58 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&IRN=100786">http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&IRN=100786</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Inferno, canto XIII: The Forest of Suicidesâ€™ by Fiona Hall Subject The topic of the resource Afterlife, allegory, art, artwork, birds, canto, Dante Alighieri, dogs, epic poem, forest, Giacomo of Santâ€™ Andrea, harpies, Hell, â€˜Illustrations to Danteâ€™s Divine Comedyâ€™, Inferno, journey, Lano, medieval literature, mastiffs, medieval world-view, modern art, Pier della Vigna (c.1190-1249), photograph, poem, punishment, sin, soul, suffering, The Divine Comedy, The Forest of the Suicides, The National Gallery, trees, underworld, Virgil, wounded. Description An account of the resource This photographic artwork by Australian artist Fiona Hall belongs to a series titled ‘Illustrations to Dante’s Divine Comedy’. It is held by The National Gallery of Australia and depicts a scene from canto XIII of Dante Alighieri’s ‘Inferno’, the first part of his famous medieval Italian poem The Divine Comedy. Written between 1308 and 1321, The Divine Comedy tells of Dante’s journey through hell, purgatory and paradise respectively, guided at first by the Roman poet Virgil and then by his ideal woman, Beatrice. In canto XIII, Dante and Virgil descend into the second ring of the seventh circle of hell, where people who committed suicide were cast. They come across a thorny, tangled forest of gnarled trees that bleed and cry in pain when they are broken. One of the trees, who identifies himself as Pier della Vigna, a prominent figure at the imperial court of Frederick II, explains to Dante that people like himself who committed suicide were sent by Minos to the wood where they would grow into trees, all the while being wounded by harpies (half woman/half-bird creatures) who would tear and feast on their leaves. They are then disturbed by the sight of two figures running frantically through the forest. The slower of the two, subsequently identified as Giacomo of Sant’ Andrea, takes refuge in a bush, only to be pounced upon by a number of black female mastiffs who ‘rent him piecemeal’. For an English translation of ‘Inferno, canto XIII’, translated by the Rev. H. F. Cary, see: <a href="http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html">http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html</a> Creator An entity primarily responsible for making the resource Fiona Margaret Hall Source A related resource from which the described resource is derived The National Gallery of Australia Publisher An entity responsible for making the resource available The National Gallery of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1988 Rights Information about rights held in and over the resource The National Gallery of Australia Format The file format, physical medium, or dimensions of the resource Photograph, 53.3cm x 61.5cm. â€˜Illustrations to Danteâ€™s Divine Comedyâ€™ Afterlife allegory art artwork birds canto Dante Alighieri dogs epic poem forest Giacomo of Santâ€™ Andrea harpies Hell Inferno journey Lano mastiffs medieval literature medieval world-view modern art photograph Pier della Vigna (c.1190-1249) poem punishment sin soul suffering The Divine Comedy The Forest of the Suicides The National Gallery trees underworld Virgil wounded Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/703/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown Subject The topic of the resource Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour. Description An account of the resource This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled “Geoffrey Chaucer Reading the ‘Legend of Custance’ to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince’s Forty-Fifth Birthday”, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King’s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown’s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer & Laura MacCulloch, Ford Madox Brown: The Unofficial Pre-Raphaelite, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the ‘Father of English poetry’. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because “the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity” (Velma Bourgeois Richmond, “Ford Madox Brown’s Protestant Medievalism: Chaucer and Wycliffe”, Christianity and Literature, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled The Seeds and Fruits of English Poetry, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns. Creator An entity primarily responsible for making the resource Ford Madox Brown Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1847-1851 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 372cm x 296cm â€˜Legend of Custanceâ€™ Alice Perrers (1348-1400) anniversary art artwork birthday Black Prince (1330-1376) court Custance Dante Gabriel Rossetti (1828-1882) Edward III (1312-1377) English language Geoffrey Chaucer (c.1343-1400) history painting jester John of Gaunt (1340-1399) knight Lute palace of Sheen poetry Pre-Raphaelite reading royalty troubadour https://ausmed.arts.uwa.edu.au/files/original/ed3e43619ac78c915ad38e7fcfe0b947.pdf 30aa5ae8c7cb23b2f52261855c6449ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Poem; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Vikingâ€™ poem Subject The topic of the resource Viking, vikings, poem, poetry, poet, poems, Adelaide, Freya, J.A. Fort, Norsemen, Odin, legend, legends, raid, The Register, SA, saga, ships, skald, South Australia, The Spectator, Thor, Valhalla Description An account of the resource A poem by J.A. Fort published in the UK magazine The Spectator and reprinted on page 5 of the Adelaide newspaper The Register on September 25, 1926. The poem describes the attraction of going on a Viking raid by ship, including the knowledge that if you are killed you will go to Valhalla and meet Norse gods such as Odin, Thor and Freya, as skalds sing and tell sagas. The poem was presumably reprinted as it was considered of interest to the readers of the newspaper. Creator An entity primarily responsible for making the resource Fort, J.A. Source A related resource from which the described resource is derived National Library of Australia; The Spectator Publisher An entity responsible for making the resource available The Spectator; The Register Date A point or period of time associated with an event in the lifecycle of the resource 25 September, 1926 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Poem; Newspaper Article; PDF Language A language of the resource English Adelaide Freya J.A. Fort legend legends Norsemen Odin poem poems poet poetry raid SA saga ships skald South Australia The Register The Spectator Thor Valhalla viking vikings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <a href="http://www.fourseasonsgutterpro.com.au/">http://www.fourseasonsgutterpro.com.au/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Seasons Gutter Protection Subject The topic of the resource Advertisement, cartoon, flail, foot soldier, Four Seasons Gutter Protection, helmet, mace, pike, shield, soldier, spear, Vic, Victoria, website. Description An account of the resource The website and advertisements for Four Season Gutter Protection feature four cartoon medieval foot soldiers wearing helmets and brandishing shields and weapons – flails (a type of mace) and spears or pikes. The heads of the weapons are in the shape of different leaves, and the leaves also feature on the soldiers helmets and shields. The soldiers are evidently protecting your gutters against leaves. Four Season Gutter Protection are an Australian-wide company based in Victoria. For their website see <a href="http://www.fourseasonsgutterpro.com.au/">http://www.fourseasonsgutterpro.com.au/</a>   Creator An entity primarily responsible for making the resource Four Seasons Gutter Protection Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource Â© 2011 Four Seasons Gutter Protection. All Rights Reserved. Format The file format, physical medium, or dimensions of the resource Website advertisement cartoon flail foot soldier Four Seasons Gutter Protection helmet mace pike shield soldier spear Vic Victoria website. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article39362684" target="_self">http://nla.gov.au/nla.news-article39362684</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Meet Saltbush Bill – A Real Troubador of the Outback’, Western Mail, 1 July 1954 Subject The topic of the resource Band, entertainment, folk music, itinerant, lyric poetry, minstrel, music, outback, performers, Saltbush Bill, singer, travelling show, troubadour, wandering singers, William Rawle. Description An account of the resource This interest piece from the Western Mail in 1954 introduces readers to Saltbush Bill, a travelling Australian folk band created and led by Queenslander William Rawle. The article likens the band to the troubadours of the medieval period, because they toured a number of small, outback Australian towns. Troubadours were travelling performers - or ‘wandering minstrels’ - in the High Middle Ages, who moved from town to town singing and reciting lyrical poetry, which were often based on themes of chivalry and courtly love. Creator An entity primarily responsible for making the resource Frank Devine Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article39362684" target="_self">http://nla.gov.au/nla.news-article39362684</a> Publisher An entity responsible for making the resource available Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 1 July 1954, p.48 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article https://ausmed.arts.uwa.edu.au/files/original/3f8bef8d878a0fa1fee7392d239e49c0.pdf 165ed994e4bed972b98f8ed7eb2434e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Bernard Shaw, playwright. Miracle plays of medieval church as influences. Subject The topic of the resource Bernard Shaw, Edith M. Fry, origins of modern theatre, medieval mystery plays, theatre, drama, tragedy and comedy in theatre, medieval church passion play, miracle plays, medieval stage influence on Shawâ€™s drama, Oberammergau Passion play Description An account of the resource Edith M. Fry interviews Bernard Shaw about his dramatic philosophy. Shaw claims that tragedy and comedy are intertwined. He delivers a short history of the theatre from Greek to modern times. He models his lack of scenery changes on stage from the techniques of the miracle plays of the medieval church. The miracle plays have no curtain; all scenery is placed on the stage; actors pass easily from one location to another without a change of scenery. He cites the Oberammergau Passion Play as an example. Shaw concludes that great drama ought not to depend on elaborate or changing scenery. Creator An entity primarily responsible for making the resource Fry, Edith M. Source A related resource from which the described resource is derived Sydney Morning Herald/National Library of Australia Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 15 May 1920 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Bernard Shaw drama Edith M. Fry medieval church passion play medieval mystery plays medieval stage influence on Shawâ€™s drama Miracle plays Oberammergau Passion play origins of modern theatre play plays theatre tragedy and comedy in theatre Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <a href="http://www.jousting.com.au/">http://www.jousting.com.au/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Full Tilt jousting Subject The topic of the resource Armour, Bathurst, costume, Full Tilt, Full Tilt Knight Riders, jousting, knight, lance, motorcycle, New South Wales, NSW, re-enactment, sport, sword, tournament, video, Rod Walker, website. Description An account of the resource Full Tilt is a jousting entertainment company run by Rod Walker based in the New South Wales city of Bathurst. They can be hired for events wherein performers dressed as medieval knights perform feats of swordplay before they put on a jousting display on specially trained horses. Full Tilt also offer the Knight Riders: modern-day knights mounted on customised motor bikes jousting. Their website can be found at <a href="http://www.jousting.com.au/">http://www.jousting.com.au/</a> A video of a Full Tilt jousting demonstration can be found at <a href="http://www.youtube.com/watch?feature=player_embedded&v=K2Quf_6K7-A">http://www.youtube.com/watch?feature=player_embedded&v=K2Quf_6K7-A</a>#! Creator An entity primarily responsible for making the resource Full Tilt Date A point or period of time associated with an event in the lifecycle of the resource June 14, 2012 Rights Information about rights held in and over the resource Full Tilt Format The file format, physical medium, or dimensions of the resource Weblink Armour Bathurst costume Full Tilt Full Tilt Knight Riders jousting knight lance motorcycle New South Wales NSW re-enactment Rod Walker sport sword tournament video website. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL This artwork can be viewed online at: <a href="http://www.artwhatson.com.au/hawkesbury/the-long-paddock-a-30-year-survey/mother-and-child" target="_self">http://www.artwhatson.com.au/hawkesbury/the-long-paddock-a-30-year-survey/mother-and-child</a>, or in The Long Paddock: A 30 Year Survey Exhibition Catalogue at:<a href="%20http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf" target="_self"> http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Mother and Childâ€™ by G. W. Bot Subject The topic of the resource Art, child, Christ, devotional, exhibition, G. W. Bot, icon, infant Jesus, Madonna, Mary, medieval painters, Mother, Mother and Child, religious art, spirituality, Virgin Mary. Description An account of the resource This linocut print, Mother and Child (1985), by artist G. W. Bot depicts a Madonna and child scene in which the frame is occupied almost exclusively by a Virgin Mary figure holding a child. Although held by a private collector, the piece was exhibited in a number of regional Australian art galleries between 2010 and 2013 as part of a touring exhibition of G. W. Bot’s work – The Long Paddock: A 30 Year Survey – developed by the Goulburn Regional Art Gallery and curated by Peter Haynes. Bot’s inspiration for this work derives from the status of the Madonna and Child as a powerful Christian icon, especially in medieval religious art. During an interview conducted for the educational resource kit accompanying the exhibition, G. W Bot acknowledged this medieval influence: ‘I’ve also found inspiration in the medieval icon painters – I’ve always been fascinated by the question of how to encode spirituality in the visual arts’ (see: <a href="http://www.grag.com.au/userfiles/file/GW%20BOT%20Education%20Kit.pdf" target="_self">http://www.grag.com.au/userfiles/file/GW%20BOT%20Education%20Kit.pdf</a>). For more on this artwork and other works featured in the exhibition, see the Exhibition Catalogue at: <a href="http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf" target="_self">http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf</a> Creator An entity primarily responsible for making the resource G. W. Bot (Chrissy Gishkin) Source A related resource from which the described resource is derived The Long Paddock: A 30 Year Survey Exhibition (<a href="http://www.grag.com.au/site/exhibition.php?id=3" target="_self">http://www.grag.com.au/site/exhibition.php?id=3</a>) Date A point or period of time associated with an event in the lifecycle of the resource 1985 Rights Information about rights held in and over the resource Goulburn Regional Art Gallery Format The file format, physical medium, or dimensions of the resource Linocut on BFK Paper, 62cm x 55.5cm art child Christ devotional exhibition G. W. Bot icon infant Jesus Madonna Mary medieval painters Mother Mother and Child religious art spirituality Virgin Mary