1984 he served as Chairman of the Australian War Memorial's Board of Trustees (later Council). Sir Thomas Daly died in Sydney in January 2004, aged 90.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;a href="http://cas.awm.gov.au/item/REL32963.002"&gt;http://cas.awm.gov.au/item/REL32963.002&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12308">
                <text>Gerard &amp; Co.</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="12309">
                <text>Australian War Memorial Site&lt;br /&gt;&lt;br /&gt;&lt;a href="http://cas.awm.gov.au/item/REL32963.002"&gt;http://cas.awm.gov.au/item/REL32963.002&lt;/a&gt;</text>
              </elementText>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="12310">
                <text>Australian War Memorial</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12311">
                <text>c 1967</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12312">
                <text>Australian War Memorial</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12313">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12314">
                <text>Award</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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      <tag tagId="3552">
        <name>award</name>
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      <tag tagId="3553">
        <name>awards</name>
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      <tag tagId="1541">
        <name>Badge</name>
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      <tag tagId="3498">
        <name>heraldic badge</name>
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      <tag tagId="362">
        <name>heraldry</name>
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      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="139">
        <name>knighthood</name>
      </tag>
      <tag tagId="1249">
        <name>knights</name>
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      <tag tagId="385">
        <name>military</name>
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      <tag tagId="3555">
        <name>military heraldry</name>
      </tag>
      <tag tagId="360">
        <name>regalia</name>
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      <tag tagId="1942">
        <name>Second World War</name>
      </tag>
      <tag tagId="3554">
        <name>Thomas Joseph Daly</name>
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      <tag tagId="2423">
        <name>World War II</name>
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      <tag tagId="3519">
        <name>World War Two</name>
      </tag>
      <tag tagId="1941">
        <name>WWII</name>
      </tag>
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  </item>
  <item itemId="1274" public="1" featured="0">
    <collection collectionId="6">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="7">
      <name>Website</name>
      <description>A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).</description>
      <elementContainer>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
          <elementTextContainer>
            <elementText elementTextId="33488">
              <text>&lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;</text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33480">
                <text>â€˜Vikings Visited Cairnsâ€™, Rex Gilroy, Psychic Australia </text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33481">
                <text>BifrÃ¶st, Cairns, Rex Gilroy, horned helmet, Mysterious Australia, Norse, Odin, opera, Psychic Australia, Qld, Queensland, Ring Cycle, Scandinavia, ship, swastika, Thor, Valkyrie, Viking, Vikings Visited Cairns, Richard Wagner, website.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33482">
                <text>&lt;p&gt;This article from &amp;lsquo;Psychic Australia&amp;rsquo; in March 1977 by Rex Gilroy claims that Norse/Scandinavian sailors visited the South Pacific and northern Australia. The article, &amp;lsquo;Vikings Visited Cairns&amp;rsquo;&amp;rsquo;, is now freely available online on the Mysterious Australia website. The article includes various arguments for a Norse presence in the south Pacific, including swastika symbols found in rock and wood art in Java, Cambodia, Malaya, and Vietnam, the shape of war canoes in Fiji, New Guinea, the Solomon Islands, and Tonga, and the physical appearance of some of the native inhabitants of New Guinea. Similar arguments are then applied to northern Australia, augmented by a comparison between northern-Australian Aboriginal religious beliefs and those of the Norse, such as the existence of a rainbow bridge (Bifr&amp;ouml;st in Old Norse texts) in both cultures, and spirits, or Valkyries, carrying off the dead after a battle. Gilroy also considers rock art near Cairns, Queensland, to show warriors dressed as Vikings in horned helmets. The author&amp;rsquo;s belief that Vikings wore horned and winged helmets, both of which became popularly associated with Vikings through the costumes used in Richard Wagner&amp;rsquo;s (1813-1883) Ring Cycle operas (although there is evidence for the ceremonial use of horned helmets in pre-Viking age Scandinavia), and the confusion in calling Wotan/O&amp;eth;in/Odin the thunder god instead of &amp;THORN;orr/Thor, allows for little confidence in the assertions of the article.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33483">
                <text>Gilroy, Rex</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="33484">
                <text>Psychic Australia (hard copy); Mysterious Australia (online) </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33485">
                <text>March 1977</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33486">
                <text>Copyright Â© 2006  - Uru Publications</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33487">
                <text>Website</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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      <tag tagId="6220">
        <name>BifrÃ¶st</name>
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      <tag tagId="6221">
        <name>Cairns</name>
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      <tag tagId="2975">
        <name>horned helmet</name>
      </tag>
      <tag tagId="6223">
        <name>Mysterious Australia</name>
      </tag>
      <tag tagId="2525">
        <name>Norse</name>
      </tag>
      <tag tagId="3173">
        <name>Odin</name>
      </tag>
      <tag tagId="5113">
        <name>opera</name>
      </tag>
      <tag tagId="6224">
        <name>Psychic Australia</name>
      </tag>
      <tag tagId="1350">
        <name>Qld</name>
      </tag>
      <tag tagId="475">
        <name>Queensland</name>
      </tag>
      <tag tagId="6222">
        <name>Rex Gilroy</name>
      </tag>
      <tag tagId="4774">
        <name>Richard Wagner</name>
      </tag>
      <tag tagId="4772">
        <name>Ring Cycle</name>
      </tag>
      <tag tagId="3952">
        <name>Scandinavia</name>
      </tag>
      <tag tagId="440">
        <name>ship</name>
      </tag>
      <tag tagId="2960">
        <name>swastika</name>
      </tag>
      <tag tagId="3177">
        <name>Thor</name>
      </tag>
      <tag tagId="5044">
        <name>Valkyrie</name>
      </tag>
      <tag tagId="2556">
        <name>viking</name>
      </tag>
      <tag tagId="6225">
        <name>Vikings Visited Cairns</name>
      </tag>
      <tag tagId="4806">
        <name>website.</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1087" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26964">
              <text>&lt;a href="http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&amp;amp;ViewID=2&amp;amp;MnuID=2" target="_self"&gt;http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&amp;amp;ViewID=2&amp;amp;MnuID=2&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26956">
                <text>&lt;em&gt;'Then one of them, which was a lawyer, asked him a question&lt;/em&gt;', by Grace Cossington Smith</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26957">
                <text>art, Australian artist, biblical, Blake Prize, devotional art, Giotto (c.1266-1337), Grace Cossington Smith (1892-1984), Masaccio, Matthew, painters, religious art, Renaissance art, scripture, Tommaso di ser Giovanni di Simone (c.1401-1428), Tribute Money.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26958">
                <text>This painting by Sydney artist Grace Cossington Smith derives its title,&lt;em&gt;'Then one of them, which was a lawyer, asked him a question'&lt;/em&gt;, from Matthew, Chapter xxii, verse 35. Although better known for her paintings of domestic interiors, this is one of two biblical works Cossington Smith painted for entry into the newly established Blake Prize for Religious Art in the early 1950s. Influenced generally by Renaissance artists such as Giotto, whose paintings she had seen in Italy, Cossington Smith used Masaccio&amp;rsquo;s '&lt;em&gt;Tribute Money'&lt;/em&gt; (from the Carmine in Florence) in particular as a model for this painting (see Bruce James, &lt;em&gt;Grace Cossington Smith&lt;/em&gt;, Roseville, Craftsman House, 1990, p.135). It featured alongside a number of Cossington Smith&amp;rsquo;s other works as part of an exhibition titled &lt;em&gt;Grace Cossington Smith: A Retrospective Exhibition&lt;/em&gt; at the National Gallery of Australia in 2005.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26959">
                <text>Grace Cossington Smith AO OBE (1892-1984)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26960">
                <text>National Gallery of Australia, accession no. NGA 1976.1059</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26961">
                <text>1952</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26962">
                <text>National Gallery of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26963">
                <text>Oil on canvas on paperboard painting, 59.1x86.3cm</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="575">
        <name>art</name>
      </tag>
      <tag tagId="5572">
        <name>Australian artist</name>
      </tag>
      <tag tagId="4530">
        <name>biblical</name>
      </tag>
      <tag tagId="5573">
        <name>Blake Prize</name>
      </tag>
      <tag tagId="4096">
        <name>devotional art</name>
      </tag>
      <tag tagId="5574">
        <name>Giotto (c.1266-1337)</name>
      </tag>
      <tag tagId="5575">
        <name>Grace Cossington Smith (1892-1984)</name>
      </tag>
      <tag tagId="5576">
        <name>Masaccio</name>
      </tag>
      <tag tagId="3046">
        <name>Matthew</name>
      </tag>
      <tag tagId="5577">
        <name>painters</name>
      </tag>
      <tag tagId="4100">
        <name>religious art</name>
      </tag>
      <tag tagId="4184">
        <name>Renaissance art</name>
      </tag>
      <tag tagId="5578">
        <name>scripture</name>
      </tag>
      <tag tagId="5579">
        <name>Tommaso di ser Giovanni di Simone (c.1401-1428)</name>
      </tag>
      <tag tagId="5580">
        <name>Tribute Money</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="251" public="1" featured="0">
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34456">
                  <text>Medievalism in the Classroom</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="5783">
              <text>Print Journal</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="13370">
              <text>&lt;h1&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf&lt;/a&gt;&lt;/h1&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13361">
                <text>Chaucer as Teaching Aid in the Colonies</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13362">
                <text>Chaucer, childrenâ€™s education, education, child, children, juvenile, Prioressâ€™s Tale, tabula rasa, Ovidâ€™s Metamorphoses, Ovid, Chaucerian, Chaucerian source, classical education</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="13363">
                <text>The opinion piece,â€œCatallictics  [mutatas dicere formas] An Introduction to New Speculations [In nova fert animus] takes it Latin from the first lines of Ovidâ€™s Metamorphoses (In nova fert animus mutatas dicere formas corpora; I tell now of bodies changed to new (other) forms [HH]). The quoted Chaucerian text is extracted from its context or narrative of the Prioressâ€™s Tale. Chaucer relied on Ovid, as did other medieval writers, but in this instance, Ovid, Chaucer, Catallus coalesce to showcase the sort of knowledge the well-educated new colonials imported from England. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13364">
                <text>Grey, Gaffer</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="13365">
                <text>Colonial literary journal and weekly miscellany of useful information, vol. 1. 32 1845, p. 75-6</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="13366">
                <text>1845</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13367">
                <text>No Copyright</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="13368">
                <text>Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="13369">
                <text>English</text>
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        <name>Chaucer</name>
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        <name>Chaucerian</name>
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        <name>Chaucerian source</name>
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        <name>child</name>
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        <name>children</name>
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        <name>childrenâ€™s education</name>
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        <name>classical education</name>
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        <name>education</name>
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        <name>juvenile</name>
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        <name>Ovid</name>
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        <name>Ovidâ€™s Metamorphoses</name>
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        <name>Prioressâ€™s Tale</name>
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        <name>tabula rasa</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
          <description/>
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            <elementText elementTextId="19376">
              <text>&lt;span&gt;&lt;a href="http://www.abc.net.au/news/2012-02-14/new-procession-ushers-in-slipper-era/3828928" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.abc.net.au/news/2012-02-14/new-procession-ushers-in-slipper-era/3828928&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="19366">
                <text>New Procession ushers in Slipper era</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Australian Parliament, Canberra, ceremonial robes, Chamber, House of Representatives, lobby, mace, medieval ritual, parliament, Parliament House, procession, public display, ritual, serjeant-at-arms, Speaker, weapon</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This article from the online edition of ABC News reports on a change in Australian parliamentary procedure. A longer and more formal procession from the lobby of Parliament House to the Chamber of the House of Representatives has been introduced by Peter Slipper (the Speaker) on Tuesdays, the article explains, so that visitors and members of the public are better able to witness the ceremonial opening of parliamentary proceedings. An image of Slipper, in his ceremonial robes, following the Serjeant-at-Arms and the official mace accompanies the article. The mace plays an important and symbolic role in the House of Representatives, as in the British House of Commons. The association of the mace with parliament most likely originates from the medieval period, when the Kingâ€™s bodyguards, also known as serjeants-at-arms, were each armed with a mace. Gradually, the mace became associated with the customs and rituals of parliamentary ceremony rather than with its former use as a weapon. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="19369">
                <text>Griffiths, Emma</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="19370">
                <text>ABC News Online</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19371">
                <text>ABC News Online</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="19372">
                <text>14 February 2012</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19373">
                <text>ABC</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="19374">
                <text>Hyperlink; Newspaper Article</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>Australian Parliament</name>
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        <name>ceremonial robes</name>
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        <name>House of Representatives</name>
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        <name>lobby</name>
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        <name>mace</name>
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        <name>medieval ritual</name>
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        <name>parliament</name>
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        <name>ritual</name>
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        <name>serjeant-at-arms</name>
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        <name>Speaker</name>
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        <name>weapon</name>
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