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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Society for Creative Anachronism, SCA, Kingdom of Lochac, recreation, re-creation, tourney, tournament, Saint Basil, Saint Lazarus, medieval women, fashion, UWA, University of Western Australia, Murdoch University, medieval style, art, craft, finger braiding, medieval craft</text>
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                <text>A girl in a sixteenth century inspired dress and cap demonstrating the art of finger braiding at the Society for Creative Anachronism's College Challenge tournament. The event was held at the University of Western Australia and featured participants from St. Basil (UWA) and St. Lazarus (Murdoch University).&lt;br /&gt; &lt;br /&gt; About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>The Society for Creative Anachronism</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article37685191" target="_blank"&gt;http://nla.gov.au/nla.news-article37685191&lt;/a&gt;</text>
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                <text>Cathedral, corsage, Finucane, Higgins, Keoghâ€™s Hall, medieval style, medieval design, organ, St Maryâ€™s Cathedral, Tasmania, wedding dress, wedding, gown</text>
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                <text>This article from the wedding column of the Western Mail gives an account of the wedding of Josephine Higgins and Kevin Finucane at St Maryâ€™s Cathedral on 6 January 1930. The brideâ€™s dress is described as a picture frock of soft white satin, with a corsage â€œcut along medieval linesâ€, long sleeves and a diamante ornament on the waist. The skirt was ankle-length and embossed with pearl flowers, and she also wore a tulle veil with a circle of silver leaves and orange buds. The reception was held at Keoghâ€™s Hall before the bride and groom left for their future home in Tasmania.</text>
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6 February 1930, p.36</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A photograph of the former Fire Station, now a museum, in Murray Street, Perth. The limestone and tile station was designed by Cavanagh and Cavanagh and built in the early twentieth century. The building is an example of the Federation Romanesque style and features turrets, recessed colonnades, and arches.</text>
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                <text>McLeod, Shane</text>
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                <text>17 December 2011</text>
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                <text>A photograph of the former Fire Station, now a museum, in Murray Street, Perth. The limestone and tile station was designed by Cavanagh and Cavanagh and built in the early twentieth century. The building is an example of the Federation Romanesque style and features turrets, recessed colonnades, and arches.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Flamingos Dance Bar, Hobart, Tasmania</text>
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                <text>Flamingos Dance Bar at 201 Liverpool Street, Hobart, is in a medieval-inspired building. It has the appearance of a small fortification or castle, with a central tower and six fortified turrets. The brick building is topped by a crenelated parapet, or battlements. The accentuated brickwork along the buildingâ€™s edges, and the rounded arch windows add to the medieval effect.  </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of Flinders Street Station, located at the intersection of Flinders Street and Swanston Street in Melbourne&amp;rsquo;s CBD. Flinders Street station was designed by architects James Fawcett and HCP Ashworth, who won a competition to re-design the station in 1899. Building commenced in 1900 and was completed in 1910. The architecture is often described as "Edwardian Free Style", which suggests a design featuring an eclectic mix of different architectural elements without favouring any particular style from the past (see Richard Apperly, Robert Irving, Peter Reynolds, &lt;em&gt;A Pictorial Guide to Identifying Australian Architecture: Styles and Terms from 1788 to the Present&lt;/em&gt;, North Ryde, Angus &amp;amp; Robertson, 1989, p.139). However, the station architects described their design as &amp;ldquo;French Renaissance in a free manner&amp;rdquo;, which suggests rather that they did start with a particular Renaissance style in mind, into which they incorporated a number of other elements and influences, such as Art Nouveau (See the Victorian Heritage Database report at: &lt;a href="http://vhd.heritage.vic.gov.au/#detail_places;752" target="_self"&gt;http://vhd.heritage.vic.gov.au/#detail_places;752&lt;/a&gt;). The exterior of the station is constructed in red brick with yellow pressed cement decoration, while the interior also has a number of pressed metal features. A large dome, reminiscent of Brunelleschi&amp;rsquo;s fifteenth-century addition to The Duomo in Florence, adorns the roof of the station and is flanked on either side by a smaller cupola.</text>
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                <text>McEwan, Joanne</text>
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                <text>No Copyright</text>
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            <elementTextContainer>
              <elementText elementTextId="25879">
                <text>2x Digital Photograph</text>
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        <name>Vic</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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PDF</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=50985"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=50985&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Float for the Juvenile Section of the Ancient Order of Foresters</text>
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                <text>Ancient Order of Foresters, Foresters, friendly societies, friendly society, procession, processions, parade, parades, float, floats, fraternity, fraternities, banner, banners, child, children, juvenile, Ted Hood, NSW, New South Wales</text>
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                <text>&lt;p&gt;Image depicting a children's float for the Ancient Order of Foresters at a parade in NSW.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Foresters are a non-profit &lt;span class="spelle"&gt;organisation&lt;/span&gt;. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were &lt;span class="spelle"&gt;utilised&lt;/span&gt; for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated &lt;span class="grame"&gt;members,&lt;/span&gt; has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." &lt;/span&gt;&lt;/p&gt;</text>
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                <text>Hood, Ted</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="12869">
                <text>State Library of New South Wales</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1929</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12871">
                <text>State Library of New South Wales</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12872">
                <text>Hyperlink</text>
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        <name>Ancient Order of Foresters</name>
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        <name>banner</name>
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      <tag tagId="420">
        <name>banners</name>
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      <tag tagId="339">
        <name>child</name>
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      <tag tagId="85">
        <name>children</name>
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      <tag tagId="478">
        <name>float</name>
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      <tag tagId="879">
        <name>floats</name>
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        <name>Foresters</name>
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        <name>fraternities</name>
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        <name>friendly societies</name>
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        <name>friendly society</name>
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        <name>juvenile</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>parade</name>
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        <name>parades</name>
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        <name>procession</name>
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        <name>processions</name>
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        <name>Ted Hood</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/bd6acc39aa94efeed07314ca8225ed69.jpg</src>
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                <name>Bit Depth</name>
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                    <text>533</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="12934">
              <text>Digital Photograph; JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Flying Buttresses, St Patrickâ€™s Basilica, Fremantle, WA</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="12928">
                <text>arch, architect, architecture, basilica, blind arch, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, flying buttress, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, Sydney freestone, Thomas Ryan OMI, tower, tracery, Vatican, Western Australia, WA</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A view of a flying buttress at the Basilica of St Patrickâ€™s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building.&#13;
&#13;
About St Patrickâ€™s Basilica:&#13;
&#13;
St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="12930">
                <text>McEwan, Joanne</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="12931">
                <text>4 February 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12932">
                <text>No copyright</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12933">
                <text>Digital Photograph; JPEG</text>
              </elementText>
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        <name>arch</name>
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        <name>architecture</name>
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        <name>blind arch</name>
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        <name>church building</name>
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        <name>Federation Gothic Style</name>
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        <name>flying buttress</name>
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        <name>Gothic Revival</name>
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        <name>lancet window</name>
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      <tag tagId="800">
        <name>limestone</name>
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        <name>masonry</name>
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        <name>Michael Cavanagh</name>
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        <name>Oblates of Mary Immaculate</name>
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        <name>Thomas Ryan OMI</name>
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        <name>tower</name>
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        <name>WA</name>
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