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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A close-up view of the decorated gothic window and bold corner quoins on the west facade of the Brunswick Uniting Church, located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the same site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church was constructed in 1865 to the design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church, featured here, was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the corners and buttresses. Both structures were originally built as Presbyterian churches. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Andrewâ€™s Congregational Church, Balmain, Sydney.</text>
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                <text>St Andrewâ€™s Congregational Church, is on Darling Street in the Sydney suburb of Balmain. Designed by architects Goold and Field, the church was completed in 1855 and was built with local stone in the Decorated Gothic style. The exterior features arched windows with tracery and a central spire, whilst the interior has an elaborate wooden ceiling.  &#13;
&#13;
The Congregational Church began in England in 1592 and hold that authority rests with the congregation rather than a Pope or Bishop.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;The Queen Victoria Building was designed in Romanesque style by George McRae and completed in 1898. The Royal Clock is one of two large clocks suspended from the top level of the building. Above the clock face is a miniature castle with towers and crenellation, and featuring the Royal coat of arms. The clock was designed by Neil Glasser and made by Thwaites and Reed of Hastings, England. It features six scenes about English royalty, including King John signing the Magna Carta in 1215.&lt;/p&gt;&#13;
For more on the building see &lt;a href="http://www.qvb.com.au" target="_blank"&gt;http://www.qvb.com.au&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;p&gt;The Queen Victoria Building was designed in Romanesque style by George McRae and completed in 1898. The Royal Clock is one of two large clocks suspended from the top level of the building. Above the clock face is a miniature castle with towers and crenellation, and featuring the Royal coat of arms. The clock was designed by Neil Glasser and made by Thwaites and Reed of Hastings, England. It features six scenes about English royalty, including King John signing the Magna Carta in 1215.&lt;/p&gt;&#13;
For more on the building see &lt;a href="http://www.qvb.com.au" target="_blank"&gt;http://www.qvb.com.au&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Loreto College was founded in the rural Victorian city of Ballarat by the Catholic Loreto Sisters as a school for girls in 1875. The photograph is of the gate at the entrance to the College grounds. The brick gate is in the Gothic architectural style with pointed arches and crenellation. The Loreto Order was founded in England in 1609 with the aim of establishing schools for girls that would tend to their spiritual and intellectual needs.&lt;/p&gt;&#13;
For the college website see &lt;a href="http://www.loreto.vic.edu.au/index.php" target="_blank"&gt;http://www.loreto.vic.edu.au/index.php&lt;/a&gt;</text>
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                <text>&lt;p&gt;The present St Mary&amp;rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.&lt;/p&gt;&#13;
For more on the cathedral see &lt;a href="http://www.stmaryscathedral.org.au/" target="_blank"&gt;http://www.stmaryscathedral.org.au/&lt;/a&gt;</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>An image taken at the Kryal Castle model Medieval Torture display. This mannequin is being tortured upon the breaking wheel, an effective form of capital punishment used in the Middle Ages.&#13;
&#13;
About Kryal Castle:&#13;
&#13;
Located 8km from Ballarat in Victoria, Kryal Castle is a local tourist attraction. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Image used with the permission of N. Jeffrey</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>functions</name>
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        <name>Keith Ryall</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A close-up of the upper level of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style and constructed between 1879 and 1881. In this photograph, a number of the buildingâ€™s neo-gothic features are evident. These include: the upper level windows, which comprise pairs of trefoil pointed lancets separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch; the blind tracery, arcading and rose window on the adjacent wall; the lancet arcade forming a parapet along the roofline and the false machiolation used for decorative effect below; the gable roof; and the turret.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building officially opened in 1882. It was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today the Mitchell Building is used as an administrative hub. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Dorey, Margaret</text>
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