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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Flying Buttresses, St Patrickâ€™s Basilica, Fremantle, Western Australia</text>
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                <text>arch, architect, architecture, basilica, blind arch, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, flying buttress, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, Sydney freestone, Thomas Ryan OMI, tower, tracery, Vatican, Western Australia, WA</text>
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                <text>A view of a flying buttress at the Basilica of St Patrickâ€™s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building.&#13;
&#13;
About St Patrickâ€™s Basilica:&#13;
&#13;
St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994. </text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>alchemy, basilisk, car, castle, chess, exhibition, dragon, Ford Anglia, giant, goblin, Harry Potter, hippogriff, knight, Lewis Island chess set, New South Wales, NSW, pixie, poster, Powerhouse Museum, Sydney, troll, unicorn, witch, wizard</text>
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                <text>&lt;p&gt;One of two photographs associated with Harry Potter: The Exhibition at the Powerhouse Museum in Sydney from November 19, 2011 &amp;ndash; March 18, 2012. This photograph shows the Ford Anglia that was enchanted so that it could fly. The car appeared in Harry Potter and the Chamber of Secrets. Although set in a magical version of the contemporary world, the Harry Potter books and films feature strong medieval influences. For example Hogwarts School of Witchcraft and Wizardry is situated in a castle complete with a Great Hall, and in Harry Potter and the Philosopher&amp;rsquo;s Stone the characters play with a replica of the twelfth-century Lewis Island chess set and later play a life-sized version of chess with pieces based on medieval knights. The philosopher&amp;rsquo;s stone itself was sought by alchemists during the middle ages. Medieval-style characters include witches, wizards, giants, goblins, dragons, a basilisk, a hippogriff, trolls, pixies, and unicorns.&lt;/p&gt;&#13;
&lt;p&gt;Due to the immense popularity of the Harry Potter series it is likely to be the first place that many people encounter medievalism and the medieval.&lt;/p&gt;&#13;
For more on the exhibition see &lt;a href="http://www.powerhousemuseum.com/harrypotter/overview.php" target="_blank"&gt;http://www.powerhousemuseum.com/harrypotter/overview.php&lt;/a&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>Shane McLeod; &#13;
The Powerhouse Museum</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;strong&gt;&lt;a href="http://nla.gov.au/nla.news-article32284539" target="_blank"&gt;&lt;strong&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article32284539&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;</text>
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                <text>For St. Mary's Cathedral</text>
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                <text>â€œSt Maryâ€™s Cathedralâ€, â€œSt. Maryâ€™s churchâ€, Cathedral, church, Catholicism, â€œGothic architectureâ€, â€œEast Perth", stonemason, masons, guild, craftsmen, stonework, "stone carving."</text>
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                <text>This photograph from the West Australian shows a mason carving a crocket on a stone pinnacle during the building of St. Maryâ€™s Cathedral in East Perth in 1929. The caption accompanying the photograph likens his work to that of a medieval guild craftsman. </text>
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                <text>Image of the tower of the former Perth Technical College. This brick building was designed by the government architect Hillson Beasley and completed in 1910. The only medieval feature of the Federation-era building is its side tower with castellated parapets.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fortified House, Northern Tasmania</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Crenellation, domestic architecture, fortified house, house, Launceston, parapet, Tasmania, tower</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This fortified house can be found on the road between Launceston and Lillydale in northern Tasmania. The single level stone fortifications are attached to a farmhouse and include round towers linked by a wall, all of which have a crenelated parapet. The towers contain water tanks. </text>
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            <name>Creator</name>
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                <text>July 28, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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&#13;
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        <name>fortified house</name>
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        <name>house</name>
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        <name>Launceston</name>
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        <name>Tasmania</name>
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        <name>tower</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fortress Risk Insurance Services, Launceston, Tasmania</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Castle, crenellation, fortress, Fortress Risk Insurance Services, insurance, Launceston, logo, parapet, sign, Tas, Tasmania, tower.</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;Fortress Risk Insurance Services are based in the Tasmanian city of Launceston and were established in 2011. The logo for the company, as seen in the photograph, is the outline of part of a medieval fortress. It gives the appearance of a castle tower with a crenelated parapet.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.fortressrisk.com.au/" target="_self"&gt;http://www.fortressrisk.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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            <name>Format</name>
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                <text>Digital Photograph</text>
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        <name>crenellation</name>
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        <name>Fortress Risk Insurance Services</name>
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        <name>Launceston</name>
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        <name>parapet</name>
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        <name>sign</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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