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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Priestâ€™s Lodge in the small rural Western Australian town of Morawa was built to the design of Monsignor John Cyril Hawes as accommodation for visiting priests. The diminutive stone building was completed in 1933 and features Gothic pointed arches in keeping with the adjacent Church of the Holy Cross, also designed by Hawes.&#13;
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For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>Munro, Tony</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Plantagenet Wines</text>
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                <text>advertising, advertisement, banner, Fremantle, heraldry, lions passant, Mount Barker, Plantagenet, Plantagenet Wines, Richard I, Richard the Lionheart, Royal Arms of England, Shire of Plantagenet, sign, WA, Western Australia, wine</text>
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                <text>&lt;p&gt;Plantagenet Wines have a winery near small rural Western Australian town of Mount Barker in the Shire of Plantagenet. They also have an office in the Perth suburb of Fremantle, where this photograph was taken. The banner depicts the company&amp;rsquo;s label, also found on their wine bottles, which depicts three lions known as lions passant (walking) in heraldry. The design is based on that used by the Plantagenet dynasty, beginning with King Richard I (the Lionheart) of England (1157-1199). The three lions on the coat of arms of the Plantagenets had blue claws and tongues. The design is also known as the Royal Arms of England.&lt;/p&gt;&#13;
For Plantagenet Wines see &lt;a href="http://www.plantagenetwines.com/" target="_blank"&gt;http://www.plantagenetwines.com/&lt;/a&gt;</text>
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                <text>6 May 2012</text>
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                <text>Shane McLeod (photograph); &#13;
Plantagenet Wines (banner/design).</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Great Synagogue, Sydney</text>
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&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;&lt;/div&gt;&#13;
&lt;h3&gt;&amp;nbsp;&lt;/h3&gt;</text>
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                <text>&lt;p&gt;Ballarat Clarendon College in the Victorian city of Ballarat was established in 1974 through the amalgamation of Ballarat College (est. 1864) and Clarendon Presbyterian Ladies&amp;rsquo; College (est. 1876). The school is now associated with the Uniting Church. The building in the photograph is the main entrance to the college on Sturt Street. The red brick building is in Gothic style and features pointed arch entrances, a central tower with crenellation, and the college coat of arms. &amp;nbsp;&lt;/p&gt;&#13;
For the college website see &lt;a href="http://www.clarendon.vic.edu.au/" target="_blank"&gt;http://www.clarendon.vic.edu.au/&lt;/a&gt;</text>
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                <text>An image of a person jousting at Kryal Castle in Ballarat. Jousting was a popular medieval and Renaissance sport from the thirteenth century, and is often associated with the chivalric ideal.&#13;
&#13;
About Kryal Castle:&#13;
&#13;
Located 8km from Ballarat in Victoria, Kryal Castle is a local tourist attraction. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. &#13;
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                <text>Image used with permission of N. Jeffrey</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Reredos, St Andrewâ€™s Cathedral, Sydney</text>
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                <text>Alabaster, armour, Edmund Blacket, Earp, Gothic, Gothic Revival, knight, New South Wales, NSW, reredos, resurrection, Sydney</text>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral is in the Gothic Revival style and was designed by the English architect Edmund Blacket. This photograph shows a panel of the alabaster reredos found inside the cathedral and is of interest from a medievalism perspective for depicting the soldiers at the feet of Christ as armoured medieval knights. The reredos was made by the sculptor Earp in 1887.</text>
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                <text>McLeod, Shane</text>
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                <text>6 February 2012</text>
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        <name>Sydney</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The 1865 Building: Brunswick Uniting Church, Melbourne, Victoria</text>
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                <text>architecture, Brunswick, buttress, Charles Webb (1821-1898), church, church building, decorated gothic window, Evander McIver, gable, gothic architecture, gothic revival, lancet arch, lancet window, neo-gothic, Presbyterian church, quoin, spire, tower, tracery, VIC, Victoria, Victorian Gothic, arches, arch</text>
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                <text>A view of original church building at the Brunswick Uniting Church, located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the same site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church, featured here, was constructed in 1865 to the neo-gothic design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the corners and buttresses. Both structures were originally built as Presbyterian churches. </text>
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                <text>McEwan, Susan</text>
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                <text>No Copyright</text>
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